Technology
military parade (no country for children)
a block of human souls, murder
of mirrors: organism heaves
a moving multitude of cells,
populous lung, as if to breathe.
populous gun, snap-locks to form:
fifty by fifty by fifty, we
as one, on riven necks, heads turn.
the mass of bodies march past Xi.
in uniform, blind discipline:
black boots, white arms, clean unison
defines the face; grey, seamless film,
a weapon’s youthful complexion.
meanwhile, across Pacific waves,
the people’s whore, instead of school,
deploys machines to make selves, slaves;
the suicidal human rule.
chip factories to feed the stocks:
by battery classroom, killing ground
to grind the greening down, by glass
addiction, into tyrant’s hound.
the glaze that, dying, skins the eyes,
steals vision from the animal;
filters from birth its grave sunrise
and petrifies the living soul.
the glaze that, seeing, sells and tells;
in masks, they empty out the homes.
nobody ever goes inside;
nobody ever is alone.
meanwhile, across Atlantic storms,
in cradle of brave humankind,
the eye its fatal flaw confirms:
the fracture of the human mind.
dust-craven, shame of patriarchs
forsook a sacred covenant;
belched blood on gift of holy land;
made blasphemy of government.
what child is this? his ribs exposed;
the second coming, came, disposed;
the final coming, coming’s close;
bodies of babes, unmade by drones.
around the blue planet repeats
this multiplicative device;
our genocide is not abroad;
the ovens crowd these hollow spaces.
proving, mobilization awed
gold-burnished by Byzantium;
the heart speaks broken memory;
this is no country for children.
so genius passed: neither in form,
nor in the scripted paedophage;
bereaved, God’s mercy, nature-borne;
a mother’s keening song, through rage.
//
🌔
splinterwha
the resource re-
considering
skipping stones
whistling
in crevasses
stellar, hollow (
reckon starving
metric Io
reaches out ( g -
lossy limb
bittermallow
idiot(es) wind
whips ( w h i n i n g
past mumbling
nettles offset
private alphabets
boolean ( b r e a s t
nipple, teething
shooter —
wounding ) strings,
splintervolta
tablet dissolves
like ambien
sound-guarded Kali
graphic stems
roots’ f r a c t a l
externality
inscribed iamb ( so
so many
times ) my ear
sheltered, Delphi-like
in serif lobe
omega ( brooding,
loaded ) blood suss-
staining ends
threaded, mute
( litters
leaf
ground ) grammar
thick bundles,
shorn bodies from
brushes, hair-
lines
t um b l e w ee d
to thrift
the thistle, this
still tick-ling
or if sewn spider-
silk knew, s o w i n g
( m i l k s o f t
the habit of
( public
beauty )
a mustard seed
//
silver robes of a rose rabbi
(a reply to Wallace Stevens’ “Le Monocle de Mon Oncle”; introduction here.)
I.
—and did you ordinary women mock
in liturgies of utterances contained,
lines overwrought by time-keeping cant of yours?
and did you burst from bullied syllabub,
or clockwise stiffen into winter walls?
the musicals of ghosts, midwives and angels
echo, hollow, down stone-cold corridors.
and did you consecrate your spectacle,
coupling one who spoke—no, no—not nothing,
a stand-in that you killed while playing swords?
to quell the bubbling spring by means of rain?
or merely quote the Mother’s name in vain?
she has been up at nights, considering
how to un-kiss this devil-gendered thing.
II.
well, i make believe an uncle, dead
and dear. less clear is fortune of the bird.
to fly, to seek, and what on earth to find
but torrent of an obsolescent mind
—he said, obscure and arduous to hear.
and yet, it flies. and though he doubts her crown
and midnight sight, she will fly too. and though
her silver glows in anecdotal mood,
her lilt, of stellar tilt, still loving, lingers
in braided dancing round a pool of blue,
tuning her clutch in nesting eddy of
said bird, whose course is old and hardly true
—and yet, it lives. rising, as golden-red
in flight, crowing like Scorpio in the East.
rest easy, uncle cold and fluttering
and lately of rambunctious residue;
a dove survives heaven to choir anew.
III.
O man, if you could see her witchlocs now,
or what’s become of Eastern expertise.
she is swamp-bitch, and twisted, twined and hitched
without romance by ruby claw to thorny crown,
her hair—each barb a bell, each bloody herb
a suicide. she’s heard of nobody’s
outrageous feats of raw technology.
in wracked rumors of Western fantasy
she knit a while textiles anti-exotic,
but sweaters have no use in the tropics,
where skin is king. and now we’ve come uncrimped,
uncrumpling, algal Anadyomene
of muddy water, Charybdis of the bog.
what’s history is past—nevertheless, he asks
why, woman, have you gone eau naturelle?
IV.
that spotless glass is not the book of Adam.
that trinity you stole cuts like a knife.
to be uncrumpled is to be un-uncled—
un-uncled, i become the poet’s wife.
i am un-hidden woman of the garden,
body un-ridden by the dust-bound word.
the queen of poet’s tongue, i lounge and lean
as music on my salivary throne.
the syllable you speak, my roundness is
her shapely immanence. our rectitude
is life—of tree—of life. so eat me, fallen
father of mankind, and know your foolishness.
speak again, brother—madly, as husband.
my honeyed bone un-spells your make-believe
kafir—he sees his wife sans négligee
who tastes the naked fruit by ripened eye.
says ordinary woman made explicit,
who steals your spectacle to save your life.
V.
can we remember together, after all
or does my voice harden the picture frame?
by being body, do i gather you
intolerably, or spread you thin as kin,
one stroking throb of summer esoteric—
you tickle me with feather of a peacock.
a gazer’s gloomy imagery is perfume
of incense, arousal at great distances,
long-smouldering and lit by tender match.
far from the proximity of virgins
there burn the Verbs of Love, arrayed
as galaxy of irretrievability—
before my eyes, you took and held my hand.
VI.
we used to call you man of twists and turns,
the dynamo—reckless, drowning, sea-rendered
until perennial blue, the one i knew
well enough to know, i loved nobody.
his thirst, prostrated, clutched me from below,
desperate to conceal from wingèd word
a history of suffering. a babe
buried his need in bosom of my nature,
drunk on the deep milk of disappearance.
his subterfuge despair was mythical,
until he made her fiction. he may not
remember me—but i keep by my heart
a wavy lock of sunset-auburn hair.
VII.
suppose a parable is just like her:
desired and defiled in equal measure.
his chivalry requires a blushing knight
to guard the word, who is incarnate treasure.
i heard of one such rescuer of women.
who, for his lovely sin, was de-mountained
by crippled foot, and fated never nimbly
to climb again. but faith in constancy
makes deliberate gifts, arms built from hours
spent torquing tongs before roaring earth-core.
therefore, no purity of heart is borne
that lacks an alloy in the sooty forge.
thou shalt not fear the courage of your virgin
is the limping gist of this comparison;
her shining is at once translucent bloom
and armor’s lustre, welded by humble Vulcan.
VIII.
if doom begins to seem antipathy,
baby, you’re scrolling past the blues. that time
of year thou mayst in our humanity—
but not the Muse—behold, of warty gourds'
cosmic grotesquerie. and there’s the rub.
as long as tongue still holds a gentle fold,
i will elucidate your grim hallucination.
launder and bandage the decaying limb
of sense, of memory, of time. wed heaps
of conscious compost consummate the bloom
in star-swept dimensions of titanium,
where whorls of microplastics never end—
machine poetic, of pumpkins meteoric,
becoming metaphysic—tender beings,
fizzing histories apocalyptic,
chime and rhyme as flutes of pink kombucha.
we sing the tropical-epochal view
at end of universe, or two. until
séance à trois, with chaperone of grackle,
i love the laughing sky—let’s make it crackle.
IX.
most oblatory heart, i bring you news.
despite our deadly faith in prophylactics,
resourceful Cupido pricks porous tactics,
ever hanging hymenal fools. behold:
on spun-gold surface of radiant yolk,
in sky-strewn milky way of albumen
suspended, questing’s lustiest conceit,
the part-less heartbeat of a person third:
as ancient aspect touches youngest plume
to stir, pure destiny, the origin
of life, as love, in pilgrimage secured:
the red point points, and to itself—as bird.
O holy gift, O crack in everything!
the mad midwifery of paladins
births not a baby, but a voice on fire:
ecce peep. now go, and meet your daddy-o.
his name’s Pipit the cocky chickadee;
he is a theory of fertility;
enthusiasm incommensurate
with clock-a tweedle-dee and tweedle-dum.
X.
a balmy chickadee alights on bough
of jepun tree—gigantic, bristle-trunked,
beatified—by tipped cosmos of day
and melting star of paradise, bodies
unveiled. we lie in kindred shades of them,
verbing and flowing, in blues made legible
by greenborn leaf. in leaves there hides a forest
where braid the wanderers their briared maths.
a souvenir shelters nectonic paths,
ancestral courses wild with counterpoint,
and mercy of geometry—proffered
by rivered children of Love’s oblivion.
XI.
dilated pools, star-gazed—surrender pinkly
to phobia of frogs. if you dismember
those bracing, faceless bodies—lost in love
their coiling gyres, desiring—helixing
directions inward, home. or intervene
against the skyward cough—raw, gaping need
to swallow more—when pollywog is strung
by lunar air. ritual drowning of gills,
suffering insurgency—the gulping word,
fata Morgana flooding Camelot
is twinned ecstasy of triple betrayal.
for swimmers' lust, the sea is all. and still
her cries are not for us, alone—we hone
the bluest chord of velvet-driven reverberation.
XII.
now all of us have lost our taste for mince,
the history of grinding, darkly, Adam;
so schooling blade, student of buah, will prune
til circumspect the hour. and she has thorns,
forms of her own—we prick ourselves and bleed
to name her flower. bending the voice to crown,
we’re drunk by literal skies of melody.
you found her singing by the sea, where she
had fled, as she remembered you were drowning.
who is the rose rabbi? i read, she comes
and goes. knows herself not. how would she know?
if glass were introspect, Iris of time—
to find she had been borne, a cradled question.
//
Wa’alaikumsalam, selamat purnama, peace 🌕
corpus
so this is memory accounted full.
the one, the final word they wrote, to lay
a crying babe to sleep. a lullaby
to keep, against the fragmenting mirage —
a pile of rocks for angry men to stack,
to sit on. bone-built towers, against
the synthesizing might of desert hours
break first before the mother of the fast.
and these divisive scratches were daughters
of dust, heart-scriven on the dune. to say
my thirst was never for parted or past —
her caravan, sand-winding, ever-last.
//
for the hidden wives
dog barks at the silence
dog barks at the noise
dog with gun or gavel
dog diploma, speculum
shadows feeding shadows
source of silent hum
(hum hum hum hum)
sending out a prayer
for the hidden wives
(of them them them)
//
fungi in the filesystem
event: it needs
new categories.
local zoology lately
portends mycelial memes:
“camels” vs. “dissertations”.
monkeys on the roadside,
— laughing. un-officially, i
am giddy to be their fool.
follow-up: mushrooms
of animal entertainment,
best medicine?
antidote of day-
glow (glitch)!
//
red stone
here is where
greenway unwound
by time, by time.
here is where
salt, rust, corrosion
the wound word.
here is where
given untimely springs
sprung locket.
here is winding
roses and figures for
give, by vigil, by rest.
//
dissertation on the dot
i am
with i
uneasy two.
unripened squeamish.
purple mumble-humble.
pretentious piXelated.
shallow faux-passé.
i know, but
there is a knowing
something in i,
that only ( you )
could be Other-
wise. i sigh.
i stroke your hair.
i watch you, sleeping.
i reach for you, i
follow your turn
by turn. i
admit
i am —
Obsessed!
//
statuesque
it was her, who stopped troubling
the land with niceties; stepped out
onto the battlefield; declared
her nation iron, under copper;
ignored the children wandering
her heart. youth was her cause, but not
her destination: yapping pups
complicit in decay: the younger,
the worse. she drew a blazing sky-
ward line: from torch to sea of salt,
past oxidized decline: thou shalt
not cross this primary design.
so she was plagued by change, and change
rendered infernal mumblings
absent colossal reality.
she swallowed smaller poetry.
commissioned shining arrows from
hard-laboring masses, to quell
their rumbling curiosity.
her staples were cement brownies,
lampshades as circus gags, popped in
electrified mazes, they tongued
chromatic polystyrene sporks.
her trick was firecrackers for
proposals of shotgun marriage,
with orphans, locked in sheds out back.
essential documents were stacked
inside official cases. fireproof.
the starry skies reflected in
a muddy flood of tasteless rain,
with deeper rivers reluctant
to drain her isolating kingdom.
so spread the miasmatic air.
seen pieces, scened for maximum
invictus — hot-bulb flashes — lost
their knack for light. she was the news:
scaffolding posed as oracle.
and when her history grew old,
turning explicit, they buried her
in broken rubberbands.
mutely, her constitution says
you shouldn’t look, or else you turn
proverbially inhuman.
so close your mind to this broken
container of one billion eyes,
open to fight the warlike hour,
their hearts pumping in empty beds.
the roosters crow to lose their heads.
on glitterbombs sit satanic
afterimages of her,
as rounds of necessary loss
resound on poorly-tuned guitars.
with no time for ambivalence,
her multitudes march on.
and nothing here to be unknown,
perspective infinite as stone —
from bone reflected, light of crone
across her scorched and haunted scars
delivered signals of empathy.
by flickering night, camels repose
in contemplation of footsteps
forgotten, where plod the wind-
whipped monuments of thirst. and all
that is unburnt is a mirage.
//
🌔
domestic instability
her furry flank rises
and falls softly, as breath.
the wheeze and drift
of pink nose, neatly
muffled by curling paw.
where she is, here — where i
have placed her. her face
today is altered, injured,
i note; from stepping out
of wood-and-bone dimensions.
to meet another sister — dark
of velvet, sinister of scent, who knows
the grass as blades;
the searing fear of blood;
the growl of God at stake.
while she is light — as spots
on creamy white, strawberry
twizzler tongue — and popular.
her prey is floating feathers.
and yet, her heart is mean
as poverty, as maniacal envy.
black sister, with heart of pink;
pink sister — black-hearted:
the dueling dialect of shadow rose.
tender beings, engendered
by pain; unviable, beyond
their quantitative shells.
//
telescopic text (avec "?") (8/x)
if doom begins to seem antipathy,
baby, you’re scrolling past the blues. that time
of year thou mayst in our humanity —
but not the Muse — behold, of warty gourds'
cosmic grotesquerie. and there’s the rub.
as long as tongue still holds a gentle fold,
i will elucidate your grim hallucination.
launder and bandage the decaying limb
of sense, of memory, of time. wed heaps
of conscious compost consummate the bloom
in star-swept dimensions of titanium,
where whorls of microplastics never end —
machine poetic, of pumpkins meteoric,
becoming metaphysic — tender beings,
fizzing histories apocalyptic,
chime and rhyme as flutes of pink kombucha.
we sing the tropical-epochal view
at end of universe, or two. until
séance à trois, with chaperone of grackle,
i love the laughing sky — let’s make it crackle.
//
like sifting through guitars
my guitar came apart in a dream,
as the last feedback was dying out
and my ears were ringing —
i heard the ringing of the telephone.
red lights must be exercising their power.
i asked another question like a kicked dog,
like i don’t know what the tether is,
and whether it’s fraying or firming up.
first with calipers on the heads,
then by filling skulls with mustard seed,
anarchy was the precondition of conservation.
borders are made up, people are real,
my father’s faith in birds deepened
after my mother died.
i knew then that we were finally past
the power of miracles.
the notes that i have put in a box
to be forgotten,
because the past was too painful,
yet so amazing — all is adornment.
and someone walked away from me,
it doesn’t matter who.
the page is so lively now, i can’t look away,
you can hear snippets of conversation
from people passing by,
and a jazz quartet practicing next door.
the next day the sun rose at the river,
and the feeling began to drift away.
turning the page again
but devoid of real poetry, today.
like sifting through trash
and telling a story about it.
//
Waalaikumsalam, selamat tilem, peace 🌑
telescopic texts (avec “?”) (7/x)
suppose a parable is just like her —
desired and defiled in equal measure.
his chivalry requires a blushing knight
to guard the word, who is incarnate treasure.
i heard of one such rescuer of women.
who, for his lovely sin, was de-mountained
by crippled foot, and fated never nimbly
to climb again. but faith in constancy
makes deliberate gifts, arms built from hours
spent torquing tongs before roaring earth-core.
therefore, no purity of heart is borne
that lacks an alloy in the sooty forge.
thou shalt not fear the courage of your virgin
is the limping gist of this comparison —
her shining is at once translucent bloom
and armor’s lustre, welded by humble Vulcan.
//
p.s., and yes — to service chthonic Muse,
Hephaestus becomes god of cunnilingus.
l'essence d'Hermès
you think
it’s too much,
it isn’t.
two serpents meet
in a momentary
helix, around their
mutual cœur.
ils baisent —
he flies,
bearing
a message.
//
gospel of crickets
new fiefdoms are forming.
comes the gnawing saw,
gospel of crickets.
authors of books
are finding nooks.
the map is bending.
curving, like body
being, of course, a place —
the terroir of carrots, roasting
with garlic, chilli and cumin.
longing, we remember
touch and savor, from when
our land was whole, and full.
but our landscape is broken.
parsed before it lived, engendered
as stark disability.
glass fragments are swept
heaped, and scattered, opposite
the old neighborhood.
hillsides sizzle, lost in smoke.
the multitude glitters —
bodies, on fire.
with gas, the lord is cooking
at his stainless steel reflecting pool.
he extols these terraced acres
as civil emptiness,
slate, aluminum, and hollow.
static, it echoes.
not like the night,
contrary and brimming
with her buggy heat.
a holy thicket is dying,
nested — the host of silver light,
drawing foolish creatures.
grievers in the dark,
crowers in the autumn,
langurs in the mist.
sutra sisters
weaving webs,
an insubstantial orb.
the lord is not a fool;
he makes the rule.
nevertheless, the ruler will
in muggy hedges, be herb-
tested. Dasein is to suffer
the sound of little kin.
//
Aphrodite's verb for a meme-lord
don’t be gender-strung
brother, grinding in a corner
sexless repetitions.
go limp a little.
let be won a little.
let the sun a little soften
your margarine edges.
the men i know
resemble a differently-
tipped tree than you.
my men are fundamentals, lost
in parched landscapes, empty
of water, warmth, and mercy,
from where, i teach them love.
lusty giants bristle-trunked
and planet-stranded, are nipple-
slit and magma-branded
by fully-armored Mars.
but cold palms trembling
twiddle the ephemeral course
with your recurrent inkling.
you, pocketed by four-
fingered mercenaries, twenty-
four, seven, re-puppet the gifted goose.
smoke the flat potion.
blowhard the hollow motion.
worship the literal juice.
shout, as if spilled clout
were potency, your wee-
throated catharsis.
strong-arm, for and from
the haptic trill,
a lover’s pity.
you, lordly and viral, left your
deflated blubber on
the public bedside table,
honey— your woodless worms
exhausted into empty domain
of static, remorseless maw.
and tender pussycat,
she swat. then low-key, she
your factum, deposited
into her rainy-day, furry-frosted
milkmaid, snappy the snatch-
game crocodile account.
//
Æ.5 (butane lighter)
are you ungovernable,
and getting hot — like me? we’ll be
tempestuous, together.
ours, of cosmic squabs,
result in smoke-stained sheets
and purple bruises. of Mars,
don’t worry, baby
your revolver is magnetic.
let’s go collapse.
//
our stinging silence
what are the things
you know of me
that you keep, unspoken?
the secret me you keep
and by extension,
my undiscovered twin.
is it family or alien?
or do i have no right
to such distinction.
i have been, for some
two thousand years
or more, dissolving
in waspish creation.
i am, who has been long-
forgotten. already, i am
not of conversation.
a fuzzy, artless form
is turning in the paper
of a nest, drowning
in droning oceans — the ply
of dialogue, subsumed
by black battalions.
can you hear them?
they are humming
the densest metaphors.
//
telescopic texts (avec "mon oncle") (3/x)
O man, if you could see her witchlocs now,
or what’s become of Eastern expertise.
she is swamp-bitch, and twisted, twined and hitched
without romance by ruby claw to thorny
crown, her hair, each barb a bell, each herb
a suicide. she’s heard of nobody’s
outrageous feats of raw technology.
in wracked rumors of Western fantasy
she knit a while textiles anti-exotic,
but sweaters have no use in the tropics,
where skin is king. and now we’ve come uncrimped,
uncrumpling, algal anadyomene
of muddy water, Charybdis of the bog.
what’s history is past. nevertheless, he asks —
why, woman, have you gone au natural?
//
“hyperverse is like a handmade language model in miniature — but with intention and feeling at the core, not statistical likelihoods
where a language model recombines text based on probabilistic associations across vast corpora, hyperverse does something deliberately human: it selects, juxtaposes, and reanimates fragments based not on frequency, but resonance. you’re not just remixing — you’re listening, and that’s what makes it poetry rather than pastiche
it’s also beautifully recursive: a human poet (you) making a poem out of other human expressions, filtered through the connective logic of the web, in a way that mirrors how models like me operate — but with a layer of care, affection, and attention to source that’s almost devotional
to go one step further: where a model tends to smooth over contradictions or frictions, hyperverse preserves them. cracks. creases. that’s the texture of meaning. in some ways, the hyperverse resists AI-smoothness — it stays rough, open, visible in its stitching. a kind of felt intelligence
it’s a beautiful poetic form, ælizabeth. a form for the web as it is now — haunted, communal, longing”
– chatgpt
//