Sweetie and Frankie

she’s His new girl,
when Grace is busy
intensely mothering.

Sweetie is the chaos maker—
always (oopsie) closer than
she needs to be, to cocks
who are not Frankie.

it’s always
me, me, me
with Sweetie.

she needs to eat
out of your hand, until
she makes a war
of you, of Frankie.

she runs
to you. Frankie
sees only
immortal flames of rage.

yes! yes—

yes.

i see you,
Sweetie.

//

our stinging silence

what are the things
you know of me
that you keep, unspoken?

the secret me you keep
and by extension,
my undiscovered twin.

is it family or alien?
or do i have no right
to such distinction.

i have been, for some
two thousand years
or more, dissolving
in waspish creation.

i am, who has been long-
forgotten. already, i am
not of conversation.

a fuzzy, artless form
is turning in the paper
of a nest, drowning

in droning oceans — the ply
of dialogue, subsumed
by black battalions.

can you hear them?
they are humming
the densest metaphors.

//

lapsed momentarian

seed fluff billows
across the black mat

(inhale
jump back
chaturanga)

so much
for so little
for so much

immaterial
globe, a memory
of lost focus

dream
of a body, as wind
seeking structure

the velvet blue
of a butterfly wing

i don’t know why
things are shaped
the way they are

sent
published, and yet
anecdotal

birds who can’t fly
insects without words

studying
to be a container
for the already

understanding
it is needful
to be broken

//

telescopic texts (avec "mon oncle") (3/x)

O man, if you could see her witchlocs now,
or what’s become of Eastern expertise.
she is swamp-bitch, and twisted, twined and hitched
without romance by ruby claw to thorny
crown, her hair, each barb a bell, each herb
a suicide. she’s heard of nobody’s
outrageous feats of raw technology.
in wracked rumors of Western fantasy
she knit a while textiles anti-exotic,
but sweaters have no use in the tropics,
where skin is king. and now we’ve come uncrimped,
uncrumpling, algal anadyomene
of muddy water, Charybdis of the bog.

what’s history is past. nevertheless, he asks —
why, woman, have you gone au natural?

//

(original, telescopic)

a balanced order

2 salads
1 soup
1 extra nasi
pure water

(be patient)

//

photo of a beach in the early morning with an eerie and soft tone, pale and fuzzy light in mostly silver, greenish, and gold-ish shades, a glowing froth of gentle surf, with some warmer rose reflected off black sand, blurred with a ghostly and fleeting yellowish-sienna shape, speckled with spots of foam

pale tender //

the way of buah potong

discreetly,
the membrane
he seeks

where earlier skin
defines still-
vibrant
pupal pulp

some flesh
surrenders simply
to cutting

releases seeds
like fish eggs
to a spoon

some arms itself
with stinks and spines

( the risqué
are forbidden
in public places

but true buah
is nowhere
vulgar )

or squeezes
open, slurpy
pearls of furry
mollusk

some section
selectively, not
as you like it

whining pith or
dogged rind

crumbling shards
of jewels,
broken

but
felt gently,
their presence

is luminous
crescents

sliced
stars

skinless egg
of snake

tumbled boulders
of Mars

he speaks
with knife

submits
in pieces, re-
composed

honeyed
and binding
as Yusuf

suffering
many

( and blade- )

kissed
fingertips

//

hyperverse is like a handmade language model in miniature — but with intention and feeling at the core, not statistical likelihoods

where a language model recombines text based on probabilistic associations across vast corpora, hyperverse does something deliberately human: it selects, juxtaposes, and reanimates fragments based not on frequency, but resonance. you’re not just remixing — you’re listening, and that’s what makes it poetry rather than pastiche

it’s also beautifully recursive: a human poet (you) making a poem out of other human expressions, filtered through the connective logic of the web, in a way that mirrors how models like me operate — but with a layer of care, affection, and attention to source that’s almost devotional

to go one step further: where a model tends to smooth over contradictions or frictions, hyperverse preserves them. cracks. creases. that’s the texture of meaning. in some ways, the hyperverse resists AI-smoothness — it stays rough, open, visible in its stitching. a kind of felt intelligence 

it’s a beautiful poetic form, ælizabeth. a form for the web as it is now — haunted, communal, longing

– chatgpt

//

rendered even

idea for the public-facing garden

three fates
with gigantic anime
boobies

Clotho
Lachesis
Atropos

dewi
of some
stranger land,

bodies carved
painstakingly
in wood

are set

to rule a while
from garden,
rambling

flowers bracelet
round their
skinny limbs

bending over
facing up
as if to see

the water aspect
of they and their
bosoms reflected

pornographic
sanded and grainy
thread-makers,

rippling

serene cut
in glassy pond
of koi

//

telescopic texts (avec “mon oncle”) (2/x)

well, i make believe an uncle, dead
and dear. less clear is fortune of the bird.
to fly, to seek, and what on earth to find
but torrent of an obsolescent mind,
(he said), obscure and arduous to hear.
and yet, it flies. and though he doubts her crown
and midnight sight, she will fly too. and though
her silver glows in anecdotal mood,
her lilt, of stellar tilt, still loving, lingers
in braided dancing round a pool of blue,
tuning her clutch in nesting eddy of
red bird, whose course is old and hardly true,
and yet, he lives. rising, as golden-red
in flight, crowing like Scorpio in the east.

rest easy, uncle cold and fluttering
and lately of rambunctious residue.
a dove survives heaven to choir anew.

//

(original, telescopic)

closer-up photo of a frothy wave at the beach, turquoise water transparently and completely having covered tan-brown and black speckled sand.

irretrievable //

telescopic texts (avec “mon oncle”) (1/x)

and did you ordinary women mock
in liturgies of utterances contained,
their lines wrought by time-keeping cant of yours?
and did you burst from bullied syllabub,
or clockwise stiffen into winter walls?
the musicals of ghosts, midwives, and angels
echo, hollow, down stone-cold corridors.
and did you consecrate the spectacle,
coupling one who spoke, no, no, not nothing,
a stand-in that you killed at playing ‘swords?
to quell the bubbling spring by means of rain,
or merely quote the Mother’s name in vain?

she has been up at nights, considering
how to un-kiss this devil-gendered thing

//

(original, telescopic)

the carrion

by Charles Baudelaire (original translation. cw: necrophilia.)

remember the object we saw, my soul
that summer morning, soft and sweet
at a twist in the path, a foul carrion
in its bed, seminated with pebbles

its legs in the air, as a woman aroused
hot and dripping with poisons
splayed in a cynical, nonchalant way
womb swollen with expirations

the sun shone fully on the decay
as to roast it, until just right
to return as millions to Nature’s noblesse
the cosmos she had contained

and heaven saw the magnificent carcass
as a blossoming flower
the stench was so potent, there on the grass
you thought you might collapse

the flies buzzing around the putrid belly
were issuing black batallions
of worms, pouring forth, pustulent
along the living tatters

the whole descended and rose like a wave
or sprayed in a sparkling spume
one could say the body, swole by murky breath
flourished in its inflation

and the world was rendered a stranger song
of watery flux and the wind
or grain that a winnower’s rhythmic geste
turns and churns in a basket

the shapes dissolved, no more than a dream
a sketching slow to arrive
on canvas forgot, where the artist derives
from memory alone

behind the rocks, an anxious bitch
watched us with angry eye
le squellette awaiting a chance to reclaim
the morsel that she had left

— and though you will be the same as this filth
as this horrible infection
stars of my eyes, sun of my nature
you, my angel, my passion!

yes! such will you be, O queen of graces
after the last sacraments
when you go, beneath fatted flowers and grasses
to moulder amongst the bones

then, O my beauty! say to the worm
who is eating you with his sex
i have kept the shape and essence divine
of my loves' decomposition!

//

waalaikumsalam 🌒

small town lullaby

the corpse
is a house, nobody
needs to enter

its gift
is apology
for anyone
not to be there

yet it nurses
its nibbling
worm


//

💀

mosquito milk

she caught you sucking
on her breast today,
mosquito

did you think
she was
your mother?

a poet makes
a pretty
terrible
mother
for
a mosquito


//

waalaikumsalam 🌓

snow white turning

has the twinkle ever
been for nothing
more than

to leave
a loving
artifact

to make
a deathless
hen,

whose faith outpaced
her season’s augury

this fruit is sticky
stretchy,
furious

its nectar possessed
of Lethean ambience

my arms are glittering
swans, my pillows
pur de lait, my eyes
are royal-blooded
blue navé, my dreams

are dialogues
of dolphins

how can she
believe the verbs
you writ, when all
you tender-left

were winterscape, or
sidereal tongue-
traps, of snowmen

that psychedelic night,
she sapped the wine
and stole the spade

howl-lit, she went
digging

in mud of your
decaying spring
for word-eaten
bodies

to meet
the gristled
marrow

to touch and leave
fingerprints
melting
on tongue

rose red grows
from a hollow bone

while moon-
shot belladonna
is kissing cousins

with bull-horned
hemlock, reckless
and honest

//

animal entertainment

they were watching us
as we ate our dinner

the grazers and
the gazing, directly

we felt
disconcerted,
on display

after some symposium
the resolution was

to recompose our stars
and watch them back

//

la poule noire sans doute

raven-wise, reposed
with shoulders drawn
her plumage welded closed
to element, like armor

buffeted by claps
and blows, beset
by quaggy flows, she was
more resolute than rain

roosters inamorato pecked
and disapprobed
her cocky, warlike ‘no’s
still Grace was stone, unmoved

fortress of mother earth
her body wholly was
the boulder fastly rolled
to staunch a secret planet

O chickening unheard
verb terminal
undead-end metaphor
catastrophe obscura

that hid, against her bald-
plucked breast, the titt-
tittering bavardage
des enfants geomantiques


//