Element

    kudianerotesia (if man is mortal then what am i)

    my eyes the sea to see
    inside the armor of a dress

    fire-setting-me
    no longer in myself

    they are it is
    i am i say
    i hold

    as it were my law
    the wisest to be

    this englorification of we
    by Love


    εἶδόν τε
    τὰ ἐντὸς τοῦ ἱματίου
    καὶ ἐφλεγόμην
    καὶ οὐκέτ᾽ ἐν ἐμαυτοῦ
    ἦν
    καὶ ἐνόμισα σοφώτατον εἶναι
    τὸν Κυδίαν τὰ ἐρωτικά

    155δ

    as spirited multitudes

    for (it) was coming(come, you)

    (and it) (lets) (go)

    and make(s) many (waves like)laughter


    ἧκε γάρ
    καὶ ἐποίησε γέλωτα πολύν

    155β

    Critias calls

    vintage-looking filtered photo of four beach dogs playing in sand at the beach

    to the follower

    and at once to the follower — Child
    he was saying

    (beauty)call(and
    always be calling)

    Charmides

    καὶ ἅμα πρὸς τὸν ἀκόλουθον Παῖ
    ἔφη
    κάλει
    Χαρμίδην


    to the graveyard woman (who keeps his kid) (goat)

    saying that i wish
    (with)by the doctor
    (you)to put it(self) together

    (around)about the (she)weakness
    of which before
    (it)was telling(laying) me
    that (it)(you)(are)weak

    εἰπὼν ὅτι βούλομαι αὐτὸν
    ἰατρῷ
    συστῆσαι

    περὶ τῆς ἀσθενείας
    ἧς πρῴην
    πρός με ἔλεγεν
    ὅτι ἀσθενοῖ


    and the blanket on his bed (small print re: freckles)

    guess im on vacation yall
    being told nothing
    the valley out

    dont forget to use sun protection
    get your skin check
    at the dermatolologist

    sh(weakness)


    🌕 x 3

    alone on earth

    on a woven plastic recliner
    in the garbage-strewn sand
    as dawn reaches across the sea
    with icy fingers of peach and violet
    that my phone cant capture
    not only because its broken
    after seven years of coercion

    i am surrounded by beach dogs
    wagging tails and paws searching
    me for snacks and company which
    i surrender as i pat and scratch many
    ears and necks and sleek black faces
    and nuzzles of muzzles into my arms
    they bury me in a serious welcome

    the poet was blind so
    hes brushed by the rosy fingers
    hes drinking the wine-dark sea
    the sunrise is a sweet dream
    a momentary pouring out
    onto me and all of these excited dogs
    its shocking hot pink illusion


    //

    altogether yes
    (he) Critias was saying
    (since)(you are) (by you)(look you) and (he) is
    both a lover of wisdom and
    as it seems both to others and to (it)(him)self
    altogether poetical


    καὶ πάνυ γε
    ἔφη ὁ Κριτίας
    ἐπεί τοι καὶ ἔστιν
    φιλόσοφός τε καί
    ὡς δοκεῖ ἄλλοις τε καὶ ἑαυτῷ
    πάνυ ποιητικός

    154ε

    ocean the willbending

    if a lyre already stripped
    is down to this (your)self itself
    then dont we gaze upon
    sheer human (im)possibility

    for anyhow, somehow
    he is, you are (what then)
    so grown (as) being already
    pleasures willing dialogue


    //

    what then
    i said
    dont (we) strip this (him)self itself
    and gaze (at it)
    before the form

    for anyhow
    somehow
    (he is)(you are)
    so grown (as) being
    already (pleasures) willing to dialogue

    τί οὖν
    ἔφην
    οὐκ ἀπεδύσαμεν αὐτοῦ αὐτὸ τοῦτο
    καὶ ἐθεασάμεθα
    πρότερον τοῦ εἴδους

    πάντως γάρ που
    τηλικοῦτος ὢν
    ἤδη ἐθέλει διαλέγεσθαι

    154ε

    myth of the selfish midwife

    selfish, ungrateful
    manipulative, greedy
    inconsiderate woman

    the sea is a selfish midwife
    this poem comes to me, as he
    is saying something else

    her puckered source of salt draws out
    like purgatory the glistening thread
    of all my mouthy, breezy sins

    her crashing whites are drawing nearer
    and bringing forth a warmer roaring
    her blues will dominate the world-under

    even the maskmakers handsome face
    with dancing with her distance cant compete
    none other would appear

    (instinctively my husband takes
    out the surfboard and somehow my eyes
    are lost between breakers

    (now the man has set up a beach office
    collecting pieces of coral and driftwood
    for future homes for orchids

    (as he is practicing a bamboo flute
    i notice his wild and silvery hair
    his carving arms, his shoulders framed with care

    (his body, copper-brown in the dappled shade
    it could be mine and not too far away
    in udeng and a black sarung . . . )

    but the point of being at the sea
    is being at the sea, so i give up
    i leave my towel and my things behind

    and i rush into her jade-blue embrace
    its just me, bare and pink under the sun
    and all of me belongs to her

    until he follows me into the waves
    where he receives
    whats his


    //

    and somehow its (conspicuously) fitting
    O Critias
    (for) him(self) to be such
    at least being of yalls house

    but
    he said
    (he) is perfectly beautiful and good
    too (in) these (things)

    πρέπει δέ που
    ὦ Κριτία
    τοιοῦτον αὐτὸν εἶναι
    τῆς γε ὑμετέρας ὄντα οἰκίας

    ἀλλ᾽
    ἔφη
    πάνυ καλὸς καὶ ἀγαθός ἐστιν καὶ ταῦτα

    154εf

    anima lover

    be

    be still
    if still to me
    still to my body

    one (releasing and binding
    and needful and releasing) alone
    (you) happen(s) to be drawing near

    you feel my heart(beat)
    its some small tempest
    our little sea in a bigger sea

    where there is no shallow
    the light never goes out
    only my color changes

    you make it easy
    when you open me
    your iamb oyster

    the sky is full of pearls
    and one small cry to let
    you know youre really in

    if (she)(they were)(it was)i
    was(saying) (you)happen(s)
    well (having)brought forth

    life-breath


    //

    if still to him(self)

    one
    releasing and binding
    needful and releasing
    alone

    happens (to be) drawing near
    some small (what)

    what said (he) Critias

    if (she)
    (they were)(it was)i was(saying)
    (you)happen(s) well (having)brought forth
    life-breath

    εἰ ἔτι αὐτῷ
    ἓν δὴ μόνον
    τυγχάνει προσὸν
    σμικρόν τι

    τί; ἔφη ὁ Κριτίας

    εἰ τὴν ψυχήν
    ἦν δ᾽ ἐγώ
    τυγχάνει εὖ πεφυκώς

    154δ

    //

    psuche

    american shade (lost verse)

    where i wait a stranger shape
    every wave is washing dry and clear
    a seashell is a hollow place
    an island is an ariel escape
    hibiscus flowers are growing near
    i put one behind my ear
    taste the battle, taste the fear
    and when the wind blows straight through here
    salt in the chorus


    //

    and the others were really same-saying
    same as these with Chaerephon

    i, Heracles, was saying

    as (one) battle-less
    (unconquerable)
    yall speak of the man

    συνέφασαν οὖν καὶ οἱ ἄλλοι
    ταὐτὰ ταῦτα τῷ Χαιρεφῶντι

    κἀγώ Ἡράκλεις ἔφην

    ὡς ἄμαχον
    λέγετε
    τὸν ἄνδρα

    154δ

    //

    at the beach
    for Cancer season

    🌗

    with your fingers at my lips

    photo is in a landscape orientation, mostly in warm tones of green and brown, of orchid roots and a big orchid vine growing out over, and some into, water, over what appears to be a pond, bordered by a concrete wall running diagonally across the upper-right portion of the image, with pale grey reflected sky running diagonally across the left of the image, including a reflection of growing vegetation. there is a leafy branch of jasmine entering the water from the lower left of the image and some pieces of mossy wood partially submerged in murky water on the right. to the upper-left of center, in a shaded section of water, is dimly visible an orange-red fish with black spots.

    we are brushed
    almost too close
    by beauty

    like flame, you know
    how arrows pierce
    a breast

    where you touch
    i grow me out even over
    emptiness

    overgrowingly
    (they were)(it was)i
    was(saying) ——— godyes


    //

    ὑπερφυῶς
    ἦν δ᾽ ἐγώ

    154δ

    //

    &

    my beauty and her body (nightdiving)

    i.

    my beauty, a green-haired, green-
    breasted mermaid, goes diving
    at night, for him

    the younger i become
    the more my body needs him
    the more of me belongs to him

    as a girl, i carried a memory
    of breathing (in

    and out
    and dying, for him
    and out

    and down) into the fear, i carry
    my memory of you

    cool cells makeout warm blackness
    your fish glistens for the light
    my listeners listen for

    i float around your parts, so delicate
    my cinammon-green lips
    dont trust the stars


    ii.

    my beauty is a woman of middle-age
    her body is a school of fish

    and the (part), our (part)
    the (part) yielding to (his) man

    (was yielding to) the wondrous
    (they were)(i was saying)

    but i also for (all) the children
    i(they) offer mind(fulness)

    how not one at another of them
    (selves)(it) is looking

    nor even whoever is the smallest
    (they were)(i was saying)

    but all as at an idol (our parts)
    are gazing at (him)self


    //

    καὶ τὸ μὲν ἡμέτερον
    τὸ τῶν ἀνδρῶν ἧττον

    θαυμαστὸν
    ἦν

    ἀλλ᾽ ἐγὼ καὶ τοῖς παισὶ
    προσέσχον τὸν νοῦν

    ὡς οὐδεὶς ἄλλοσ᾽
    ἔβλεπεν αὐτῶν

    οὐδ᾽ ὅστις σμικρότατος
    ἦν

    ἀλλὰ πάντες ὥσπερ ἄγαλμα
    ἐθεῶντο αὐτόν

    154ξ

    🌒

    when god comes through (the family)

    whats aorist is prologue proves
    whats epilogue too poor
    my past-progressive cousin turns
    world future-perfect war

    my uncle means the tyranny
    what notes a slippery noose
    what wills the wise unwilling wipes
    my riverrunny nose a name of Zeus


    //

    Charmides
    the son
    of Glaucon
    our uncle(godproblem)
    and my cousin

    Χαρμίδην
    τὸν τοῦ Γλαύκωνος
    τοῦ ἡμετέρου θείου ὑόν
    ἐμὸν δὲ ἀνεψιόν

    (i)(have seen and) know (him) of course
    (flow)by Zeus
    (i am)(they are) i say

    οἶδα μέντοι
    νὴ Δία
    ἦν δ᾽ ἐγώ

    //

    family tree

    one
    the wise only
    (to be) called un-wills
    and wills Zeus
    name

    🌘

    cakewalk wyrm

    fully here, Scorpio on fire, desire
    that leash, your name, the tether-flame to tie
    me to it, body to my well, the tight-
    rope pulling is a verdant death-rape game

    of a gemstone-encrusted whether force
    recoiling howl inside a leather word
    inside the naked thing, and the wing will
    be tipped, he will enter the gymnasium

    a gnawing question, hour, what is a who
    without the hollow, willing, who is the what
    without a whip, feather, let my lip
    suck it out, daddy, let my nerve drip

    and swerving slip the girl awake, winner
    enough to make her winter-tender bowl
    sing, never his song enough, ever
    the pelvis for a manifest parade

    to lead a pussy through the willow, dance
    me round the mountain, wind-out of a plum
    prison, iamb virgin, i am vision
    iamb-submission of a cakewalk wyrm


    //

    but (he) is
    (i am) (they are) i say
    who and of whom (or what)

    ἔστιν δέ
    ἦν δ᾽ ἐγώ
    τίς τε καὶ τοῦ

    154α

    witch in the fire department

    hid underneath my flowy dresses draped
    in cool blues and soothing beachy tones —
    i cant help it, i confess it, father —
    i am a woman on fire.

    and when i spy them entering a door
    i watch their simple, rugged carelessness
    and how they handle one anothers
    bodies beyond all clothes or covers . . .

    as leaves are born in screaming reds
    and oranges each wicked September,
    so i am born again into this burning
    and my roaring flesh becomes the tinder —

    and if i cry for help, it only brings them closer —
    this crucible — my rose garden — a hose, for water —


    //

    and Critias
    looking towards the door
    seeing some young men entering
    and (playing?) abusing one another
    and another crowd following in the rear

    154α

    καὶ ὁ Κριτίας
    ἀποβλέψας πρὸς τὴν θύραν
    ἰδών τινας νεανίσκους εἰσιόντας
    καὶ λοιδορουμένους ἀλλήλοις
    καὶ ἄλλον ὄχλον ὄπισθεν ἑπόμενον

    horses into Potidaea

    as orders taken, given. your hands
    across my escalating
    surface. unrolling
    her

    slight

    resistance. as

    i grow dependent on the flow
    and pressure. here, faint
    ridges. your soft uneven. catch,
    drag,

    time,

    deposit. yours

    until lazy again. until we depart,
    until we let loose

    the battle. they had
    been born into Potidaea.


    //

    slight

    until we depart
    until we let loose
    the battle

    they had been born
    into Potidaea

    (her) this very moment they were (surfeit)
    by this(her) those having learned it(her)

    // 153β

    Ὀλίγον

    δὲ πρὶν ἡμᾶς ἀπιέναι
    μάχη

    ἐγεγόνει
    ἐν τῇ Ποτειδαίᾳ

    ἣν ἄρτι ἦσαν οἱ
    τῇδε πεπυσμένοι

    salam is a valley into the valley

    and me

    as (i) (they)
    behold (they) (me) entering
    from out of the un-

    imagined

    directly
    from                                        afar

    they receive
    they embrace
    they cleave to

    (an) other
    (from an)
    other place


    // 153α

    καί με

    ὡς εἶδον εἰσιόντα

    ἐξ ἀπροσδοκήτου

    εὐθὺς πόρρωθεν

    ἠσπάζοντο

    ἄλλος ἄλλοθεν

    //

    ancient aliens

    black milk glass

    i look down at the body
    to see what shape its in.

    earth-born son, turquoise slap
    of my mother against the golden-
    bangled mother. i let them come.

    my dark tongues flickering, my heads
    Cancerian fire. every tip would touch you.

    the shoulders of a bull, eyelashes lower
    over tender pools obsidian. im a cow.

    a ticket to the fight. my velvet
    suit. warm press of skin.
    i drink, i let it come.

    dragging behind its un-
    translatable blade.


    //

    Socrates: (in Charmides, cont.)

    and in that same spot
    i (they) take hold altogether of many

    those (on the one hand) unknown by me
    those (on the other hand) the most thoroughly-known

    // 153α

    καὶ αὐτόθι κατέλαβον πάνυ πολλούς

    τοὺς μὲν καὶ ἀγνῶτας ἐμοί
    τοὺς δὲ πλείστους γνωρίμους

    animal event (at the school of Taureos)

    into the animal event
    i have been dragged and well
    indeed

    every year the same, i guess, except
    this time
    its me

    and like the bull, whos horn, whos unbroken
    rage
    your hand anointed

    when they seize the bodied, lashed and harnessed
    nerve by muscle to
    the craters edge

    as trampled roses bruised into the pass
    will grind in
    to mud by mountain makers hooves

    in magenta-black menstrual blood
    my terror
    my appetite


    //

    Socrates: (in Charmides, cont.)

    and well indeed into the wrestling-
    school of Taureos (where bulls are offerings)

    straight down from the temple
    of the Queen (of whom nothing is known)

    // 153α

    καὶ δὴ καὶ εἰς τὴν Ταυρέου παλαίστραν
    τὴν καταντικρὺ τοῦ τῆς Βασίλης ἱεροῦ εἰσῆλθον

    underneath a circle

    the face of the moon
    sheds her shimmering veils
    until the night sky
    goes quiet again

    to give the charm or bite the leaf
    a river coursing swift or deep
    through horn or through ivory

    at around noon
    grey eyes toward the ground
    in swastikasana underneath
    a circle of blue

    (from a prison cell)


    //

    Phaedrus:

    how (ti) does it shine (phainetai)
    by you

    O Socrates

    the logos?

    234ξ

    τί σοι φαίνεται
    ὦ Σώκρατες
    ὁ λόγος

    //

    🌑

    commandment

    photo at the beach where waves have made contoured patterns in beige and black sand, with foamy sea water moving around a volcanic rock in the upper left, and bright warm sunlight reflecting off of water in the upper right corner of the image.

    the clay was in your hand. life turned

    onto the skin. a fountain was desire.
    i dipped my fingers in, day after day

    to taste this young and yearning body.
    you didnt have to tell me even once

    until my garden was creased and crinkled.
    as later fell, we were unfolding it all

    together. the sweet milk of a whisper.


    //

    Phaedrus: (as Lysias, cont.)

    (love) (ask) (erota)

    // 234ξ

    ἐρώτα

    burlesque empire

    photo at the beach taken at the edge of the water, with the water rippling up over hunks of coral submerged in sand, and some darker pieces of coral visible pointing up out of the shallow water, reflecting warm light.

    to cross the Rubicon, where left meets right,
    we found a body. being unrecognized,
    we hold it side-by-side her photograph.
    the printed animal in black and white
    was captive to the scene: how Bettie used
    the furniture, her pose and what it meant
    to her, her legs and what they wore for us.
    stilettos pointed out the stars. surely
    they were not hours in bondage to a fault.
    the leather business never skins enough,
    as keys to pleasure play the vault betrayed,
    and suits around her salivate like wolves.
    the burlesque empire folds itself around the twain:
    a missing woman tangled in the pin-up queen.


    //

    Phaedrus: (as Lysias, cont.)

    but if
    (on the other hand)
    you still long for (potheein)
    anything

    leading (the way) and holding (it) (hegoumenos)
    to have been left aside (para-lepein)

    // 234ξ

    εἰ δ᾽ ἔτι τι σὺ ποθεῖς

    ἡγούμενος παραλελεῖφθαι

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