Goats

    If you can’t imagine that as a serious possibility, (and I wonder what world you see when you look out your window?), then you haven’t been paying attention. The pre-interview is like listening to (a lucid dream of excellence, the balm of authentic humility, escapism minus the -ism) a normal, thoughtful, real person. (starts at 32:20)

    He’d get the “white women” vote. Easily. Too bad this isn’t a blog about politics!

    Kendrick Lamar 2026. //

    I was busy on the night of, but I’ve since watched Kendrick Lamar’s halftime show more than a few times. It is amazing and very Kendrick. It got me thinking I have to add a “goat” category to my blog. I think he is more accurately the “only one of his time” but ooht is not an animal.

    You already know I’m a fan of the epic beef. (And all of that for which it stands.) But don’t let others’ interpretations limit yours. Hip hop is excellent social media but hip hop on the super bowl stage is bigger than fascism. Kendrick works. On that note, he should run for president.

    This is not a joke, it is my political opinion. An obvious one, as far as I’m concerned. Kendrick should run for president in 2026. No it’s not a presidential year, it doesn’t matter. He will hate the idea, even though he announced the revolution. Which is why it’s someone’s patriotic duty to make him do it. He needs to start yesterday. With his super bowl performance he basically did.

    Part of me weeps, to nominate him for the satyr play, but it is what it is. The miracle we don’t deserve. Kendrick is not just any goat, he already understands himself as a sacrificial goat. And he’s worthy of the title. There is no other serious contender.

    Nu baby. //

    So… life, uh, found a way. We tried (admittedly have been a little distracted) to steal all of Grace’s eggs but she tricked us and hatched one! Just one. A heaping tablespoon of pale yellow fluff. Well, it’s just not possible to be sad about an itty bitty chick.

    (I love Laura Dern in that clip.)

    This one is light-colored, while the first clutch was all black. Already a tiny misfit.

    The other chickens, teenagers now, are so far curious about the new baby. Grace pecks them if they get too close. (Very fierce.) They stay out of reach and crane their necks to watch it, (all of them at once, chickens are such gossips), while it hip-hops around mom’s feet.

    We needed to rearrange the chicken living space to make it cozy for Grace and nu baby. So we took apart the old arrangement, but the chickens got a little upset about it. So there was some chaos theory with chickens flapping first up on the laundry line then up to the roof of the little limasan (our bedroom).

    Chickens on the roof!

    There was also a big storm that blew through when E was fixing chicken stuff and I was doing yoga. I was worried about the tiny puff-ball blowing away, but Grace disappeared the baby up into her feathers and hunkered under the downpour. She didn’t even move under the eaves of the house, to escape the rain, she just turned herself into a house. She is truly amazing.

    When the rain cleared and the sun came out, nu baby came out too, peep-peeping again. Precious marshmallow. (They’re still a little clueless on day one.

    To be honest, I’m worried about its chances of survival, being just one tiny peep in the midst of a boisterous flock of claw-talon-footed brothers and sisters. It will be a new test of Grace as a mother. InsyaAllah she will prevail.)

    To relax from all that, I listened through Kendrick’s “beef” with Drake from last spring. They released 7 or 8 tracks taking shots at each other. All I can say about that is, hip-hop is amazing social media.

    (Note. I think most of my pop culture “takes” will be a few years or decades late. “News” includes anything that happens in my lifetime, is how I see it, on my blog.)

    Anyway, back to Kendrick “I said ‘we,’ it’s not just me, I’m what the culture feelin'" Lamar.

    (euphoria, meet the grahams, Not Like Us)

    Rap is an amazing rhetorical medium, but also, Kendrick has spoiled me for almost all other artists. Sometimes he makes it chill, sometimes angry, sometimes tragic or funny, (“some shit just cringeworthy”), but it’s always a contest, (for victory wreaths, and he didn’t come to the games to place second. He will sniff out and attack the evil (=the Drake fan?) in you. He makes music a war for the soul.

    (And for his family, and for those disowned by other families, and ultimately for the soul.)

    Alhamdulillahirabbilalamin. 🌖

    A principle of psychedelic science. //

    Am I crazy or does Kendrick Lamar’s latest album share moments with Isthmian 1?

    (“Manifest excellence boldly radiated”)

    (I have more posts planned on Isthmian 1, what a fascinating poem it is. Basking a little in the wonder.)

    If I was a track from gnx, I would be “reincarnated”, which is breathtaking and a quick favorite. It actually feels (and is this crazy?) similar in theme to that post I wrote about Kendrick, a few months ago. (ok, to a point)

    I want to write a post/page where I list “influences”, or “heroes”, (mostly makers of things out of words, but maybe it should be more than that), the ones I’m aware of at least, but there’s a certain way I want to do it (as ever, eyeroll-at-self), so the blog has to wait. Not everything can come out at once, and that is something like a natural law, or maybe, a principle of psychedelic science. Just so, with blogging. It has a temporal quality, it takes shape over time, which means it must have rhythms. How it develops and settles into patterns, or shifts, how things come out, expressed into it, when they do, or when they don’t. The stutters and the repetitions. There is also the kind of reality things achieve, when they go from these sort of gritty swirls of melting sherbet all around us, to being set down in monochrome. Very many things in life (naturally) resist that. And then, the voices (are they daimonic?) say no until they don’t.

    Kendrick Lamar is among those “influences” towards whom I feel something that feels a lot like love, I think it might be love.

    (Another of these is Cardi B,..)

    Idea. For the month of January, instead of reading any global news at all, maybe I’ll read Sylvia Plath’s The Bell Jar. I’m not saying I will do that, but maybe it would be better for my overall health, if I could.

    The thought of “shutting out” everything not on this island. (The last thing anybody I know wants to talk about is news.)

    Hm, I do think it’s a good idea to begin planning real strategies for psychic protection, for the coming months. The way these clowns talk about women is going to feel like constant rape culture down your throat, and they will be sadistic about it. For me, it helps to spend time absorbed in Greek poems. It’s obviously different for everybody. Please anticipate ways to keep yourself safe.

    Assalamualaikum warahmatullahi wabarakatu. 🌘

    But, Lysias

    // Phaedrus 227β

    Σωκράτης: καλῶς γάρ, ὦ ἑταῖρε, λέγει. ἀτὰρ Λυσίας ἦν, ὡς ἔοικεν, ἐν ἄστει.
    Socrates: Beautifully said, fellow. But Lysias was, as it seems, in town.

    //

    (“What even is Athens?” asked the blind, somewhat frustrated, woman.)

    When I was twelve, I got thrown off a pony. Bocara, reddish-velvety-brown, with black mane and tail and an opinion of her own. Or something less accessible than opinion. So we were out for a ride one day, and she spooked when she noticed something “off” in the other field, man or machine, she didn’t like it. The instructor said, go. The third time around was the third time she bucked, and I was thrown, landing dirt-hard on back, face-full of sky, chest spasm for air. (Damn.)

    That day. Writing this other post, which was about (what we do with) time, made me late for what was next (on our schedule). Now as I was on the way in Sweet Orange, who also is an incubator, a protectrix of time, at present of Duckworth time, (listening to DAMN., by Kendrick Lamar, to summon this artist from the other side, of the earth,) we stopped to pick up bricks, (exchanged looks with Sundanese brick-makers, but the bricks were “belum matang”), then re-entered the churning sprawl of I-cannot-tell-you-how-many pale riders on motorbikes. (Sweet Orange drives slow behind a couple, two probably fine fellows, and total nerds, out on holiday, who, having not made it, push theirs up the steep slope of a ravine. Frustration metamorphs into sympathy, inside Sweet Orange, for how many of us, one, has been caught under such circumstances, but without the solid-pack of traffic to witness. To whiteness. Laughing sympathy, but sympathy, nonetheless.)

    There is a body, and there is a virus. No, back up. There is an island, and there is a world. There is an interaction between these two things, the city and the jungle, (a person and a blog), and I interpret it as, There is a body, and there is a virus, and there is a coordinated response, of the body, to the entry of the virus, and I call it, an immune response. The virus multiplies. The immune system, to defend the body’s living soul, which is mine, which is sacred, targets viral particles for elimination and expulsion. The immune response is the xenophobia.

    (I am a stranger. Xenophobia is relevant to me.)

    An immune response, whatever that is, and all of its analogues, would be one way to know or understand a moving thing, something coming and going, or something that’s born, and dies, as well as something that has a wall, with people going in and out, no matter how porous, and oh, yes, laws, written, unwritten, and weird, an immune response. Athens also might have an immune response, with, well, a soldier’s DNA., who would target the foreign element, (disguised-stranger emoji), they would be a sort of philosophical guard dog, barking at everything they don’t already know. (The hounds of hate? Or of jealousy?) But in addition, Socrates, who might as well be on a leash today, has been led outside the wall. (Is it you, ghost-of-Snowden-flake?) Whereas the virus is at another professor’s total party house, seducing of-age students with unlicensed garfield merchandise, and the lines of the battle, here, are somewhat unclear.

    Who is the aggressor? What needs a defense? (I thought we’d grown tired of the city?) (Everyone agrees, by the way, that this is the most boring part of the dialogue. Like a plane, delayed on the runway, it must be endured, and quickly, to make the connection in Singapore.) But whichever direction is inward, and which outward, we are being steered into Lysias, like a T-cell with confirmed coordinates. Except for one thing, which is, the coordinates are… algebraic. (It’s a Boeing-built plane.) The virus isn’t here. Or, what was the virus, again? Man, or machine. A gadfly, round the bud that forks the corner of a dark-lashed eye.

    I woud never blame her, beautiful, spirited Bocara. She is a genius and a horse is never wrong. The instructor was a jerk, “instructors” nearly always are, but let’s be honest, the instructor wasn’t wrong. (And I held the crop.) I was a fool, and a child, and I won’t blame myself. But sometimes, on a horse, you must be direct, and you must welcome judgment day with open arms. I did not. Like I said, I am messy. Wrong was done and a lesson had to be learned. It was one of those moments around which everything changes, or breaks, and I carried Bocara with me, after that.

    Fun fact. “No feelings involved” is impossible with horses. You can’t remove yourself, it’s impossible. She follows you, she sticks with you, you carry her, you might hide her, or become her without knowing it, or you love her, and her things that she sees, her ghosts and her witness, her trumpets and her fire, and she appears before you, at night, in your secret life (crying, confused). Something was beautiful, then everything went wrong. She/he/they haunt you. Hidden in your heart, in your tunic, or in the iPhone that you carry in your pocket, until it’s m.A.A.d. as Compton to tell what is the virus, and where is home. Silly Phaedrus, with his concealed scroll, and his leopard-skin pill-box hat, thinks it’s not-a-thing to step outside a wall. But, look,

    there’s a war going on. Of all against one, or one against all, or all against all, (based on gender pronouns and deity preference), or it’s one against one, and it follows you, the war, tapping its pocket. Like blood, or a bloodhound, it will track you down, and you will be there, again. Landing dirt-hard on back, sky-full of face, chest spasm for air, (like I can’t breathe. Look,) a caught body, again. Until you win the war. Which you cannot win, because you are a single soul, brave, clever, damned Duckworth, fleeing from, pursuing, (whereto and wherefrom), human nature itself. You are so many terrible, body-caught things. You are Socrates, in America, you are Phaedrus, out of (what even is) Athens(?). On an island all-but-destroyed by pale riders, (no feelings involved), you are red horse, and pale rider. You are, the war, so it rules you, the war. Unless

    (I) just love (you) and (learn
    how to put down the weapon.)

    //

    (About.)