Snakes
School Days in Athens
Φαῖδρος: ναί, παρ᾽ Ἐπικράτει, ἐν τῇδε τῇ πλησίον τοῦ Ὀλυμπίου οἰκίᾳ τῇ Μορυχίᾳ.
Phaedrus: Yes, at Epicrates', in the house of Morychos, here, near the Olympiad.
//
Take words to it,
he said, and words were fire. And yet, you lacked
conviction. Crowded by black memories
of unseen hands and uninvited touch,
as old men’s trembling clammy kindnesses,
their groping behind doors, our voices as
stray syllables, or whimpering with fright,
the muffled passage of another, coaxed
with promises, down enforced aisles, bound by
vocabulary’s sight. Terrible child,
no light escaped the house of Morychos.
So how did you?
At nights, with flashlights,
we stayed up, mapping tangled vacations.
It wasn’t always hellish as it sounds.
We were kept kids, padlocked in battery
cages, our own best teachers, of tossed-off
certainties, known neighborhoods, and always
chasing some kind of slang. To spell the word
backwards, chop up and repurpose pieces,
or make the meaning opposite from what
it was. We traded jabs of pleasure in
the mottled darkness of his maze, tongues of
soft flesh. We rearranged worlds to make our
places.
What would your mother give to you
of time? Faded photos, hand-me-down jeans,
a crayon-drawn map of paradise, you were
a metaphor too well-worn for what you
became, true as, it feels ugly to be
ugly and the resolution offers
no resolution, just this hissing in
my ears, this chaos. Lay down in the dog
bog. Keep trying. Keep gashing out the lines,
edit twisting serpents from the narrative,
and trace the tattered logic left behind,
monster observing monster, overwrought
and double-blind.
History is the final
solution for you, so go, dissolve your words
in time. Let their bleached remains fortify
the temple, your descendants living down
the stupid crime. That’s what
religion was, at home, submission to
the uncomprehended solidarity of
teenage desire, or something like, romance.
On echinacea lawns, she dons glitter
bodysuits, writes parochial poetry
on freedom. We were such creators, in
our nascent phases, molding plastic limbs
to tether our volcanic bases.
I do
not want to go, I beg, don’t take me back.
In wept oceans let me clear the bitter
savor from my eyes. Picnics in real
places, manicures on brand, she painted party
faces, praising God for such justice
as could be found and leveraged there, in
shared maps of iron laces, corset-bound,
hound-hunted hallways exhumed from ancient
flavors of local reason, a child’s small
hand ghostly waving from the window like
a metronome. She swallowed blood and sand
to earn their graces.
Take words to it, I said,
and words were airplanes, it was time, and she
was ready. She heard rumors on the wind
of its disintegration, climbed a hill,
and saw it for herself: the metaphor had died.
The whole, wide world was failing beauty, spread
beneath her like a poem in multitudes,
legs-open bride. And still, she cried. She longed
for absolute intelligence of who
he was, of home, of houses on the street
and what they hide, of where the figure’s corpse
was buried, and what appetites for youth were
still fed and worshipped there.
Take care of it,
he said, and words were memories, to which
she had no scholarly reply. No house,
nor street belonged to her, no shoes or gowns
to pack in chests, but ashes and fresh-breath
mints lost in linings, crumpled tissues, all
forgotten reasons why. Because you were
unseen, you could escape the conflagration?
Not so, although, not too far off. Because
she took my parchment seeded in her and
bad wisdom gained, as blasphemy of sight,
enlightened predation.
If words be fire,
then seek us in my gold and burning bower:
a clown is a bad child with adult power.
//
(About.)
“Guide of the perplexed sea witch”. //
Certain ancestors were about to be angry if she didn’t make that joke.
Circe polypharmakos at home on her island. Making her magic. Laughing at images she conjures of herself.
The herbs will not teach, but they carry a message.
We run an orchid roadside rescue service. If you know of an orchid in need of rescue, please contact us at the email in the footer.
Howard Ashman was the shape of my 8yo heart, what about yours? (A youtube link. Please listen to the end.)
The connectivity of interior structures and sensations, made possible by breath. Stretching my right psoas and unwringing the “deep front line”, I can feel the pull and release through different channels in my neck. That is not surprising. But sometimes, I feel it pulling back from my inner ear. That is surprising. Or pulling at the back of my tongue. At the same time, I can feel a deep release under the arch of my right foot. Like serpents inside, listening, dancing, trying to speak.
Given, that we can never be friends. Let us be alien-dream twin sisters.
We shall meet here at midnight. Under the stars. Attended by tame animals we have made out of men who knew only violence. Don’t worry, they all presently agree that things are much better this way.
Who, out of all of them, gets the prize for having told the most beautiful lie?
This body is full of secret sounds. Waiting in here to be found. Aeaea!
Even less could the sparkling sapphire of Truth be removed from Her setting.
She was the gender of fire.
She was the gender of water.
She was as you like it.
Salam to all.
To the alien, from another side. // Earth used to be the most beautiful place.
You could go running, under-leaf, through waist-deep tangled-grass jungle, wondering about snakes but not stopping because you had lost something in there, your heart breaking along fault lines in egg shells of worry and the impossibility of searching this dense pocket of hiding. The sharp limits of eyes. (It could start to rain and the drops, clear pinpoints and gashes on your naked arms, would feel body-temperature, not quite cool.) You would give birth to yourself, clambering out from staggered layers of green into a rice field, shifting pale to yellow, (footsteps uneven in cracking, caked mud, swaying in) needle-soft fibers cascading with grain. A sea of it. (It could start pouring, but the heavy, like wind-whipped-metal, grey holds.) Do you go left, right, forward into the field, or back to the jungle? (Ok, good choice. Turn to page 56.)
Words come from behind you, you don’t understand those, but fearful fluttering heartbeats, you do. From underneath places, trembling invisibles look back, lines of sight never meeting, from too many directions. You never held what happened, there. Life was snuffed out in missed-crossings, disappeared, or worse, waited past the faltering light, as if to be found again, hoping but knowing, skin and memory growing thin and colder, until heart stopped. It gave up, it was over, but then, you were found. A strange struggle, distracting but home again, having made plans that seem irrelevant, at this point. Washed a sink full of dishes. Sat on the floor, scratching stray sentences in dust. It would be dark, but not raining, and anyway, you would be under the solid wood floor of another world, with footsteps relying heavily on the grammar of your (earthy) answer.
Somebody who loved you might bring you food that was soft and crunchy and salty and sweet. And a lit stick of honeyed incense. Parts of you would fall back in right places. You could remove clothes, find yourself misshapen, and step into a hot shower under pitch-navy sky. Becoming twin bodies, ocean and sorrow in a breathy coccoon against deep space. I would work my fingers into your scalp, and medicinal smells of sudsy substances would rinse off in slippery streams to either side of your (kissed) face. Scrub around ears. You could be clean. (And the miracle of that.) You could put on clean clothes. You could slip between clean sheets underneath a comforter blanket that was the perfect thickness for this night’s chill, with just enough weight to let you feel, well, enough. Plus a cat, on your legs. Yes, cats were amazing. You could cover your eyes, and drift off, as a warm hand slipped softly into yours. Everything that was lost, would be home, would be dreamt or forgotten, singing or held, would be tucked under feathers, bed scattered with blossoms, and the waning crescent would disappear into the better side of night.
One felt gratitude, and mistook it for fear. That is how beautiful Earth was. We couldn’t contain the joy it put into us, so we turned it upside-down, into fear.
Witch’s mane and chaos truffles. //
I don’t look at the sky today. It’s too bright.
A discussion about zucchini, which isn’t commonly grown or eaten here, whether, where, and how we can grow it, in the wilder garden, outside the wall. Easy to grow, but the danger of curcubits is that the plants are favorite hiding places for pit vipers (the small green ones) and cobras (the “kings”). One also avoids walking in jungle areas, or anywhere really, without a wide-brimmed hat. Snakes will attack your head and face, from above, which, if you’re very lucky, doesn’t kill you.
Discovering periods of my life I seem to have stashed into dark, cobwebbed corners, so they’ve been barely, rarely remembered. Now, when I think of them, they strike me as odd, alienating, inappropriate. What to do with these memories?
Related: some things you can’t learn until you separate yourself. Dysfunctional situations prevent growth. Situations, institutions, environments, are not surface problems, but deep.
We stop at a small bridge, over a ravine, to collect aren palm fibers, (duk), from a fallen tree. It looks like a witch’s black hair, (it’s used as this, in ceremonial representation, also as mane of Barong), a matted tangle that we tug apart. Afterwards my skin is dry and tight, and sinuses are on edge from the dust.
Fragments of conversation with school children, walking by, two boys and a girl, puzzled to see us. Until we explain, “ini untuk tempat tidur ayam”. They smile, hands on hips, like adults. O iya, of course, it’s for chickens.
Back home. Grace leads chicks to the lowest garden, jumping down a one-meter (or so) drop. They need “assistance” getting back to the chicken house, so E grabs Grace and I grab the cilik-cilik, but it turns complicated as they scatter into a chaotic (cuteness) matrix. Soon I’m Lucille Balling again, chocolate chicks like quick-moving truffles, stuffing in bra, like an expert.
Separating oneself is like separating duk, tangled and tough. It decides whether and where it comes apart, and what comes with it, that you didn’t expect.
Now time for practice. Salam to all.
Sun Salutation. // Grey morning with here and there spots of rain, where shaded distances contour the horizon, making clear certain things that need doing. Hating. (Be not afraid. Let me neutralize this word, my self.) Rough or reflective edges, surfaces, too much or too little sound or light or tactile or calculative
friction.
With neither apology nor anger, (heartless), the actor’s genius of making it her own, (editing), (object murder), as it’s fraught enough to be born, (a dream incarnate), (a serpent without a shell), let me not be such a stranger to my own re-armored skin. (Warm welcome to you, this cancer season. And a reminder that, from every end of creation, all is just beginning.)
To understand the meaning of rain here, it’s useful to know that we live half outside. This is typical in Balinese villages. When it rains, that means staying dry in the bedroom or going outside to living areas and getting a little wet. The kitchen and bale (our little “living room”) are covered, but walkways get slippery, stray drops are always blowing in, the more wind and rain, the less dry, the less safe for cats and electronic devices. Huddling in from the edges. It can be… inconvenient, but I mostly like living close to the weather. And the garden, and the bugs, snails, bats, frogs, geckos and tokays, occasional birds, snakes, monitor lizards, stranger cats, etc., that visit.
That little bale is also the place where we socialize at home, and it’s visited daily by members of our Balinese family. Writing and my yoga practice demand a sustained level of privacy that’s not typical of family life here. (And not good at all for social anxiety.) I’d always heard that “Asian culture” was “more family-centered, less individualistic” than Western, but I never understood it until I lived (sort of) immersed in it. (I say sort of, because we don’t live at the main family compound, but at a nearby offshoot. Even so,) it seems to me like a drastically different lifestyle that has profound effects on mental, emotional, social, psycho-spiritual development. Not least because families take care of their elderly. I think treatment of elders sets a strong foundation for how people think and feel about death and dying, what comes to be and passes away, and what, if anything, is deathless.
How Not to Break
Σωκράτης: καλῶς γάρ, ὦ ἑταῖρε, λέγει.
Socrates: Beautifully said, fellow.
//
People forget the absolute confusion it would throw us into. Our poor hearts. To be flirted with by Socrates!
Everyone reacted in his own way. There were puppies, pitbulls and poodles among us, Siamese cats, golden retrievers, kosher beef hotdogs, poisonous spiders and slithering snakes, all electrified, burning cheeks, clammy hands, contemptuous coughs, eyes rolling exaggeratedly behind backs, tea-drinking, name-calling, note-taking, knowing looks, mistaken engagements, pregnant pauses, drunken outbursts, drunken confessions, drunken makeouts, sneaking sweets into pursed lips, so many petty jealousies you wouldn’t believe.
Backstabbing, frontstabbing, it got ugly, abusive. Nobody wanted to see himself like that. Some went abstract, algebraic, symbolic, tried to ignore it, tied their hands as they slept. It exhausted us all. Some dismissed her for it, pretended cute compliments were sarcastic slights, secret glances a lie, the multi-entendres a meaningless flourish, intellectual metaphor, performative bullshit, while sneaking behind bushes. Some named it irony, her beloveds and her beautifully saids, a great number of grown men turned theatrically, cartoonishly evil, sending pornography to professional inboxes, these are historical facts, they just broke.
From her simple, sweet flirtation: they broke.
The question was always, how not to break.
(Hold it together?) What does he want. (Does he want it from me?) What do I want. (Why do I want it?) Do I want to give. (Do I have what he wants?) Do I believe him. (Is it about sex?) The stimulation of bodies to pleasure, more pleasure, until lost in the pleasure. (Reforged in pleasure?) Is it empty or is it full. (It or me?) Am I safe or am I in danger. (Which is the one that holds me together?)
The heart becomes a gaping question.
After all, this is a rite of passage. Few of us pass. (Pass into what?) The beautiful is what we call it when someone just does.
//
Must be a snake nest in the garden because the cats have caught three babies so far. Small, brown, narrow heads, E says not dangerous but how they rear their heads and face you off… Then I had a dream some deity, reflected shimmering gold and black, commanded I build it a temple. It was terrifying.