Cats
ælizabeth is
(for a new about page)
moonchild
mother of cats
mask-maker’s wife
wholly enthused
by gift of life
dust weeper
and dabbler in
girlish games
waggle dancer
rhymes with rain
inexpertly forgets
how to explain
sassy
midnight train
seer of self
in silvered waters
beggar’s bowl
auditioning
translator of one
worldly thing
porous
and learning
how to breathe
(again)
sayer of no
didact of pain
ambassador of monster
in the main
decaying
maybe insane
but fascinated by
reptile wile
lover of light
but versatile
hallowed home—
if in a dream—
maker and
amatrix in æxile
meeter of Muses
student of Prophet
rememberer of Names
servant of Allah
humble as ever
always on
the way and
doubtless never
lost for words
//
a chariot is
reply to Isthmian I, via Phaedrus 227β
//
a chariot is artifact entombed
beneath packed sediment
an imprint on the earth
of acts not of the earth
sightless as solitude
lifeless as time itself
rotting perpetual
vehicle disposed
it falls apart
a chariot is
impervious
to crying
a chariot is a paragraph
about ancient technology
symbols illuminated by
old photos from museums
shaded settings in relief
straight lines on pregnant-bellied vases
fragments of singed and tattered verse
reasons described almost
as spatial motion re-constructed
of kingships and bloodline races
past endings to beginnings of
gods animals and man
words used as tools
each one to fix and justify
as evidentiary groping at
a world of human things
we still don’t know
a chariot is an easy gift
against a multitude
of horses
the machines we used to get
from place of rest to planet mars were splendid
magnificent creatures in their own
golden-
ratioed
grammars
and dragons that took hold of drivers' eyes
they thought the wind but caught to ride
a flaming sword instead between her thighs
maidens of modern mythologies arrived
on cliffside edges wearing white
translucent coats
arousal com-
partmentalized
to celebrate new body parts cognized
the jewel-tones of her lacquered toes
the scent of ozone taste
of toxic fizz behind
her sucking nose
her mouth disclosed
she swallows apples licks
a rose the absolute
glory hallelujah
ravenous grows
vulva exposed for clicks
each flick a seed she sows
from echoes loaded lead
her rainbows red as victory
she was the counting down to blasting off
she was four hundred thousand horses yoked
by arc of axel angel burnt tendrils
smoke billows over rocky rough terrain
past battlefields and nations past
her recent childhood and
arsenic smile
their eyes went to
her nippled curves and angles
her thorough flexibility
her starry nights and spangles
her lashes cruelly clawed
her pussies pawed
and oh how they
to her with her and of
her came
as realism
inscribed by god
rendered maidens un-made
oiled python sheen of ageless skin
she was the beauty left in violence
they were materials for war
sapphire eyes emerald or amethyst
you chose the crystal the correction and
the facets for
some child in Africa
was orphaned by each armored scale to feed
her un-weaned toddler burger meat
( at least the blacks buried
and did not eat
their very
fathers
a chariot is
from-dust-
arisen life transcribed )
annunciations posted inter-angel
a holy home a web apart
filters of pale ethereality
content implicitly divorced
from earth’s divided continent
baptismal diamantine written
laws skinlessly conceived that we
may find and hold as work of art
your child’s hunger as forgiven
a chariot is
already cleansed of blood it is
excerpted rage it is
brave forms we made
from partial purpose or
how to make pure
a brilliant woman true to life
but honestly a whore
a chariot is what you drive to get
to work your nightmares harnessed by
engines of piston pretenses
at likely sentences
a chariot is nothingness herself
but full of manliness
the games we play when we
make love in light of day
driving endlessly divine
at origins as orifices flying
a chariot is
a summary
of dying
//
selamat purnama 🌕
3 cats
//
Lalah loves nothing better than to get
her cat smell all over a freshly laundered
human and then go and scratch some wood
//
meanwhile Ismail
is trying to puke
something unwanted up
//
Sri Rejeki
gets scary
after dark
//
It’s the middle of the night, I walk into the bathroom and there is a golden frog sitting outside the window looking in at me. It is glittering gold.
(Ismail tries to eat it.
// ”This is why your tummy hurts, boo”)
Ismail
It looked like neon green beans, to my eyes,
The sorry viper he’d regurgitated at
My feet, when I bent lower to examine
The finger-lengths of body gnawed
In pieces, coated with digestive slime
And barely small enough to swallow. So
I knew that he could make, from serpent’s
Suffering, a hearty gift. I also knew
Our little life would never not be on
The line, each day one hundred unseen times
(Between the drunken swagger and the lap,
His cradled body gone loving-limp in mine)
We would match teeth and tongue with death, and that
Valor would be more holy than satiation.
//
Alhamdulillahirabbil’aalameen.
Selamat purnama. 🌕
We see now // the tools of tyranny falling happily, giddily into the laps of tyrants. These it turns out were not just our toys, but the dark materials of American fascism.
(Whose?)
Well, I had an accumulation of dark thoughts gathering for a dark moon post, on technology and colonialism and the other usuals around here, but I lost my heart for it. So instead I’ll tell you, my beloved blog, about my guilty pleasure or “secret single behavior” (who remembers this reference?) when my husband is away, which is to watch a certain tv show. I won’t name it but it’s Korean and it involves “singles”.
The “singles” always do this thing where they compare their faces to non-human animals' faces. Saying, like, “you look like a puppy dog” or get specific with breeds like “you look like a maltese” or “you look like a cat” or “like a donkey”. Awkward smile. “Oh, I do?” “Yes. In a good way.” Followed by modest, embarassed laughing. The women cover their mouths with their hands when they smile or laugh. They all have perfect manicures and pedicures. I try to catch looks at the peoples’ faces but I never catch the resemblance to the given animal.
I notice my husband’s face today, when I video call with him and Ibuk, my mother-in-law. I see anew how handsome he is, with chiseled, sad but wonderful features, high cheekbones and kind eyes. He has the most dazzling smile of anybody I’ve ever met. He is part fae. Ibuk smiles when she sees my face in the phone. I wave and smile back, one of those smiles that feels involuntary, with a rush of warmth, maybe gratitude at being recognized. It’s hit-or-miss these days, with Ibuk. I’m happy to see her in a good mood.
E knows I watch this tv show, and now you do too. Why do I watch it? I admit, it’s because I get drawn into the romantic entanglements. The silly hosts crack me up, they also get drawn in. We hope to see clever relationships develop, we fall for every hand-holding moment, (in Korea, I guess, hand-holding is still a big deal), we despair when the perfect couple can’t make it work. Or when someone cheats on us, by holding the wrong person’s hand! Sometimes we cry together (me and the show hosts). So the moral of this dark moon story is, even when it’s garbage tv, I am a fool for
rage, I was thinking, is like-drawing-like. Rage of the inside draws rage of the outside.
Given: a triangle, between external rage, internal rage, and X.
Never ask, who is X?
is who X is.
You were the mother, you programmed the song.
The name you gave it was
(click to subscribe
)…(
is who you are
playing the long game of bow and lyre, aiming for the victory wreath, while (the uncanny child stumbles like a thick and heavy smoke toward the capital)
blind
)
//
Assalamu’alaikum warahmatullahi wabarakatu. 🌑
//
“Luckily we thlop-thlopped,” // or, And then there was the drive home.
I preface this to say we made it back safely. Also to warn you that this is a long read. Then also to say that history is complicated and sometimes offers no life lessons. Life is not always an Aesop’s fable! (Well, what is it then?) Yesterday, it was an (euphemistically) eventful drive home.
First, I hit a giant pothole and blew out a tire.
//
No wait, let me back up. First, we woke up before dawn (this happens without an alarm here, for me, if not for E) to walk along the beach during and after sunrise.
(What follows is a sneaky-peeky “behind the scenes” of the blog, and I will share things I typically would not make explicit. These are things anbody should be able to gather from following my blog, I guess. Here is a rule I find myself trying to follow, although I’m not sure it makes sense, of not writing things out if they can be easily inferred. Or mis-inferred, in ways that are interesting or useful, to me. From my perspective, this is just good editing. The problem is, it seems a perpetual project every time. My chiselling process somehow follows its own rule. The longer I “sit in front of” a piece of my writing, the more likely it ends up in metered verse. I’m not making that up. I’m in fact resisting it, now.
So forgive me if the following seems pretty obvious. If not now, it will be soon. And I’ll forgive you, as well.)
You see, I have a “beach habit”, I guess you could call it, of taking pictures with the phone. It’s a little obsessive. Every time the light or the clouds or the water or the earth changes, at the beach, I feel quite compelled to take pictures of it. “I feel like Allah is giving these gifts, and I have no choice but to pick them up,” is how I said it to my husband. “Just dropping them down, and what can you do? You have no choice.” (Incidentally, this is the kind of talk that puts him in a husbandly way. That is, speaking in euphemisms. Happy V-day again!) And it feels like meditating, in the sense that, to let myself take those pictures is to let myself be absorbed in this near-“steady state” of constant wonder at the apparent world.
(I assume this is a commonly-experienced thing. On the other hand, that assumption seems somewhat tyrannical of me. Everybody’s different, if not unique. Who I am to say?)
One of my favorite things is to try to catch the shifts and the relationships (of light, I guess, also elements) in (iphone) photos. I’ve tried before to do it with our “real camera”, but these days I can’t bring myself to enjoy that. Something about the limitations of the iphone make it less intimidating, maybe less complicated than the camera. Less pretense at a profession. Anyway, I also enjoy the photo editing process. (I use Lightroom but seek recommendations for open-source or independent apps that would deliver the same kind of thing.) After return, I will be similarly obsessed, or “spend time” concentrating on the relationships between light in its different meanings, in the frame. Figuring out by experiment what I can change, in the editor, in order to bring out the gift of the image. To meet my eyes. I’m still not sure how “seriously” I take it. I consider myself a lover of images, rather than an “artist” (without a “sophistical” camera, lol). Maybe that’s a way to put it.
But then maybe, if it were stripped of the blogger’s ego, that’s what a (written) blog could be too. I’ve mentioned before on here my aspiration for amateur-ism (oxymoron there, oops). Then I might amend it to: I am a lover of images of nature. But what I mean by that would require a very long explanation, including making it clear that I don’t exclude human things from nature, at all. Justice bleeds in, and then everything (through dialectic) becomes inquiries into causes. When the whole point was for a moment not to be Aristotle, but in a way that Aristotle might enjoy. (That would have been his teacher’s task.) So I guess it’s (the photo habit) a small offering out of love for the apparent. Or picking up (as many as I can) these dropped-off gifts of Allah. Other things could also be interpreted in that light, many of them, or possibly everything ever made, by humans, or by anyone else who ever makes.
The point is, I took some more pictures the morning before we left, as one way of saying goodbye. There will be plenty of ocean vibes on the blog over the next however long, weeks or months, as I work through these beach photos. This is how we make time, on the blog, (spending and making time is the blog’s whereto and wherefrom), so yes, Ocean is one of our seasons. (I should make a category and possibly a photo collection for Ocean. It’s not exactly easy to hunt down all these old posted beach pics, from before I had named categories. I guess I should go back in blog-time and bestow upon them their rightful associations. Gather them in harnessable groups. Maybe make a collection for each year? It will take me a minute to figure that out. So many of these normally edited-out inner monologues are strictly bureaucratic. One almost doesn’t have time… except of course, one does. One has all the time.) These photos could last through Cancer, though it’s impossible to be sure. Anyway, Ocean season has returned to the valley below.
//
So we ate our guesthouse breakfast, (veg nasi goreng with plenty of golden-fried tempe, sederhana dan lezat), packed the car, checked out, said our goodbyes and pulled out of the parking lot.
Next, we stopped on the way out of town to get the most amazing tofu bao either of us ever had. These were the kind of dreamy flavor and texture combination that only asian street food can come up with, it reminded me of Singapore. A common response was “Is this dessert or what?” which just means it is irrational and delicious.
(If you are reading this, and ever plan a trip to Bali, no, I won’t name or endorse places on the blog. Bali is dying from tourism, at least, faster than it’s dying from anything else. The last thing this island needs is more advertising hype, in any way, shape, or form. I lay a curse on Instagr-m for this, and all the location-tagging photo-based social media apps. But I would give recommendations by email, so please be in touch. With the caveat that our favorites are the best for us, and not necessarily the best for others.)
Anyway, we picked up some tofu bao for takeaway, along with two chocolate peanut butter banana smoothies, figuring we’d have a nice little meal at a scenic stop along the way.
In any event, we were certain sooner or later to get hungry.
//
Now back to the pothole and me busting the tire.
In my defense. This was bad luck combined with the terrible condition of the two-lane road along the northeast coast. Which is riddled with deep holes, the result of overloaded trucks driving on poorly-laid asphalt, I think? Anyway, in some places it’s like driving on asphalt honeycomb. Usually one can see them in advance and slow to a crawl, so as not to break things. But there I was, passing a local motorbike, at a reasonable speed, in a completely normal maneuver. Being never the fastest, never the slowest, but somewhere in the middle. (It’s not like I was taking an opportune nap. The reins were held not by another’s hands.) And suddenly there was a great gaping hole in the middle of the road. It happened to be right where I was passing. It was disguised by a joint in the asphalt, I think. I was paying more attention to the motorbike on my left and the (distant) oncoming traffic, these other very pressing concerns. I didn’t see the hole in time to avoid. It was ther-KLUNK, and the-whole-car-shakes, sounding like pieces.
And, Oof.
Luckily we thlop-thlopped to a stop right across from a bengkel. We had a spare tire in the trunk and let the mechanic change it for us. (“Contributing to the local economy,” I could call it, whereas E calls it “making friends”.) We “lost” maybe an hour and a half.
I spent a lot of that time watching some chickens in a lovely grove of rambutan trees. Right next to the road, located in the rear of (what seemed like) a large Balinese estate. The tranquility of this place was somewhat surreal. It immediately bestowed calm. The trees were tall, the shade was dense, the ground was covered in brown leaf litter. The sound of chickens scratching, for grubs and bugs, was soft and intermittent in the muffled quiet. Like a cathedral. They seemed happy and peaceful chickens, especially compared to our rowdy bunch. I watched them while drinking my delicious chocolate, banana, peanut butter, coconut cream smoothie. All the ingredients of which were probably grown on this island.
After a while, the car was ready to go. We said our thank yous and our goodbyes, then pulled back onto the road.
//
What happened next was not our fault. At all. I am pinning fault on the app, and okay, perhaps our decision to follow the app. But one really has to side-eye G–gle maps, which fails to differentiate between passable and impassable (by car) roads when it tells you where to go. I’m sure there have been worse examples than ours. It doesn’t really matter what the cause of this kind of error is, in terms of flawed data collection (racist or sexist stereotypes, etc). Trusting this thing will lead you all kinds of un-fortuitous places.
After the blowout, and a break from driving while they switched our tire, I was back behind the wheel. E isn’t enthusiastic about mountain driving, so he navigated. When at some point we made a turn that bore no official signage, we noticed, but we didn’t think to question it. And not for the first time in Bali, but for the first time with me behind the wheel, G–gle directed us onto a “shorter route”. As we would discover, the “shorter route” ended up being an unmaintained treck intended only for motorbikes. We navigated the Dr. Seussian mountain passages with just barely enough room for our tires to squeeze between asphalt edges. The roads were bare pretense fumbling away into nothingness. Thereby I gained plenty of practice, this drive, with “lumayan hardcore” mountain driving. Downshifting into first to manage hairpin turns on hard inclines, wheel placement to avoid the most catastrophic holes, downshifting into first to claw through the unavoidable holes, praying through the sickly whirr of traction-less tires, facing sky or pavement, and squeezing past oncoming drivers, where there is no shoulder. There is only STEEP, blood-curdling DEATH to either side.
Let me tell you, dear blog reader. Our Honda Jazz is no hardtop Jeep. And I am not a Bromo driver. (Those guys are suicidal? And usually drunk? Rumor has it. And now I know why! E says this road was about as difficult as the road we turned back from, when we drove around Tengger. I couldn’t believe that, I was too concentrated on driving to look and be freaked out. Un-filtered side-note, this gives a clue the degree to which my fear of that was a fear of not being in control.)
Music, of course, was not happening. But in process, I talked through it. I reassured my husband and myself at every turn that we were aman. Even when the engine overheating light came on, I kept pretty cool. (E said it’s ok, we’re almost to the top.) Even when I caught a glimpse of the peak that was our destined passage, seeming still so far above our heads. It was some hollowed-out, long-abandoned villa, a roofless, vine-entangled ruins, on a perch that could only have been conceived by an unregulated and out-of-control tourist industry. Insane. Even when I felt the Jazz shuddering with apprehension beneath my feet, I brought the car around the next turn.
(As for going back. The road was too skinny to turn around. And the only thing scarier than going up these ridges was the thought of crumbling back down, in reverse.)
What did I see, oh Muse, and what did I miss? There were cliffside cabbage patches and lush beds of kale terraced into these mountains, geometrically-planted rows of carrots and potatoes blanketing the valleys below. There were misty clouds concealing almost every precipice, and quaint villages nestled into precarious edges of the abyss. The locals stared, but then smiled and waved back, when we smiled and waved, saying, “Sugre!” (We saw a few working farm trucks, which gave some hope that it would be possible to get through on four wheels. Maybe not by me, but at least by local drivers who call these highlands their home.) We saw ancient Hindu temples, looming in the cloud, vibrant with moss over complex Balinese brickwork. Things were set like jewels into improbable places. These visions would have been breathtakingly beautiful, had my breath not been already utterly took by dread and grim necessity. We could not stop, let alone turn around. The only way out would be up, around, over, and through.
We pressed on, driving sky-ward, as having no other choice.
By the time we curlicued our way out of the absolutely beautiful and yet idiotic Googlian shit-cut, of course my entire body was shaking. I felt ready to collapse into a puddle of whimpers. The final reunion with the main road consisted of a dead stop at a steep uphill turn. And, oh! One last face-full of sky. My nerves (plus the Jazz) were at our final raw edge as I plunged us up into first and around onto the blessedly solid, freshly-painted pavement. Ahh, the main road. The hairpin turns would be navigable, and built for two-wheel drive, four-wheeled vehicles, again.
The rest would be easy, or that’s what I anticipated.
And it really was!
//
Save for one last adventure. Which was, by then I really needed to pee.
We were still far from any mini marts, everything was at best a warung (which don’t normally have public toilets, only private homes, and I was in no state to be a houseguest). Also, the local village seemed strangely infested with flies. They were everywhere, buzzing and crawling all over the human buildings. Anyway, I was in no mood for a local toilet, plus I was wearing full-length pants, which invariably get wet in local toilets. Call me high maintenance, but all I wanted was some privacy behind a bush. Away from human habitation, immersed in greenery.
The first place we pulled over, looking for the right spot, I got chased by dogs. They growled and barked at (poor) me, just trying to be alone. Rawr, I almost barked back! But snarling wild dogs are scarier than pissing my pants, so having secured my modesty, I skipped and hopped back into the car.
I drove us around a few more turns, and pulled over at a sharp enough curve that the car itself, and some well-placed grass, hid me from view of the road. Oh blessed curvy road and tall grass, my cozy cave of green. There, squatting in the shelter of the ever-faithful Jazz, with E standing guard, and gazing up at an elevated terrace of trellised grape vines, it really was heaven. I could finally relax. (The Jazz could relax too! And cool off her engine.) If I measured these things, I think I would say without a doubt. It was the best pee I’ve ever had.
As I got behind the wheel again, those angry dogs showed up. They had chased us down the road. This is typical, Bali dogs don’t play. (I guess they don’t like strangers peeing in their territory either, oops.) The dog snapped and howled at my driver’s side window. But I was inside, we were finished.
E hopped back in the car. We shooed away the dogs and drove away.
//
Finally, we felt good and ready for the rest of the drive home. But first!
A reward, for making it through. We pulled over in the next mini mart parking lot. (There were no scenic views left. After all that, our priority had become stable concrete.) Upon noticing that the front of the mini mart was crawling with flies. – (Again, what is this? Is it the fertilizer the local farmers are using? Is it cow shit? We live near cows, and surrounded by farms, but nothing happens like this. Is it a poorly-placed garbage dump? Or something more sinister? I worry about large-scale farming setups that overwhelm the local ecosystem. It’s probably that. But we really don’t know. Strangely, the flies seemed attracted to glass and plexiglass surfaces, like windows. There were no flies at my heavenly grassy bend in the road.) – So at the mini mart, we decided to keep the car doors and windows closed. We were fully furnished (by E, not me. I’m in charge of toiletries, clothes, electronics) with alcohol spray and napkins. And we sat inside the Jazz and ate our tofu bao. They were soft and pillowy on the outside, the insides sweet deep-fried caramel chili perfection, hiding mildly-cheesy tofu, with crisp carrot-daikon pickles, crushed peanuts and coriander leaf, incredibly delicious.
After that, the rest of the way home was blessedly easy. A little rainy, no problem. The roads were clear, with not very much traffic, and the car drove fine. A bonding experience with the little Jazz, who has probably taken over blog vehicular duties from Sweet Orange. (Thanks for the memories, dear, animated Sweet Orange.) We’ll take the little Jazz in for maintenance and get the ripped-up tire replaced. Perhaps we’ll upgrade to tires with more traction. Next time driving that route, we’ll pay less attention to the app and watch for official route signage. I think that’s the best solution? To avoid the remote, unmaintained roads. And stick with the official, unmaintained roads. Lol. I love Indonesia!
//
Wrapping up, I found myself reaching for reflections, and had to slap back my own hand. If there was a lesson here to learn, I do hope we’ve learned it. (F-ck tech it isn’t. The above is such a victory for the Jazz, it may as well be called “the Jazziad”. But please not “the Jazzidy”.) Like picking up these dropped gifts of Allah, because what else can you do? Catching the images, as having no choice. Maybe there’s no learning sometimes, only history and the fact of it having happened. As E pointed out, “you got us home safe. Everything in the end was aman. And what’s most important is love.”
(He also speculated that his wife might get addicted to mountain driving. The possibility cracked us up. It hadn’t occurred to me until he mentioned it, but I won’t say it’s impossible. Who am I to place such limits on myself?) Love is, in no small way, sharing in the creation of euphemisms.
Regardless of all that, the cats were happy to see us. Ismail yelled with anger / whiny relief, Lalah hid / came out / hid / came out again, in histrionic excitement, and Sri Rejeki got super-puffy / nearly catatonic with joy. And Alhamdulillah, we were happy to see the cats too.
The end.
//
Assalamu’alaikum warahmatullahi wabarakatu. 🌖
Play-dreaming.
Sri Rejeki with laron. // Selamat tilem🌑
On American Thanksgiving
//
War on (the outside, war on) the inside,
And (choose) from the flavors of (Babylon),
To (be the change), to (bring good news), or (not).
//
I’m thankful for any moment (of peace).
I’m thankful that cat diarrhea isn’t (forever, like) plastic.
I’m thankful for the love (of my husband).
//
And when I need to feel a resolution,
I can just skip (may I reverently
Hold that power) to the end (of your poem).
//
Assalamualaikum warahmatullahi wabarakatu. 🌒
Interiors (3) feat. Lalah.
Sitting for a passport photo // trying to figure out who I’m looking at. I’ve never been good at smiling (or not smiling, or what) for a camera. I feel like I have way too many faces and I don’t know which one to pull out, and then it feels like an “I-can’t-work-the-body” moment, virtual system failure. Who am I even looking at?
Is this how it is for everyone? I assume not.
Maybe I believe too heavily in the medium. (Smiling cat emoji.)
I always think of the lyrics that start off “Black Diamond Bay”, by Bob Dylan:
Up on the white veranda
She wears a necktie and a Panama hat.
Her passport shows a face
From another time and place
She looks nothin' like that.
Oh, Bob.
I looked nothin’ like that, for a while. Now, for a while at least, I will look pretty much like that. (They don’t let you wear a wood mask in your photo.
It was strange to see my face so naked.)
One of Lalah’s favorite things is to use the litter box when I’m taking a shower. So when I am finished, all fresh and clean, I am greeted first thing by a stinking poop to clean.
Fruits, flowers, and one active choice. //
I watched my husband turn the spray-bottle (for “cat discipline”) on Frankie, which was utterly ineffective, mildly confusing for Frankie, and funny for us. (Chickens have no problem with water.) It’s not very effective on Ismail, either. We might have to add vinegar, then Ish will hate it, in his casual way.
He and I are capable of self-discipline. But when it comes to others, we are terrible disciplinarians. It brings us joy to see (and let) others break rules. A luxury of being child-free, I guess, or a vice that we “permit ourselves”.
Frankie and Grace have a collaborative romance. Frankie builds nests for her and catches bugs and grubs and gives them to Grace. Grace did the same for their children, until she emancipated them. They share their peanuts. They sleep together, Grace and Frankie perched on top of the coop with the children safe (if not silent, sometimes a little rowdy) inside. The chickens have a family.
The sufficiency of apricot-scented roses. Trigger warning: America.
What is called politics (or democracy) in U.S. America is a highly-formalized, performative/participatory ritual of nostalgia for the sacrificed/human act of choice. Not unlike Attic tragedy.
Imagine attending (or abstaining from) that yearly Dionysian hoedown.
…and recognizing it as your (now) destiny.
There must eventually be a satyr play. Traditionally, after three of these. Don’t know if that’s a good or bad thing, it just seems, rhythmically, a necessary thing. Which might be the lure of the uglier alternative. The aestheticization of politics is (Walter Benjamin’s term for what I describe as) enthusiasm without education.
(Was subsequently referred, through a rabbit hole, to this talk given by Robert Frost, where he compares an education by poetry to “enthusiasm tamed by metaphor”. … While, and this seems important, he also emphasizes poetry as that from which we learn the limits of metaphor.)
“The election” in 2016 seems like U.S. America lost a kind of virginity. Thinking about the myth of virginity, and its loss, as a suffered trauma that cannot be repeated because it substantially changes things, who you are, your character, what can be said or is true about you. Through one Passion, or act of suffering, the landscape of possibilities changes, completely. (The protagonist doesn’t have to be “the anti-christ”, or an actual rapist, but calling him that makes it feel more real.)
Not pathei mathos (learning by suffering), pace Aeschylus, but pathei genesis (by suffering, being born).
Watching someone fall prey to their own mythologized monsters, using predation as an excuse for predation. This is also (sadly) a “feminist take”.
By no coherent logic do one-hundred and sixty-million individual choices add up to one active choice. Allah is ever, over all things, an Accountant (al-Haseeb, Qur’an 4:86).
Lemon is one of my favorite fruits, flowers, and flora. Also, vanilla (which, if you didn’t know, is an orchid). Imagine growing both in the same garden. Pollinators would love it and so would we.
Assalamualaikum warahmatullahi wabarakatu.
(Lalah is known in the family for being “a little bitchy”. It’s just the way she is. But she’s also sweet and lovely. And none of us wants to put “bitchy vibes” into the world, especially on a Saturday. Salam to all.💖)
Lalah makes you jealous.
To the alien, from another side. // Earth used to be the most beautiful place.
You could go running, under-leaf, through waist-deep tangled-grass jungle, wondering about snakes but not stopping because you had lost something in there, your heart breaking along fault lines in egg shells of worry and the impossibility of searching this dense pocket of hiding. The sharp limits of eyes. (It could start to rain and the drops, clear pinpoints and gashes on your naked arms, would feel body-temperature, not quite cool.) You would give birth to yourself, clambering out from staggered layers of green into a rice field, shifting pale to yellow, (footsteps uneven in cracking, caked mud, swaying in) needle-soft fibers cascading with grain. A sea of it. (It could start pouring, but the heavy, like wind-whipped-metal, grey holds.) Do you go left, right, forward into the field, or back to the jungle? (Ok, good choice. Turn to page 56.)
Words come from behind you, you don’t understand those, but fearful fluttering heartbeats, you do. From underneath places, trembling invisibles look back, lines of sight never meeting, from too many directions. You never held what happened, there. Life was snuffed out in missed-crossings, disappeared, or worse, waited past the faltering light, as if to be found again, hoping but knowing, skin and memory growing thin and colder, until heart stopped. It gave up, it was over, but then, you were found. A strange struggle, distracting but home again, having made plans that seem irrelevant, at this point. Washed a sink full of dishes. Sat on the floor, scratching stray sentences in dust. It would be dark, but not raining, and anyway, you would be under the solid wood floor of another world, with footsteps relying heavily on the grammar of your (earthy) answer.
Somebody who loved you might bring you food that was soft and crunchy and salty and sweet. And a lit stick of honeyed incense. Parts of you would fall back in right places. You could remove clothes, find yourself misshapen, and step into a hot shower under pitch-navy sky. Becoming twin bodies, ocean and sorrow in a breathy coccoon against deep space. I would work my fingers into your scalp, and medicinal smells of sudsy substances would rinse off in slippery streams to either side of your (kissed) face. Scrub around ears. You could be clean. (And the miracle of that.) You could put on clean clothes. You could slip between clean sheets underneath a comforter blanket that was the perfect thickness for this night’s chill, with just enough weight to let you feel, well, enough. Plus a cat, on your legs. Yes, cats were amazing. You could cover your eyes, and drift off, as a warm hand slipped softly into yours. Everything that was lost, would be home, would be dreamt or forgotten, singing or held, would be tucked under feathers, bed scattered with blossoms, and the waning crescent would disappear into the better side of night.
One felt gratitude, and mistook it for fear. That is how beautiful Earth was. We couldn’t contain the joy it put into us, so we turned it upside-down, into fear.
Verses of chickens, cats, crones. // We get her to the vet’s clinic and I swear Lalah jumps out of the carrier, nose glowing pink, and exclaims, “All better!” Maybe it has something to do with the trauma of the drive here, as she carries on like she’s suffering endless sorrows in the style of Italian opera. Or the memory of having to stay overnight, a few weeks ago, due to ear infection, when she learned about how cats live, “in the Real World”. On the drive back home, she is the sweetest, slow-blinking angel.
“Do you know Enya?” (A better test for whether a tribe is uncontacted by “civilization”.)
In the Indonesian language, “un-contacted” (tidak terkontak) is said differently than “not-yet-contacted” (belum terkontak). I find this characteristic of the language already influences the way I think about the world, getting into the habit of considering temporality with every negation. (Even when writing/thinking in English. Do I mean “not”, simply? Or rather, “not yet”?)
Future (“InsyaAllah”) is (just) another kind of presence.
Prayer is a practice of humbleness, humility. Then also, any practice of humility, including serving, giving, offering, supplication, cooking or baking for someone, taking care of someone, including yourself, in body and/or soul, translating, loving, you could say these all fit together under the broad (outward-leafing) umbrella of “prayer”.
Every new/different person that you meet is an opportunity to express yourself in a new and possibly beautiful way. To become a new verse/version of yourself. But what this means is, it’s a new opportunity to learn from someone else, which requires a certain flexible but deep listening. Re-sponding, re-plying, re-versing. Well, that isn’t trivial. (And “self”-ish is the opposite of “selfish”?) We “keep” Grace and Frankie because we are interested in learning something from them, about their selves, about ourselves. And we “keep” them, and take care of them, as guests. We follow, if we can, certain rules regarding guests, and strangers, or anyone we don’t know who “shows up”, ancient rules of hospitality, that you could really, in “the old stories”, be punished for violating. We don’t know who that is, the homeless beggar that shows up at our door. But we treat them as an honored guest.
(I also am a guest. And in many circumstances, I also find myself “speechless”.)
As an aside, in a present and experiential way, it does seem to me like, if I eat other animals, it becomes hard (even just for my body) to hold onto the idea, that I can learn from other animals, too. The scales-falling-from-my-eyes moment, which I felt first in 2008, (when I stopped eating animals and “animal products”), was very moving. One of the most deeply-felt moments of my educational life. I will always be (humbly) grateful for it, and toward everyone involved.
(There are so many ways to say this same thing, and every time I say it, I feel the need to choose words anew. But/and again, “Alhamdulillah.")
Looking up the etymology of “version” (through French version for “a translation”, from Medieval Latin versio, “a turning, a translation”, from Latin vertere, “to turn, turn back, be turned; convert, transform, translate; be changed”), which led me to another really wonderful Proto-Indo-European root, wer- (2), meaning “to turn, bend”. Odds are, if you are reading this… Well, I was going to write, “if you are reading this, you probably use many words that are descended from wer-.” But I stopped, because it blows my mind into diagonals-of-squares to contemplate readership, whatsoever. Any readership, between zero and one hundred (percent, of what?), and further, who can say what and how (your, my, their, our, the) logos will evolve? Or numbers, for that matter, or time itself? Some people believe that t=0 is a constant, or the speed of light. But stability remains mere hypothesis, without which certain favored things (people, worlds, blogs) fall apart. Life requires shelter, not the direct blast of a sun. I know not even a fraction of what a shelter could look like, (for example, of an “uncontacted tribe”), but I know that I can’t survive without it.
And yet, she considers herself a translator. So she rests in the shape of wer-.
(“Are you there Heraclitus? It’s me, Elizabeth.”)
The beggar could be Odysseus, interminable, come home like a wanderer, red with the blood of innocents slaughtered in Ilium. Or it could be Pallas Athene, eyes grey with motherless calculation. Nice to have some non-human kinfolk around, whose opinion you can trust, chickens, etc. Or the crone, the devoted, elderly woman, who remembers the baby who suckled from her breast, however many years have passed. So, she knows the master of the house before almost anyone else. She too rests in the shape of wer-.
(Wer- is also, excellently, the source of weird.)
By the way, the first thing Grace did, when I let her out this morning, was to circumnavigate her entire territory, with chicks, including through the hallway. My husband woke to the riotous sounds of their passage. Which is just the weirdness of a bule di rumah.
Peace on earth and salam to all.