Ceremony

    stranger like desire

    you will come
    into the desert
    to know me

    you will touch me like a stranger
    as many strokes
    as many surfaces

    as many names
    as many hungry palms
    as your servant can carry

    so empty this
    your lick across the burning sand
    electricity of my thirst

    //

    Phaedrus: (as Lysias, cont.)

    you will come (hekein)
    into difference (diaphora)
    with them

    // 232δ

    ἥξεις αὐτοῖς εἰς διαφοράν

    //

    red (palm) sugar

    you will come
    into the dessert
    to taste them

    you will eat fried plantains
    ripened until soft and sweet
    crunchy with red sugar

    too hot for wasted time
    i almost burn my tongue
    flesh tender and yellow

    greasy fingers with coconut
    oil and sticky lips
    but did you really

    //

    iced kepo

    iced kepo is freshly-squeezed
    orange juice with just-cracked
    coconut water over ice

    on a hot
    day before the rain
    comes

    maybe the traffics religion is
    theres something superficial
    about s-e-x

    //

    (kepo also means gossip)

    //

    🌔

    //

    Phaedrus: (as Lysias, cont.)

    and if examining (skopeein)
    what is your own

    you have a thought (phroneein)
    better than theirs

    // 232δ

    ἐὰν δὲ τὸ σεαυτοῦ σκοπῶν ἄμεινον ἐκείνων φρονῇς

    connective tissue

    in the human body
    there is the hard
    there is the soft
    there is connective tissue

    i feel for her
    i let her flee
    i let her come
    around again we try

    the valley reaches for
    as many
    as yet unnamed
    as make it through her lips

    Phaedrus: (as Lysias, cont.)

    so having persuaded you
    to be hated
    by these

    they set you down
    in a desert (eremia)
    of loved ones (philos)

    // 232δ

    πείσαντες μὲν οὖν ἀπεχθέσθαι σε τούτοις

    εἰς ἐρημίαν φίλων καθιστᾶσιν

    //

    the beloveds embrace (on fitnah)

    so having persuaded you
    to be hated
    by these

    they set you down
    in a desert
    heart

    to show the tranquility
    of gold
    by fire

    photo is at a beach with dark grey speckled with beige sand taken at the edge of the foamy water; it overlooks a brownish-black dog sitting below the camera, looking toward the water, wearing something yellow tied around her neck, with a few paw prints around her; and some kind of pale-colored sea fan washed up on the shore.

    by the dog //

    eta

    🌓

    Phaedrus: (as Lysias, cont.)

    and of ones who possess (ktaomai)
    some other good

    they guard (phulassein)
    the power (dunamis)
    of each

    // 232ξ

    τῶν δὲ ἄλλο τι κεκτημένων ἀγαθὸν

    τὴν δύναμιν ἑκάστου φυλάττονται

    will i

    impervious to teachers
    beaten by brute force
    fumbling my veil
    being a fool

    flower
    for you

    Phaedrus: (as Lysias, cont.)

    and (fearing)
    those who have been educated (paideuein)

    that they would become (gignomai)
    stronger (kreisson)
    by togetherness (sunesis)

    // 232ξ

    τοὺς δὲ πεπαιδευμένους μὴ συνέσει κρείττους γένωνται

    //

    so i light a stick of the good dupa
    then i explore your tender body for chora
    gently gratified
    i make a note for the future

    the cave moment

    i find myself re-enacting the moment
    i place my hand palm out and fingers spread
    as if to touch the limestone interior

    then i pretend to take some liquid ochre in my mouth
    and purse my lips and pfff — spit it
    across the imaginary surface

    and as i do i taste the tastelessness of mud
    like the hermetic chamber of the cave
    becomes a rock-womb for our trembling

    then i examine my hand with its fingers spread
    for any sign of change
    i see that everything has changed

    Phaedrus: (as Lysias, cont.)

    fearing
    those who possess (ktaomai)
    property (ousia)

    that they would overshoot (huper-ballein) them
    with possessions (chremata)

    /

    fearing
    those who possess (ktaomai)
    being (ousia)

    that they would overshoot (huper-ballein) them
    with sembako (chremata)

    // 232ξ

    φοβούμενοι τοὺς μὲν οὐσίαν κεκτημένους

    μὴ χρήμασιν αὐτοὺς ὑπερβάλωνται

    //

    inspired by this

    how can a knot

    someday we can visit
    the cave on Muna Island
    to see the ancient rock art

    the coffee cup
    the pencil
    a lock of hair

    these things pass through your hand
    and terrify me
    with their solidity

    your grasp of the vast and empty
    and i by my vanity
    struck silent

    my brown egg cracked
    by press of feather
    into the dawn

    or

    my blue marble warming
    into the seventy-thousand-year-old pocket
    of your stencilled intention

    Phaedrus: (as Lysias, cont.)

    because of which they turn away (apo-trepein)
    the loved ones’ (eran)
    communing together (sun-ousia)
    with others

    // 232ξ

    διόπερ καὶ τὰς πρὸς τοὺς ἄλλους τῶν ἐρωμένων συνουσίας ἀποτρέπουσιν

    the momentary terrible

    photo of the beach with calm green-blue water frothing up onto brownish black sand, the horizon near the middle of the image, and the sky blue and full of lofty white clouds, and maybe a rainstorm in the distance.

    i face the sea
    im drawn to play

    i face away
    im pushed back to the ever-war

    i close my eyes
    there is a cry

    when i go in
    its all of me and nobody

    Phaedrus: (as Lysias, cont.)

    for many
    are
    the things that pain them

    and all
    that comes to be (gignomai)
    they own (nomizein)
    as their own harm

    // 232ξ

    πολλὰ γὰρ αὐτούς ἐστι τὰ λυποῦντα

    καὶ πάντ᾽ ἐπὶ τῇ αὑτῶν βλάβῃ νομίζουσι γίγνεσθαι

    //

    or

    and all
    that comes to be (gignomai)
    they consider to be (nomizein)
    for their own harm

    //

    in the hieron

    the legacy of Alcibiades

    i cant forget the mutilated herms
    and glitter-ruining the sleeping streets
    his point-and-shot defection from a dream

    but i never saw such a beautiful city
    as when standing vigil on the battlefield
    his silent party drinks the wine-stained dawn

    and i will never see such a beautiful city
    as when my knees buckled by your ivy wreath
    so i lie with dancing girls for Achelous

    Phaedrus: (as Lysias, cont.)

    in likelihood (eikotos)
    you would fear lovers (eran)
    more

    // 232ξ

    εἰκότως ἂν τοὺς ἐρῶντας μᾶλλον ἂν φοβοῖο

    //

    animal ownership

    i am in love
    with a real animal
    she feels strangely familiar
    she feels strangely kind

    i am drawn
    by her steady warmth
    by her interior calm
    she seems to understand

    i am tempted
    to bring her home
    i want her to be safe
    i am afraid she is not safe

    i am bound
    by animal ownership
    my dog is not my dog
    she is her own beach dog

    //

    disproportionate luxury

    my three cats are
    as kept-healthy housecats
    i daily reckon a deep
    irresponsibility

    //

    Phaedrus: (as Lysias, cont.)

    but that
    when you have given over
    those things which you make (poieein)
    the most of (peri pleistou)

    great harm
    comes to be (gignomai)
    for you

    // 232ξ

    προεμένου δέ σου ἃ περὶ πλείστου ποιῇ

    μεγάλην ἄν σοι βλάβην ἂν γενέσθαι

    //

    dessert first (so low)

    dessert first (so low)

    Phaedrus: (as Lysias, cont.)

    and when (as seems inevitable)
    disagreement comes to be

    and the mishap
    in any other way
    would be set down as common
    to both

    // 232β

    καὶ ἄλλῳ μὲν τρόπῳ διαφορᾶς γενομένης κοινὴν ἂν ἀμφοτέροις καταστῆναι τὴν συμφοράν

    //

    selamat calendar complex

    Ogoh-Ogoh for tilem today
    and family calls and the gamelan calls
    (seen here, here, here, here?, nsfw?)

    when having constructed our demons
    we carry them through the streets
    and shake them and fight them

    and turn them and burn them
    and ooh and aah and waow
    and laugh and breathe fire

    and then
    collapse
    into

    Nyepi tomorrow
    no outgoing or talking
    or fire or electricity

    or internet
    or working
    or lovemaking

    we let the ogoh-ogoh
    believing it to be uninhabited
    pass harmlessly over the island

    so tomorrow will be silent
    in the valley as well
    no posts from me ok

    then (we await
    confirmation from the village
    its all local time) Eid al-Fitr . . .

    //

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