Verses/Curses
incense of apples
rosy for harvest
the corn lifting her brow
woken to see, to please
interior pearls
of vegetal readying
silver to sunny yellow
the wind caught her silk
like paper, billowing husk
parched with radiance
cerulean burning
alive, by chattering birds
the reaper turning
against the blinding
day, a farmer is shaded
black bladed in gold
knowledge of dual-
lit flicker, the letting heart
the heartless taking
aroma of apples
as if autumn could visit
the island of gods
on rolling tropic
whiter sky and violet flight
they fall to the light
for all of the past
a year, the gravelling ground
a measured after
verdant and weeping
sweep the coconut trees, stray
air from everywhere
//
fungi in the filesystem
event: it needs
new categories.
local zoology lately
portends mycelial memes:
“camels” vs. “dissertations”.
monkeys on the roadside,
— laughing. un-officially, i
am giddy to be their fool.
follow-up: mushrooms
of animal entertainment,
best medicine?
antidote of day-
glow (glitch)!
//
red stone
here is where
greenway unwound
by time, by time.
here is where
salt, rust, corrosion
the wound word.
here is where
given untimely springs
sprung locket.
here is winding
roses and figures for
give, by vigil, by rest.
//
deeper hospitality
a hedgehog digs down,
away from the wailing blight
of amplified multitudes
of lawnmowers and weed-
whackers, cutters of blades, root-
hackers and hoes of rows.
the damp earth dampens
all those. she wrinkles her nose,
raises reluctant eyelids.
a quiet guest
brings cookies, cozy with bitter
tea and conversation.
she eats the nuts,
leaves crumbs for ants,
an offering of grubs.
the world above
is too superficial, too high-
and-wired to fathom.
not much room, in the bright-
fraught world, for views
of under-ground.
close in her den, but not
too close, the good amount
of room for tidbitting.
cats' claws are sharper
always, in the ever-
wetter year.
the peanuts planted
in Pak Su’s field are swelling
bellies, growing round.
nibblers of words
become the reaping and
the kettle-ripening.
lower quills draw deep
as dirt-sighted sensitive,
burrows inky in-habiting.
//
🌒
dissertation on the dot
i am
with i
uneasy two.
unripened squeamish.
purple mumble-humble.
pretentious piXelated.
shallow faux-passé.
i know, but
there is a knowing
something in i,
that only ( you )
could be Other-
wise. i sigh.
i stroke your hair.
i watch you, sleeping.
i reach for you, i
follow your turn
by turn. i
admit
i am —
Obsessed!
//
telescopic texts (avec "?") (12/12)
now all of us have lost a taste for mince,
the history of grinding, darkly, Adam.
a schooling blade, student of buah, will prune
til circumspect the hour. and she has thorns,
forms of her own — we prick ourselves and bleed
to name her flower. bending the voice to crown,
we’re drunk by literal skies of melody.
you found her singing by the sea, where she
had fled, as she remembered you were drowning.
who is the rose rabbi? i read, she comes
and goes. knows herself not. how would she know?
if glass were introspect, Iris of time —
to find she had been borne, a cradled question.
//
if you ask me (about Agung)
it’s been a year
without the mountain.
comforter clouds continue
indeterminate, forgetting
to stop raining, forgetting
to end
if you ask me
how i am doing, these days
that’s how. i am just wondering /
wandering about the mountain.
whether he is there, whether
he is here
or anywhere
//
statuesque
it was her, who stopped troubling
the land with niceties; stepped out
onto the battlefield; declared
her nation iron, under copper;
ignored the children wandering
her heart. youth was her cause, but not
her destination: yapping pups
complicit in decay: the younger,
the worse. she drew a blazing sky-
ward line: from torch to sea of salt,
past oxidized decline: thou shalt
not cross this primary design.
so she was plagued by change, and change
rendered infernal mumblings
absent colossal reality.
she swallowed smaller poetry.
commissioned shining arrows from
hard-laboring masses, to quell
their rumbling curiosity.
her staples were cement brownies,
lampshades as circus gags, popped in
electrified mazes, they tongued
chromatic polystyrene sporks.
her trick was firecrackers for
proposals of shotgun marriage,
with orphans, locked in sheds out back.
essential documents were stacked
inside official cases. fireproof.
the starry skies reflected in
a muddy flood of tasteless rain,
with deeper rivers reluctant
to drain her isolating kingdom.
so spread the miasmatic air.
seen pieces, scened for maximum
invictus — hot-bulb flashes — lost
their knack for light. she was the news:
scaffolding posed as oracle.
and when her history grew old,
turning explicit, they buried her
in broken rubberbands.
mutely, her constitution says
you shouldn’t look, or else you turn
proverbially inhuman.
so close your mind to this broken
container of one billion eyes,
open to fight the warlike hour,
their hearts pumping in empty beds.
the roosters crow to lose their heads.
on glitterbombs sit satanic
afterimages of her,
as rounds of necessary loss
resound on poorly-tuned guitars.
with no time for ambivalence,
her multitudes march on.
and nothing here to be unknown,
perspective infinite as stone —
from bone reflected, light of crone
across her scorched and haunted scars
delivered signals of empathy.
by flickering night, camels repose
in contemplation of footsteps
forgotten, where plod the wind-
whipped monuments of thirst. and all
that is unburnt is a mirage.
//
🌔
that hungry space
where the tooth used to be
turned me skeletal. a skull,
leaking sand from holes. in
a permanent expression of
psychedelic estrangement
from the call that is coming
from inside the house.
category: news.
//
(a crown fell out, oops)
telescopic texts (avec "?") (11/x)
dilated pools, star-gazed — surrender pinkly
to phobia of frogs. if you dismember
those bracing, faceless bodies — lost in love
their coiling gyres, desiring — helixing
directions — inward, home. or intervene
against the skyward cough — raw, gaping need
to swallow more — when pollywog is strung
by lunar air. ritual drowning of gills,
suffering insurgency — the gulping word,
fata Morgana flooding Camelot —
is twinned ecstasy of triple betrayal.
for swimmers' lust, the sea is all. and still —
her cries are not for us, alone — we hone
the bluest chord of velvet-driven reverberation.
//
selamat purnama 🌕
on bad days
on bad days, the silence
has more to say to you
than i do. and yet
every day i worry
you’re not a reader
of silence.
if only i could give
my shape to silence, then you
might hear the crickets.
if silence
were nothingness, then
i would be green leaves.
but i saw the silence,
its air of winter,
its shape of clear empyrean.
its emptiness, strewn jewels —
all of it was precious;
none of it was secret.
above the radiance, i heard
earth is a place of rest —
and i believe it.
i press patchouli
to your wrist, your temple.
i draw the covers.
//
telescopic texts (avec "?") (10/x)
a balmy chickadee alights on bough
of jepun tree — gigantic, bristle-trunked,
beatified — by tipped cosmos of day
and melting star of paradise, bodies
unveiled. we lie in kindred shades of them,
verbing and flowing, in blues made legible
by greenborn leaf. in leaves there hides a forest
where braid the wanderers their briared maths.
a souvenir shelters nectonic paths,
ancestral courses wild with counterpoint,
and mercy of geometry — proffered
by rivered children of love’s oblivion.
//
dead earth blues
i pass my hand across the air
before your face. your eyes don’t move.
i speak of news, the word is bleak.
your eyes don’t shed a tear.
where could i live, if in your heart?
no room for me is there. your face
became my homelessness, in form:
His mother, blind to Christ.
i keep a memory of home,
of close and kindred mysteries.
the rosy books i used to read
would rise to meet my hungry eyes.
but meme versus the memory
is dream forgot, for anti-dream.
you cannot eat, we used to say,
the cream without the cake.
the bone without the nerve, of me,
is concrete sea and leaden air.
i read the news alone and lose
the wind out of my heart.
no matter, were we ever there.
why is this imprint fused with thought
if not to be remembered?
i pretend you aren’t a stranger.
and dreams arrive; they aren’t my own.
the one of drifting pieces, lost
at sea of darkening history.
i wait and work; a dream for mercy.
//
telescopic text (avec "?") (9/x)
most oblatory heart, i bring you news.
despite our deadly faith in prophylactics,
resourceful Cupido pricks porous tactics,
ever hanging hymenal fools. behold:
on spun-gold surface of radiant yolk,
in sky-strewn milky way of albumen
suspended, questing’s lustiest conceit,
the part-less heartbeat of a person third:
as ancient aspect touches youngest plume
to stir, pure destiny, the origin
of life, as love, in pilgrimage secured:
the red point points, and to itself — as bird.
O holy gift, O crack in everything!
the mad midwifery of paladins
births not a baby, but a voice on fire:
ecce peep. now go, and meet your daddy-o.
his name’s Pipit the cocky chickadee;
he is a theory of fertility;
enthusiasm incommensurate
with clock-a tweedle-dee and tweedle-dum.
//
dissertation in three or four dimensions
time is (only)
a measure
of motion.
time is
a measure of
( motion )
( ( multi ) tudes )
)
mercies
(
//
hello, my name is Judas
the men adore the butchered thought
of admiration for the men
(who do) for cutting wood to fit
against the other wood, they cut.
a duplicated map of thorns
will never touch the wreath. a cut
will never seed the tree of life,
nor pieces writ, the divine form.
but women, so distracted, will
make sandwich bread for them, to soothe
their breadthless lengths, to multiply
digits on barren diagrams.
if sinew, taught by love’s remorse,
could paint a thought, the blind would see
the daily crucifixion of
an animal geometry.
but women, silencing in time,
purée their sentences for them.
and speech will thin, like hair, and lips
re-make the skin to keep words in.
an excerpt is excerpted-from
until the palimpsest is pulp,
the meat is mince, and men are point-
less marks on partless everything.
//
🌘
domestic instability
her furry flank rises
and falls softly, as breath.
the wheeze and drift
of pink nose, neatly
muffled by curling paw.
where she is, here — where i
have placed her. her face
today is altered, injured,
i note; from stepping out
of wood-and-bone dimensions.
to meet another sister — dark
of velvet, sinister of scent, who knows
the grass as blades;
the searing fear of blood;
the growl of God at stake.
while she is light — as spots
on creamy white, strawberry
twizzler tongue — and popular.
her prey is floating feathers.
and yet, her heart is mean
as poverty, as maniacal envy.
black sister, with heart of pink;
pink sister — black-hearted:
the dueling dialect of shadow rose.
tender beings, engendered
by pain; unviable, beyond
their quantitative shells.
//
on the poet’s indebtedness to Black Thought
a wild hare goes
anywhere — quick
as wind. bears,
as scar, the scripted
mark of trickster; wisdom
of prey. knows never
to set dull footstep
in a question
that is only
a noose.
//
e.g. Black Thought, etc., etc.
telescopic text (avec "?") (8/x)
if doom begins to seem antipathy,
baby, you’re scrolling past the blues. that time
of year thou mayst in our humanity —
but not the Muse — behold, of warty gourds'
cosmic grotesquerie. and there’s the rub.
as long as tongue still holds a gentle fold,
i will elucidate your grim hallucination.
launder and bandage the decaying limb
of sense, of memory, of time. wed heaps
of conscious compost consummate the bloom
in star-swept dimensions of titanium,
where whorls of microplastics never end —
machine poetic, of pumpkins meteoric,
becoming metaphysic — tender beings,
fizzing histories apocalyptic,
chime and rhyme as flutes of pink kombucha.
we sing the tropical-epochal view
at end of universe, or two. until
séance à trois, with chaperone of grackle,
i love the laughing sky — let’s make it crackle.
//
i was thinking about Bob Dylan’s “talkin' world war III blues” (lyrics, recording) from 1963’s “The Freewheelin' Bob Dylan”. the song ends,
Well, now time passed and now it seems
Everybody’s having them dreams
Everybody sees themselves
Walkin’ around with no one else
Half of the people can be part right all of the time
Some of the people can be all right part of the time
But all of the people can’t be all right all of the time
I think Abraham Lincoln said that
“I’ll let you be in my dreams if I can be in yours”
I said that
and the last few lines were stuck in my head. or i was puzzling around that turn, the deal of dreams. which it struck me is a fundament of poetry, the deal of dreams, whereas world war III is a war of dreams.
one result of my preoccupation was a trio of dream poems: “wild bird caught in an accidental cage”, “revving vibrators”, and “i saw you dreaming, painted”. then one in hyperverse, “like sifting through guitars”. hyperverse are these compositions built out of hyperlinks to the writing of others. i find it very fulfilling, putting these together, which are basically a postroll edited into a semblance of poetic verse… poetry that opens literal links into other worlds. thanks to Bob, and to everyone else who shares velvety words with the internet. your dreams are amazing. i am moved by you.
related, here’s Bob’s later song about dreams, “a series of dreams”. and here’s Bob’s grouchy response to something adjacent and yet opposite the deal of dreams, the Judas accusation. — “play it fucking loud”.
//