screengrab of a map of Bali Island and East Java with an earthquake pinpointed off the coast near Banyuwangi, stats given for the earthquake include magnitude 5.5 on Richter Scale, 85 km away, 10 km depth, and states, Damage to poorly-made buildings.

Frame-shaken . . . wow // (all ok)

Poetry is antifa🕊️

Indigo is calm in his convalescence, after being bullied by the other roosters, relieved to be in his cage, nibbling vervain seeds and other treats, as far as I can tell.

And something unexpected—he’s not lonely. The other roosters (his brothers) spend almost all of their time hanging out around his relaxed and shady retreat. They like to be nearby him, napping, clucking, snacking, preening feathers. We’ll re-integrate after making some changes that should reduce stress.

No bandwidth to do hyperverse this month, I’m afraid. Family matters require extra attention lately and I’ve given myself permission for less, on here. Anyone reading this, I wish you substantial moments of reprieve from the onslaught of bad news. And restful sleep.

I reaffirm my belief in the power of quiet voices, not least the quietest ones, the hard-won voices of the interior. Those voices can’t be silenced by armies or by algorithms. Their power is deeper than tyrants can fathom. The only hope that humanity possesses, not to destroy itself by its own cleverly-implemented appetites, remains in the quiet voices.

This is the paradox of democracy, and human politics writ large: that government by the loudest would never survive without a demos that could and would listen, deeply, to the quietest. No constitution could replace the primary need for education in a republic. Secondary pillars of liberalism crumble without it.

Children must be taught to listen; shouting only closes their hearts.

Assalamualaikum, selamat tilem, peace 🌑

//

Indigo

I found the true, sun-rendered into grass.
Your crest was bruised, and bled darkly as wine,
Unfolded fan of bronze between the green
Blades: cut down, dissociated flame.

Rooster plucked bald, spur-riven by rage;
Fresh amputee of faith; his brothers, turned;
Beloved hen, a prize for violent men;
Disintegrated end of pointless feathers.

If I were strong, like you, I may not
Have chased him down and put him in a cage;
Rewritten him this unreal sanctuary, made
Of wire and wood, wish-woven with vervain.

A mess of mercies is my apocalyptic kitchen.
By my haphazard and incomplete, sincere
Effacement, I perform, historically,
Dueling, death-won, verb-mangled essences.

The crumbling law of walls, a garden crossed
By interventions; roses uprooted by birds,
Cock-sacrificed, or saved—Indigo is
The privilege of my indefinition . . .

As tempered hearts traverse this tear-trembling
Threshold, until the Iris appetite resolves
In fundamental mud of lotus eaters—
I offer kue, leftover from purnama.

//

Kue, small cakes, are often part of Balinese canang (offerings) left around the home on purnama (the full moon).

This is my entry for the September IndieWeb Carnival, hosted by Sophia, on the theme “second person birds”.

A guest reported seeing a jalak Bali, or Bali myna, one morning on our mulberry tree. These are so rare that we wondered whether it was a real sighting. The myna (Leucopsar rothschildi, also called Bali starling) is a critically endangered species. Most of them are located in the northwest corner of the island, in a national park. They are unfortunately heavily poached and sold on the black market as pets.

Then I discovered that a breed and release facility is close, around 1.5 km away from our house. That’s “as the myna bird flies”— it’s on the other side of a deep jungle ravine. For us to visit would take around 4 hours of driving.

But now I really want to visit.

The snow-white, blue-masked myna became the voice for this poem. I’d very much like to see one myself, so I’m often checking the mulberry these days.

//

The Myna // Sang Jalak

The Myna

So here we are, in this
Third World. Palm trees,
Rice paddies, machetes.

Doves couple on concrete walls.
Seasalt breeze, like surface
Fire . . . Sapphire, emerald.

Sanctuary comes, commands
Silence. Our mothers cut tongues
To police. Masked,

The myna bird speaks
On the mulberry tree. Elsewhere,
Ants against an elephant.

//

Sang Jalak

Jadi disinilah kita,
Di Dunia Ketiga ini. Pohon palem,
Sawah, parang.

Merpati bercinta di dinding beton.
Angin laut asin, seperti permukaan
Api . . . Safir, zamrud.

Suaka datang, menuntut
Keheningan. Ibu-ibu kita memotong
Lidah ke polisi. Bertopeng—

Jalak Bali berbicara,
Di pohon murbei. Di tempat lain,
Semut melawan gajah.

//

Socrates: (cont.) Well do I know, that when that man heard Lysias' speech, he didn’t hear it only once. But often and repeatedly, Phaedrus urged him to speak. And Lysias eagerly (prothumos) obliged.

// 228α-228β

photo of the beach in shifting layers of color, deep brown speckled sand at the bottom with a few old leaves and pieces of coral, strewn with coral gravel, a layer of bronze-beige sand swept by the water, warm greenish to bluish haze of water reflecting light across a disappearing horizon, almost lavender possible rain in the far distance, thick patchy grey clouds over waning yellowish light.

indissoluble ochre //

coy loon, calico

coy loon, calico
cat snatched cake from the canang
cinder coils cunning

//

Assalamualaikum + selamat purnama 🌕

Socrates: (cont.) and yet, ( i have done ) neither of these.

// 228α

military parade (no country for children)

a block of human souls, murder
of mirrors: organism heaves
a moving multitude of cells,
populous lung, as if to breathe.

populous gun, snap-locks to form:
fifty by fifty by fifty, we
as one, on riven necks, heads turn.
the mass of bodies march past Xi.

in uniform, blind discipline:
black boots, white arms, clean unison
defines the face; grey, seamless film,
a weapon’s youthful complexion.

meanwhile, across Pacific waves,
the people’s whore, instead of school,
deploys machines to make selves, slaves;
the suicidal human rule.

chip factories to feed the stocks:
by battery classroom, killing ground
to grind the greening down, by glass
addiction, into tyrant’s hound.

the glaze that, dying, skins the eyes,
steals vision from the animal;
filters from birth its grave sunrise
and petrifies the living soul.

the glaze that, seeing, sells and tells;
in masks, they empty out the homes.
nobody ever goes inside;
nobody ever is alone.

meanwhile, across Atlantic storms,
in cradle of brave humankind,
the eye its fatal flaw confirms:
the fracture of the human mind.

dust-craven, shame of patriarchs
forsook a sacred covenant;
belched blood on gift of holy land;
made blasphemy of government.

what child is this? his ribs exposed;
the second coming, came, disposed;
the final coming, coming’s close;
bodies of babes, unmade by drones.

around the blue planet repeats
this multiplicative device;
our genocide is not abroad;
the ovens crowd these hollow spaces.

proving, mobilization awed
gold-burnished by Byzantium;
the heart speaks broken memory;
this is no country for children.

so genius passed: neither in form,
nor in the scripted paedophage;
bereaved, God’s mercy, nature-borne;
a mother’s keening song, through rage.

//

🌔

Socrates: O Phaedrus— if i fail to know Phaedrus, i have forgotten myself.

// 228α

endives and mallows

this morning, handsome as a child, touches 
with warming fingers the amethyst mallow.

delivers, gladly, each from darkening time:
the businessman, lucid as professor;

the tyrant, same as refugee, receives
his quickening caress, the goldenlight of youth.

but not each child. nor any child— the sun
has blinded all with his apparition.

a forest of light is teething in the seed,
dog star, a diamond cleverly effaced.

her baby will be different from the rest:
impeccable smile, a garden’s wondering, walking train—

daily untangling from the priest’s embrace;
to carry off, intact, her very name.

//

close up photo of an orchid glazed by rain water, with large arching leaves and two blooming flowers, one of which looks at the viewer like a little fairy person. the flower is bright white with maroon and magenta-purple markings with orange eyes.

oyi //

cocks and doves

is the sun enough for me?
uppity child— little Henri,
a cockadee, chases dovelettes
from the weeds. palest grey

sweetmallow breasts, ruffled
romancing on the pagar. desire
trembles in the precarity of daylight—
wooers, laughing, are tumbled upside-down.

Rainbow tidbits for Henri,
though neither of them is a hen. verily,
unto the sun is born a luminous,
bewilderingly beloved.

//

🌗

splinterwha

the resource re-
considering

skipping stones
whistling

in crevasses
stellar, hollow (

reckon starving
metric Io

reaches out ( g -
lossy limb

bittermallow
idiot(es) wind

whips ( w h i n i n g
past mumbling

nettles offset
private alphabets

boolean ( b r e a s t
nipple, teething

shooter —

wounding ) strings,
splintervolta

tablet dissolves
like ambien

sound-guarded Kali
graphic stems

roots’ f r a c t a l
externality

inscribed iamb ( so
so many

times ) my ear
sheltered, Delphi-like

in serif lobe
omega ( brooding,

loaded ) blood suss-
staining ends

threaded, mute
( litters
        leaf

ground ) grammar
thick bundles,

shorn bodies from
brushes, hair-

lines
        t um b l e w ee d
                                to thrift

the thistle, this
still tick-ling

or if sewn spider-
      silk knew, s o w i n g
    
           (    m    i    l    k    s    o    f    t
the habit of

( public
beauty )

a mustard seed

//

Phaedrus: what could you mean, O best Socrates? when Lysias, who is the cleverest (deinos) of contemporary writers, composed it over a long time, and at his leisure; while i’m just—any old body—(idiotes)—

how could i remember this, in a way worthy of that ?

so i lack, abundantly; and yet, i’d want to— more than much gold becoming mine.

// 227δ-228α

a photo of bubbly, frothy seawater, translucent greenish turquoise rippling over brown and black and white pebbled beach.

wishy-washy //

while waiting

i seemed to hear a new leaf budding from
outside, across the garden. i, pristine
sat on our bed— the future strange, deranged—
an alien inventing self-erasures.

is it normal, in my crone, to feel this way?
i missed a contentwarning— fingering machines,
scissored by shades of glass. the news,
the look of starving innocents; the bud,

not yetgreen, also not yet visible.
hallucination of the woozyqueen
or turquoise bees, copper goldenbuzzing
around the vervain; a shipwreck from afar

in language of my nature, or astray
unfounded tear, some private pearl, ruptured—

//

🌘