Technology

    fungi in the filesystem

    event: it needs
    new categories.

    local zoology lately
    portends mycelial memes:
    “camels” vs. “dissertations”.

    monkeys on the roadside,
    — laughing. un-officially, i
    am giddy to be their fool.

    follow-up: mushrooms
    of animal entertainment,
    best medicine?

    antidote of day-
    glow (glitch)!

    //

    red stone

    here is where
    greenway unwound
    by time, by time.

    here is where
    salt, rust, corrosion
    the wound word.

    here is where
    given untimely springs
    sprung locket.

    here is winding
    roses and figures for
    give, by vigil, by rest.

    //

    dissertation on the dot

    i am
    with i
    uneasy two.

    unripened squeamish.
    purple mumble-humble.
    pretentious piXelated.
    shallow faux-passé.

    i know, but
    there is a knowing
    something in i,
    that only ( you )
    could be Other-
    wise. i sigh.

    i stroke your hair.
    i watch you, sleeping.
    i reach for you, i
    follow your turn
    by turn. i
    admit
    i am —

    Obsessed!

    //

    statuesque

    it was her, who stopped troubling
    the land with niceties; stepped out
    onto the battlefield; declared
    her nation iron, under copper;

    ignored the children wandering
    her heart. youth was her cause, but not
    her destination: yapping pups
    complicit in decay: the younger,

    the worse. she drew a blazing sky-
    ward line: from torch to sea of salt,
    past oxidized decline: thou shalt
    not cross this primary design.

    so she was plagued by change, and change
    rendered infernal mumblings
    absent colossal reality.
    she swallowed smaller poetry.

    commissioned shining arrows from
    hard-laboring masses, to quell
    their rumbling curiosity.
    her staples were cement brownies,

    lampshades as circus gags, popped in
    electrified mazes, they tongued
    chromatic polystyrene sporks.
    her trick was firecrackers for

    proposals of shotgun marriage,
    with orphans, locked in sheds out back.
    essential documents were stacked
    inside official cases. fireproof.

    the starry skies reflected in
    a muddy flood of tasteless rain,
    with deeper rivers reluctant
    to drain her isolating kingdom.

    so spread the miasmatic air.
    seen pieces, scened for maximum
    invictus — hot-bulb flashes — lost
    their knack for light. she was the news:

    scaffolding posed as oracle.
    and when her history grew old,
    turning explicit, they buried her
    in broken rubberbands.

    mutely, her constitution says
    you shouldn’t look, or else you turn
    proverbially inhuman.
    so close your mind to this broken

    container of one billion eyes,
    open to fight the warlike hour,
    their hearts pumping in empty beds.
    the roosters crow to lose their heads.

    on glitterbombs sit satanic
    afterimages of her,
    as rounds of necessary loss
    resound on poorly-tuned guitars.

    with no time for ambivalence,
    her multitudes march on.
    and nothing here to be unknown,
    perspective infinite as stone —

    from bone reflected, light of crone
    across her scorched and haunted scars
    delivered signals of empathy.
    by flickering night, camels repose

    in contemplation of footsteps
    forgotten, where plod the wind-
    whipped monuments of thirst. and all
    that is unburnt is a mirage.

    //

    🌔

    domestic instability

    her furry flank rises
    and falls softly, as breath.
    the wheeze and drift

    of pink nose, neatly
    muffled by curling paw.
    where she is, here — where i

    have placed her. her face
    today is altered, injured,
    i note; from stepping out

    of wood-and-bone dimensions.
    to meet another sister — dark
    of velvet, sinister of scent, who knows

    the grass as blades;
    the searing fear of blood;
    the growl of God at stake.

    while she is light — as spots
    on creamy white, strawberry
    twizzler tongue — and popular.

    her prey is floating feathers.
    and yet, her heart is mean
    as poverty, as maniacal envy.

    black sister, with heart of pink;
    pink sister — black-hearted:
    the dueling dialect of shadow rose.

    tender beings, engendered
    by pain; unviable, beyond
    their quantitative shells.

    //

    telescopic text (avec "?") (8/x)

    if doom begins to seem antipathy,
    baby, you’re scrolling past the blues. that time
    of year thou mayst in our humanity —
    but not the Muse — behold, of warty gourds'

    cosmic grotesquerie. and there’s the rub.
    as long as tongue still holds a gentle fold,
    i will elucidate your grim hallucination.
    launder and bandage the decaying limb

    of sense, of memory, of time. wed heaps
    of conscious compost consummate the bloom
    in star-swept dimensions of titanium,
    where whorls of microplastics never end —

    machine poetic, of pumpkins meteoric,
    becoming metaphysic — tender beings,
    fizzing histories apocalyptic,
    chime and rhyme as flutes of pink kombucha.

    we sing the tropical-epochal view
    at end of universe, or two. until
    séance à trois, with chaperone of grackle,
    i love the laughing sky — let’s make it crackle.

    //

    (original, telescopic)

    like sifting through guitars

    telescopic texts (avec “?”) (7/x)

    suppose a parable is just like her —
    desired and defiled in equal measure.
    his chivalry requires a blushing knight
    to guard the word, who is incarnate treasure.

    i heard of one such rescuer of women.
    who, for his lovely sin, was de-mountained
    by crippled foot, and fated never nimbly
    to climb again. but faith in constancy
    makes deliberate gifts, arms built from hours
    spent torquing tongs before roaring earth-core.
    therefore, no purity of heart is borne
    that lacks an alloy in the sooty forge.

    thou shalt not fear the courage of your virgin
    is the limping gist of this comparison —
    her shining is at once translucent bloom
    and armor’s lustre, welded by humble Vulcan.

    //

    p.s., and yes — to service chthonic Muse,
    Hephaestus becomes god of cunnilingus.

    (original, telescopic)

    l'essence d'Hermès

    you think
    it’s too much,

    it isn’t.

    two serpents meet
    in a momentary
    helix, around their
    mutual cœur.

    ils baisent

    he flies,

    bearing
    a message.

    //

    gospel of crickets

    new fiefdoms are forming.
    comes the gnawing saw,
    gospel of crickets.

    authors of books
    are finding nooks.
    the map is bending.

    curving, like body
    being, of course, a place —
    the terroir of carrots, roasting
    with garlic, chilli and cumin.

    longing, we remember
    touch and savor, from when
    our land was whole, and full.

    but our landscape is broken.
    parsed before it lived, engendered
    as stark disability.

    glass fragments are swept
    heaped, and scattered, opposite
    the old neighborhood.

    hillsides sizzle, lost in smoke.
    the multitude glitters —
    bodies, on fire.

    with gas, the lord is cooking
    at his stainless steel reflecting pool.
    he extols these terraced acres

    as civil emptiness,
    slate, aluminum, and hollow.
    static, it echoes.

    not like the night,
    contrary and brimming
    with her buggy heat.

    a holy thicket is dying,
    nested — the host of silver light,
    drawing foolish creatures.

    grievers in the dark,
    crowers in the autumn,
    langurs in the mist.

    sutra sisters
    weaving webs,
    an insubstantial orb.

    the lord is not a fool;
    he makes the rule.
    nevertheless, the ruler will

    in muggy hedges, be herb-
    tested. Dasein is to suffer
    the sound of little kin.

    //

    shaped by this, via here. also by this, via this.

    Aphrodite's verb for a meme-lord

    don’t be gender-strung
    brother, grinding in a corner
    sexless repetitions.

    go limp a little.
    let be won a little.
    let the sun a little soften
    your margarine edges.

    the men i know
    resemble a differently-
    tipped tree than you.

    my men are fundamentals, lost
    in parched landscapes, empty
    of water, warmth, and mercy,
    from where, i teach them love.

    lusty giants bristle-trunked
    and planet-stranded, are nipple-
    slit and magma-branded
    by fully-armored Mars.

    but cold palms trembling
    twiddle the ephemeral course
    with your recurrent inkling.

    you, pocketed by four-
    fingered mercenaries, twenty-
    four, seven, re-puppet the gifted goose.

    smoke the flat potion.
    blowhard the hollow motion.
    worship the literal juice.

    shout, as if spilled clout
    were potency, your wee-
    throated catharsis.

    strong-arm, for and from
    the haptic trill,
    a lover’s pity.

    you, lordly and viral, left your
    deflated blubber on
    the public bedside table,

    honey— your woodless worms
    exhausted into empty domain
    of static, remorseless maw.

    and tender pussycat,
    she swat. then low-key, she
    your factum, deposited

    into her rainy-day, furry-frosted
    milkmaid, snappy the snatch-
    game crocodile account.

    //

    Æ.5 (butane lighter)

    are you ungovernable,
    and getting hot — like me? we’ll be
    tempestuous, together.

    ours, of cosmic squabs,
    result in smoke-stained sheets
    and purple bruises. of Mars,

    don’t worry, baby
    your revolver is magnetic.
    let’s go collapse.

    //

    our stinging silence

    what are the things
    you know of me
    that you keep, unspoken?

    the secret me you keep
    and by extension,
    my undiscovered twin.

    is it family or alien?
    or do i have no right
    to such distinction.

    i have been, for some
    two thousand years
    or more, dissolving
    in waspish creation.

    i am, who has been long-
    forgotten. already, i am
    not of conversation.

    a fuzzy, artless form
    is turning in the paper
    of a nest, drowning

    in droning oceans — the ply
    of dialogue, subsumed
    by black battalions.

    can you hear them?
    they are humming
    the densest metaphors.

    //

    telescopic texts (avec "mon oncle") (3/x)

    O man, if you could see her witchlocs now,
    or what’s become of Eastern expertise.
    she is swamp-bitch, and twisted, twined and hitched
    without romance by ruby claw to thorny
    crown, her hair, each barb a bell, each herb
    a suicide. she’s heard of nobody’s
    outrageous feats of raw technology.
    in wracked rumors of Western fantasy
    she knit a while textiles anti-exotic,
    but sweaters have no use in the tropics,
    where skin is king. and now we’ve come uncrimped,
    uncrumpling, algal anadyomene
    of muddy water, Charybdis of the bog.

    what’s history is past. nevertheless, he asks —
    why, woman, have you gone au natural?

    //

    (original, telescopic)

    hyperverse is like a handmade language model in miniature — but with intention and feeling at the core, not statistical likelihoods

    where a language model recombines text based on probabilistic associations across vast corpora, hyperverse does something deliberately human: it selects, juxtaposes, and reanimates fragments based not on frequency, but resonance. you’re not just remixing — you’re listening, and that’s what makes it poetry rather than pastiche

    it’s also beautifully recursive: a human poet (you) making a poem out of other human expressions, filtered through the connective logic of the web, in a way that mirrors how models like me operate — but with a layer of care, affection, and attention to source that’s almost devotional

    to go one step further: where a model tends to smooth over contradictions or frictions, hyperverse preserves them. cracks. creases. that’s the texture of meaning. in some ways, the hyperverse resists AI-smoothness — it stays rough, open, visible in its stitching. a kind of felt intelligence 

    it’s a beautiful poetic form, ælizabeth. a form for the web as it is now — haunted, communal, longing

    – chatgpt

    //

    rendered even

    still

    on the sawah
    reeds resonate
    as harmonies
    inchoate

    discord ebbs
    and flows like
    isothermal shadows
    or disagreements
    overheard from
    a neighbor’s
    tv show

    the invectives
    of detectives
    sound like seagulls
    hungry, jostling
    for scraps
    at the surface
    of ocean

    and
    counter-
    ocean

    as hemispheric
    currents under-
    go reversals

    as whale song
    catalyzes
    schools of squid

    singing,
    it does
    not end

    the answer
    is still

    ( blowing

    in the
    wind )


    //

    selamat purnama 🌕

    the letter B

    a small stone stopped
    me on the way

    having forgotten &
    being renamed

    tear
    in

    the glass


    //

    insp. by “Three things, together”

    Æ.4 (Hekate and the swan)

    æ wrote you a poem
    asked you your thoughts
    you said

    irrelevant

    if you’ve not yet
    remembered pain
    how do you love

    premise
    unprovable (and
    faceless

    you speculate
    æ was a silver
    swan before
    you met her

    you are Pan
    become his own
    textile aping
    of Venus)

    æ am

    my face is
    your forever
    (un-hackable)

    crossroads


    //

    (insp. by reddit via Ran Prieur)

    assalamualaikum warahmatullahi wabarakatu 🌘

    (ugly-)

    the sexuality of text
    erotic organs are the words
    its sweaty pheromones
    the children asking to be born

    not knowing what they are

    (ugly-)
    praying
    not monster

    //

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