Snakes

    IX.ii. now sleep ( under the armor ) of a swan

    ADEIMANTOS: ( hasnt really slept )

    but how to transubstantiate these two?

    ( we stay up too late ) working on poetry.

    ( we dream in bed at noon ) worked on by poetry.

    ( what on earth time even are we ? )

    SOKRATES: but( the )most( of )them( selves )

    ( the )one( i - we )wondered( marvelled at )

    ( admired, honored, worshipped )( the most )

    ( out of )the many who( which )lie( falsify )( belie ),

    μάλιστα δὲ αὐτῶν ἓν ἐθαύμασα τῶν πολλῶν ὧν ἐψεύσαντο,

    ADEIMANTOS: ( that shes a staggering girl, caught in his bill ? )

    ( that she got me some horses to ride on, too . . . )

    ( that -eve been givn birth ins armor as -ell )

    ( that she used to sleep with a postcard of a long-lost -

    encountered Michelangelo near the bed )

    ( the terror of it almost ripped, but off ? )

    ( . . . )

    ( who comes and goes, we lie in these white rushes

    and are kept ) ( they flush her red-stained clothes )

    and the blizzard brooding over us would never

    allow a lizard near the nest ( may we beauty-call

    her breast-of-axe ? ) the countless atmospheres

    of winters end, but only when she wants it to

    ( weve called her Heras arms ) never( self )theless

    belying them that wonders him the most:

    that we lie ( awake alone ) untouched by him,

    that we lie in her palaestra, guarded by countless of them,

    OUTIS: never( self )theless( we-)i(-being )

    ( of the )king opposite( over - against )

    ( they - we )came( and went )( through )horses

    ( stallions - mares )( includes a chariot )

    and( indeed )( we )kissed( its dyad )knees

    ( and )seizing( grasping )( capturing them ),

    αὐτὰρ ἐγὼ βασιλῆος ἐναντίον ἤλυθον ἵππων

    καὶ κύσα γούναθ᾽ ἑλών:

    ADEIMANTOS: and with nobodys dyad-heroic grip

    we are ( willing the reality to shift )

    we are drawn deeper in the river darkening

    of some growing protection mantra( -p ),

    SOKRATES: this( one )

    in which they( we - i )( are )saying

    ( a song of mourning )( lament )( elegy ),

    τοῦτο ἐν ᾧ ἔλεγον

    ADEIMANTOS: we are his ( villified, crucified ) destruction:

    we are her ( magnified, sanctified ) guardianship:

    ( and when dark webs, her nape caught in its bill )

    we long for you ( the morning to arrive )

    as this moment of his-and-hers conception,

    OUTIS: ( o )( she-way )( kept me from harm )( safe )( guarded )( pro-

    tected )( tended )( as shepherd )( tended )( as maid )

    ( protected from inclemency )( of weather )( covered-up

    the nakedness )( kept back )( detained )( lay in wait

    for )( kept watch )( and ward over )( defender as of

    a city )( brought out of danger )( saved )( rescued

    from troubles )( and in reference to immaterial things )

    ( held in keeping )( to be the depositary of )( within

    the breast )( not to allow me to break out )( kept me

    in the mind )( refrained from uttering )( in possession

    of )( comprehended )( observed )( carrying out some-

    thing resolved upon )( anothers will )( paying constant

    attention )( keeping in mind )( arrested

    a missile in its course )

    ( . . . )

    ( as )( re-middle-voiced-verb )

    ( . . . )

    this(-he )dragged( me )( drew )( pulled )( myself )

    ( dragging my own body from the fight )( hauled-off )

    ( drew me away as causing me to quit )( the specified position )

    ( plucked )( tore at )( the skin from my own bone )( with a view

    to demolishing )( pulled about and tore the corpse )( drew me off

    the spits )( meat-like )( drew his ship up out of the water )

    ( dragged down a ship in order to launch her )

    ( bent and strung and drew his bow )( drew

    his sword )( took into his hand the knife )( hoisted )

    ( ready to weigh )

    ( . . . )

    and( indeed )( both )

    ( . . . )

    showed me mercy( compassion ),

    ὁδ᾽ ἐρύσατο καί μ᾽ ἐλέησεν,

    ADEIMANTOS: as his-they appears ( with a solution ) for

    duplicities of vipers formulae,

    his war against her whole embodiment,

    the bitterness of stagnant elements,

    the left-droppings of its indifferent beak,

    the self-harm spectacle they make of her,

    without its guardian, by which refuse

    of anyone — at all — except with care,

    SOKRATES: as( to fall upon )( attack )( lay hands upon )( you )

    (-plural )( one ought to proclaim an oracle )( of her )

    ( one ought to beware )( be discreet )( cautious )

    ( to take care )( and precautions )( of her )

    ( one ought to beware of )( pay honour to )( watch

    for )( await quietly )( one )must

    to be taken hold with care

    you( accused - plural ),

    ὡς χρῆν ὑμᾶς εὐλαβεῖσθαι

    ADEIMANTOS: but ( with an answer ) whose cause resides

    in his accused ( in its flame killed ) as apo-trepein rape —

    her-keeping-whole his-tearing-him-aparts

    ( as aitiatike, itself his nom rejects )

    how would they make and do, to be took hold

    ( no sudden blow: the great wings beating ) well?

    OUTIS: but on( the )chariot( he-)making me to sit( as for business )

    ( as )( you put clothes on me )( dresses, suits, shrouds, armour )

    to lead( to carry )( to fetch me )( and to bring )

    ( to carry me as captive for oneself )

    ( to guide )( to manage )( to educate me )

    ( to train me )( to draw me out )( let me be drawn )

    ( to hold )( to celebrate )( to hold account )

    ( to treat )( believe in me )( to draw

    me down )

    ( . . . )

    ( as waves )( they break and shiver )( crashed - through )

    ( and spread - around )

    ( . . . )

    homeward

    ( . . . )

    ( the )tear( tears - )pouring( the tear )

    ( the it - tear )( he - accusative - pouring )( the it - tear ),

    (280) ἐς δίφρον δέ μ᾽ ἕσας ἄγεν οἴκαδε δάκρυ χέοντα.

    ADEIMANTOS: from all the out-pourings ( just one ) tear

    nobody ( accused ) tearing us ( a clear path to follow )

    ( a trail of tear ) ( as this goats bleeding fearlessness )

    nobodys school for celebrated horses

    ( clear as en - oh ) ( no ),

    SOKRATES: lest( by )from( under )me

    ( you - plural )( would be )deceived

    ( tricked )( cheated )( beguiled )

    ( whoopsie ),

    μὴ ὑπ᾽ ἐμοῦ ἐξαπατηθῆτε (17β)

    ADEIMANTOS: she says ( just follow the steps )

    ( as to which he says ) lets let it take us well:

    we would not reenact a heartless crime,

    OUTIS: ( we are )( she says )( he says )( it says )( truly )( or )( eh )

    ( sometimes maybe he likes to prove it )

    even-indeed( to-by-for )me very( dyad-secretly-she )

    ( the )many( hims )( they - we )rush at( upon )( assault, assail )

    ( makin frequent swoops )( to-by-for )the ashwood spears,

    ( he - they )releasing( hurling - sending - letting - go

    uttering - letting loose - throwing - shooting - speeding -

    hastening - springing - upon - eager - as desiring - )

    ( kill, you )to kill,

    ἦ μέν μοι μάλα πολλοὶ ἐπήϊσσον μελίῃσιν,

    ἱέμενοι κτεῖναι—

    ADEIMANTOS: sometimes we feed the rowdiest of gulls,

    ( souvent nous ressemblons à l’albatros )

    sometimes we play with gremlins or typhoons,

    ( his better falsehood weaker strongholds him )

    ( but not today, william butler yeats )

    ( her rabies vaccination up to dates )

    sometimes it wears the cloth sack of a men

    ( so mastered baits the brute blood of the air )

    as to which we say ( all will be fine ),

    SOKRATES: as( of a )fearful( thing )( deinos )

    ( marvelous, clever, awesome,

    strange, horrible, terrible )

    ( you )( exaggerate terribleness, you )

    ( we-)being to speak( gather, pick up )

    ( count, tell, reckon, tell over, say,

    command, mean, plead, sing of ),

    ὡς δεινοῦ ὄντος λέγειν.

    ADEIMANTOS: for which we sacrificed hi-magi-nary cock

    ( we feed him neath the dyad-mulberry tree )

    for which we let ourselves, kid-napped, to wok

    ( her dragons tears crashed round her fire-core

    some years before ) ( those living mares of ocean )

    but only his could staunch his brothers pyre

    ( so letting in its technique with its power )

    yet sip by sip the strangers hearts would melt

    ( this elegy would wind our way as one )

    as to which we say ( all will be good ),

    OUTIS: for this(-o dyad-god )( she was binding )( bind, you )

    ( god-needed-bound )( she was in-need )( need, you )

    ( the dyad-god )( indeed )( must be-)then,

    ( for )( they had been )conceived of wrath( provoked to anger )

    exceedingly( very overmuch )( extraordinarily ),

    δὴ γὰρ κεχολώατο λίην—

    ADEIMANTOS: go back to sleep now, she says, and sleep well

    and when we wake, again as from eternity

    for he sleeps true who well well be, be sure

    we sleep ( now sleep ) by-from-under the un-

    broken day-breaking armor of swan-song

    //

    from hymn to Apollo

    Apologia

    Odyssey XIV

    now sleep

    VIII.viii ( but what if she weighs ) more ( than a boy can carry? )

    ADEIMANTOS: but ( we )( am i? )( being ) a man.

    ( we sigh ) ( into the whining wind again )

    but will they make me q-tips swabbing decks?

    or will they make me make their big brass beds?

    or will they make me oven cook my heads?

    or make me be nobodys chambermaid? o,

    no — will she make me diarrhea Bia!?

    ( o Cardi-being-we, what did she do? )

    SOKRATES: and( indeed )( while being beauty- )called

    by them( a )star-gazer,

    and( an )idle-talker( prater-babbler-on ),

    and( indeed )useless( unprofitable, unserviceable ),

    by( from-under )the sailors in ships thus thoroughly-

    equipped( constructed, framed, maintained, proved,

    fabricated, trumped-up, with actual trumpets,

    prepared-for-purpose )( having got his asses ready),

    μετεωροσκόπον (489α) τε καὶ ἀδολέσχην καὶ ἄχρηστόν σφισι καλεῖσθαι

    ὑπὸ τῶν ἐν ταῖς οὕτω κατεσκευασμέναις ναυσὶ πλωτήρων;

    ADEIMANTOS: and none of it sounds great

    at all. its bound to be ( the little things )

    ( the accidentally felt indignities )

    ( the unscheduled tooth extractions )

    ( that sober him ) its still not me ( until

    he doesnt feel like listening anymore

    or sharing her or his own ) feelings.

    HERA: o unwearying( hard-hearted, self-willed, unflinching-

    headstrong-wretched-cruel )( man ) —

    σχέτλιε,

    ADEIMANTOS: ( its a constant battle )

    and they make me say things

    ( of heavier weight than he knows how )

    that seem to carry more meaning

    ( a trust fall forced ) ( an unjust fist )

    they bear the mandate, how?

    SAILORS: and( indeed )very( dyad-cryptic ),

    καὶ μάλα,

    SOKRATES: its possible theyve seen more

    ( than what has been said ),

    and its for a good reason that

    SAILORS: the( Adeimantos )fearless prophet

    was( singing unfettered, and )saying

    ἔφη ὁ Ἀδείμαντος.

    SOKRATES: things ( out loud )

    without being bound strictly

    by his necessity,

    ADEIMANTOS: ( aside ) ( did you see

    how he made me stretch

    the translation? )

    ( unfair )

    HERA: o( man )full-of-many-crafts-devices-wiles-plans-counsels,

    ποικιλομῆτα,

    SOKRATES: ( o dyad-Zeus ) ( she was not binding )

    ( dont bind, you ) ( Zeus-not-needed-bound) ( she

    was not in-need ) ( dont need, you ) ( the dyad-Zeus )

    ( indeed ) not necessarily ( to be ),

    οὐ δή,

    ADEIMANTOS: ( well thats a relief ) ( she says,

    and rubs her unbound feet and ankles ),

    but ( we do notice ) theres letters seald

    and my two schoolfellows ( he has been Hamleting again ),

    SOKRATES: but(they are, he is, we are saying)(we-)i(-being),

    ἦν δ᾽ ἐγώ,

    ADEIMANTOS: ( and in my mind we reply ) let it work

    for tis the sport to have the enginer

    hoist with his own ( rainbow! ) petard ( maybe

    hes haunted by Ophelias ),

    SOKRATES: (o-song-ways, we)suppose you, questioning-

    closely the image-likeness, (dont need)(to be bound)to see,

    οἶμαι δεῖσθαί σε ἐξεταζομένην τὴν εἰκόνα ἰδεῖν,

    ADEIMANTOS: they sweep my way and ( with more warmth )

    ( we might persuade or ) marshal me to knavery,

    ( or maybe its daddys ) ( or mommys issues ),

    and it shall go hard ( or bullied back in school ),

    or Rosencrantz and Guildenstern arent dead,

    SOKRATES: that( it )looks like the composition-arrangement

    (to-by-for)cities toward(against)

    the trusty-truthful wisdom-lovers,

    ὅτι ταῖς πόλεσι πρὸς τοὺς ἀληθινοὺς φιλοσόφους τὴν διάθεσιν ἔοικεν,

    ADEIMANTOS: ( or with ) ( more joy ) o, tis most sweet,

    when one line two crafts, three or four, or . . . ( more

    praise ) directly meet ( good work, handsome! ) ( we )ego

    ( being ) now most still, most secret and most grave,

    ( or by bad wisdom ) ( learning ) ( un-made brave ),

    SOKRATES: but still hes to learn( that )which( we )say,

    ἀλλὰ μανθάνειν ὃ λέγω.

    ADEIMANTOS: whom i( we-being )ego will trust ( maybe with )

    as ego( we-being )i will adders fangd ( more ) ( sprinkles? )

    but i( we-being )ego will delve one yard below their mines,

    and blow them at the moon ( ruh-roh ),

    ( or by previous abuse ) this man

    shall set me packing ( hes agent

    clockwork orange ) ( misaligned )

    ( never seen a more aggressive baby )

    HERA: now( what )would( will )you( some other )

    craft( devise-contrive-wile-plan-counsel )

    some( one )other?

    τί νῦν μητίσεαι ἄλλο;

    SAILORS: and( indeed )ver( secr ),

    καὶ μάλ᾽,

    SOKRATES: dont forget

    that he ( we )is( being ) a human animal,

    like you. and you had to go crazy

    to love me, right? not unrelated,

    sometimes its ok to hint at more

    ( than we are able to say ) with certainty,

    SAILORS: (he)was saying,

    ἔφη.

    SOKRATES: dont be afraid, asking questions

    and showing your vulnerable side ( out loud ).

    and dont be afraid of stories,

    HERA: how(did)(you-)alone suffer(undergo, submit, steadfast,

    dare, venture, had the spirit, courage, resolution, heart)

    to(will)bring-into-the-world gleaming-

    eyed(Athena)(Athens)(the city)(in poetry)(Politeia)?

    πῶς ἔτλης οἶος τεκέειν γλαυκῶπιν Ἀθήνην;

    ADEIMANTOS: (but ) mother, good night ( he says )

    ( and putting on his shades of cool ) ( he wears

    all black ) ( and smoking hand-rolled cigarettes )

    ( maybe hes stuck in early Cohen ) ( oof )

    ( he doesnt even want to dance ) ( may be

    depressed ) ( our boyfriend seems unfixable )

    ( we let him go ) ( for now ) good night, mother

    ( and let him be ) ( let be ) ( toward his end )

    ( it might help we ) ( to sleep on it )

    ( . . . )

    ( in sleep, he spells ) em - ei - child - en.

    em - ei - child - en.

    em - ei - child - en.

    //

    from Republic VI

    the Delphiad, book I

    AUTOS: O(we would be)lord, indeed you have(and hold)lovely Lukia
    and Meionia and Miletus, delightful(himeroeis)city on the sea,

    KOURAI: indeed-undead, you winesack with dogs eyes and a deers heart.

    A: but himself again(bow wow)of Delos sea-washed-round
    greatly(you)lord(himself).

    ὦ ἄνα, καὶ Λυκίην καὶ Μῃονίην ἐρατεινὴν
    καὶ Μίλητον ἔχεις, ἔναλον πόλιν ἱμερόεσσαν,
    αὐτὸς δ᾽ αὖ Δήλοιο περικλύστοιο μέγ᾽ ἀνάσσεις.

    K: in the rear-ends of dusty libraries.

    A: but(he)goes(and comes)playing the lyre, the glorious child of Leto(behold-
    seize), by the hollow(smooth)(subtle)(elegant)lyre to rocky Pytho,

    K: good riddance, see if that bitch will take you.

    A: having(holding)divine(dyad)garments(they-we heap up earth
    to bury)(having been)filled with sweet smells;

    K: just doing to his stinky rags as hes done to us.

    A: but his lyre of gold, under the plectrum(spear-point-sting)(cocks-
    spur)(ankle), the sharp ring(gnashing of teeth)(mule-
    wagon-rattling), has(and holds)lovely.

    K: lovely under dirt.

    εἶσι δὲ φορμίζων Λητοῦς ἐρικυδέος υἱὸς
    φόρμιγγι γλαφυρῇ πρὸς Πυθὼ πετρήεσσαν,
    ἄμβροτα εἵματ᾽ ἔχων τεθυωμένα: τοῖο δὲ φόρμιγξ
    (185) χρυσέου ὑπὸ πλήκτρου καναχὴν ἔχει ἱμερόεσσαν.

    A: but(whence)thence(comes and goes)to Olympos from earth, as thought,

    K: a lord of non-entities —

    A: (he)goes(and comes, of Zeus)toward the house of Zeus and(goes and)comes
    (among)(after)the meeting of other gods and goddesses(of other seeings).

    K: eats his own people, in the words of Achilles.
    enjoy unfamy-infamy, you.

    ἔνθεν δὲ πρὸς Ὄλυμπον ἀπὸ χθονός, ὥστε νόημα,
    εἶσι Διὸς πρὸς δῶμα θεῶν μεθ᾽ ὁμήγυριν ἄλλων.

    A: but immediately by immortals

    K: uh-oh

    A: (the dyad-strain-phrase)(by strain-phrase)

    K: we think

    A: (she cares)(you are cared for)the kithara and the song
    (are)cared for(by immortals);

    αὐτίκα δ᾽ ἀθανάτοισι μέλει κίθαρις καὶ ἀοιδή:

    K: he knows our favorite

    Homer: but there and then —

    K: be gentle (what)

    H: it caused unquenchable laughter by blessed gods
    and goddesses, as they(we)saw(humble)Hephaistos hustle-
    bustling(by divine limp)through the house.

    K: but you know my body is sore
    (hey — )
    after adventure
    (its a euphemismos)

    ἄσβεστος δ᾽ ἄρ᾽ ἐνῶρτο γέλως μακάρεσσι θεοῖσιν
    (600) ὡς ἴδον Ἥφαιστον διὰ δώματα ποιπνύοντα.

    H: as then the whole day long into the setting sun

    K: your hands map every(oh)knot

    H: they gave a feast(were feasted), and neither was anyones thumos

    K: tension(ahh)releasing

    H: (heart-spirit-hunger)(wetly)lacking(nor wanting)
    an equal feast,

    K: (ok yes, that feels good)

    H: nor indeed(did they lack)the all-around-
    beautiful lyre, which Apollo was(having
    and)holding

    K: (heartbeat slowing)whys that

    H: (hold, you)(o viper)

    ὣς τότε μὲν πρόπαν ἦμαρ ἐς ἠέλιον καταδύντα
    δαίνυντ᾽, οὐδέ τι θυμὸς ἐδεύετο δαιτὸς ἐΐσης,
    οὐ μὲν φόρμιγγος περικαλλέος ἣν ἔχ᾽ Ἀπόλλων,
    Μουσάων θ᾽ αἳ ἄειδον ἀμειβόμεναι ὀπὶ καλῇ.
    Iliad 1.604

    K: until your mouth(uh oh)

    A: and all the Muses(o Muses)together(get it, you)taking turns
    and exchanging by beautiful voice(word)(eye)(face)
    (it would call)(you are beauty-called),

    Μοῦσαι μέν θ᾽ ἅμα πᾶσαι ἀμειβόμεναι ὀπὶ καλῇ

    K: finds the side of our neck —

    they praise(by singing)there and then the divine gifts of gods and goddesses
    (gifts of seeings)and miseries of human beings,

    which(both)having(and holding)under immortal gods and goddesses(by
    gazings and contemplations)they live(living)(by livings)senseless
    and(indeed)helpless(amechanos), and not even are they able

    to find(discover, devise, get, gain)a cure for death
    nor indeed a defense against old age;

    (190) ὑμνεῦσίν ῥα θεῶν δῶρ᾽ ἄμβροτα ἠδ᾽ ἀνθρώπων
    τλημοσύνας, ὅσ᾽ ἔχοντες ὑπ᾽ ἀθανάτοισι θεοῖσι
    ζώουσ᾽ ἀφραδέες καὶ ἀμήχανοι, οὐδὲ δύνανται
    εὑρέμεναι θανάτοιό τ᾽ ἄκος καὶ γήραος ἄλκαρ:

    K: ok but its a headache-causing headache-cure

    A: nevertheless the fair-haired Graces
    and well-hearted(cheerful, merry, kindly,
    gracious)Hours

    K: those hores

    A: and Harmonia(fastening-union-order-
    agreement-stringing)and Hebe(youthfulness)
    and daughter-of-Zeus Aphrodite,

    K: even Aphrodite?

    A: (they)dance(and leap and bound)holding one anothers hands
    at the(fruit, grain)wrist;

    αὐτὰρ ἐυπλόκαμοι Χάριτες καὶ ἐύφρονες Ὧραι
    (195) Ἁρμονίη θ᾽ Ἥβη τε Διὸς θυγάτηρ τ᾽ Ἀφροδίτη
    ὀρχεῦντ᾽ ἀλλήλων ἐπὶ καρπῷ χεῖρας ἔχουσαι:

    K: we didnt know we had a(fruit, grain)wrist

    H: but of them, the girls had fine(delicate-subtle)linen clothes(sail-cloth),

    K: its us!

    H: while the boys(sitting idly)wore well-spun tunics,

    K: omg, its them

    H: glistening softly
    with olive oil;

    K: yum.

    H: and the girls had beautiful circlets,

    K: we love circlets

    H: while the boys

    K: give us fantasy!

    H: had golden daggers hanging from silver belt-straps.

    (595) τῶν δ᾽ αἳ μὲν λεπτὰς ὀθόνας ἔχον, οἳ δὲ χιτῶνας
    εἵατ᾽ ἐϋννήτους, ἦκα στίλβοντας ἐλαίῳ:
    καί ῥ᾽ αἳ μὲν καλὰς στεφάνας ἔχον, οἳ δὲ μαχαίρας
    εἶχον χρυσείας ἐξ ἀργυρέων τελαμώνων.

    K: yesss

    H: but when the boys ran(we ran)by knowing(standing-on)feet, very
    (secretly)easily;

    K: hows that

    H: as when some potter, seating(-himself)will trial
    and test a close-fitted wheel in the palms(of his hands),

    K: uh-huh

    H: the girls, by seeing, would set and run and shine;

    K: oh,

    H: but at another(time)again(bow wow)the girls would run
    across(you march)the rows, to-for-by one-another.

    οἳ δ᾽ ὁτὲ μὲν θρέξασκον ἐπισταμένοισι πόδεσσι
    (600) ῥεῖα μάλ᾽, ὡς ὅτε τις τροχὸν ἄρμενον ἐν παλάμῃσιν
    ἑζόμενος κεραμεὺς πειρήσεται, αἴ κε θέῃσιν:
    ἄλλοτε δ᾽ αὖ θρέξασκον ἐπὶ στίχας ἀλλήλοισι.

    K: oh heavens,

    H: but a crowd of many was standing

    K: stand, yall!

    H: around the lovely(himeroeis)dance-
    chorus, being filled with solace
    and cheer;

    K: well, we hope so,

    H: but two(a dyad of)tumbling acrobats among them,

    K: us??

    H: initiating-ruling the song and dance, were whirling

    K: we whirl! we whirl!

    H: (yes, but)through the middle.

    πολλὸς δ᾽ ἱμερόεντα χορὸν περιίσταθ᾽ ὅμιλος
    τερπόμενοι:
    (605) δοιὼ δὲ κυβιστητῆρε κατ᾽ αὐτοὺς
    μολπῆς ἐξάρχοντες ἐδίνευον κατὰ μέσσους.

    K: (whirling into the poet)sorry —

    H: but —

    K: (in disbelief) what powers this?

    H: into(it)he put the great and mighty river Ocean
    around the outermost rim of the solidly-made shield.

    ἐν δ᾽ ἐτίθει ποταμοῖο μέγα σθένος Ὠκεανοῖο
    ἄντυγα πὰρ πυμάτην σάκεος πύκα ποιητοῖο.
    Iliad 18.594-608

    K: you guys know we love the beach!

    A: by which indeed(it)celebrates(after)with(meta)song
    neither shameful
    nor mean;

    K: (dreamily)he had us at hephaestos

    A: but(its)very(dyad-secret)(stage whispers)and large
    to see and(indeed)form(o
    form)admirable,

    K: OMG! omg omg its — (covers own mouth)

    A: Artemis arrow-pouring(being)nursed the same with(by)Apollo.

    K: . . . o monumental!

    τῇσι μὲν οὔτ᾽ αἰσχρὴ μεταμέλπεται οὔτ᾽ ἐλάχεια,
    ἀλλὰ μάλα μεγάλη τε ἰδεῖν καὶ εἶδος ἀγητή,
    Ἄρτεμις ἰοχέαιρα ὁμότροφος Ἀπόλλωνι.

    from hymn 3 to Apollo

    (I of XVIII books, in 21 parts, over one moon)

    being carried apart

                            or(am i
          really)(it says)(be i n g  l   y

    or)have you not sensed and perceived(
    and have you not been run into — )that
    these(girlssssss) in this way, they speak
    (and lay   )(by speaking and laying) . . .

    and (she has and holds and carries
    and you have and hold and carry
    and) it makes flow and pour
    and shed and scatter
    and shatter (by
    the forked-
    tongue-
    vip-
    er
    )
    ?


    ἢ οὐκ ᾔσθησαι
    ὅτι ταῦτα οὕτως
    λέγουσίν τε καὶ ἔχει

    155ξ

    //

    mogis pos
    mogis pos
    mogis pos

    black milk glass

    i look down at the body
    to see what shape its in.

    earth-born son, turquoise slap
    of my mother against the golden-
    bangled mother. i let them come.

    my dark tongues flickering, my heads
    Cancerian fire. every tip would touch you.

    the shoulders of a bull, eyelashes lower
    over tender pools obsidian. im a cow.

    a ticket to the fight. my velvet
    suit. warm press of skin.
    i drink, i let it come.

    dragging behind its un-
    translatable blade.


    //

    Socrates: (in Charmides, cont.)

    and in that same spot
    i (they) take hold altogether of many

    those (on the one hand) unknown by me
    those (on the other hand) the most thoroughly-known

    // 153α

    καὶ αὐτόθι κατέλαβον πάνυ πολλούς

    τοὺς μὲν καὶ ἀγνῶτας ἐμοί
    τοὺς δὲ πλείστους γνωρίμους

    the self-guarding deliberation of one who wouldn't love

    so, paedophilia is in the news again. or
    ephebophilia, as the clarifiers say, making clear
    nothing. and every soul in Athens seems
    a perpetrator and a victim of the crime; i
    have come to understand it as a spectrum.

    the young, the young, we must protect the young;
    who does and doesn’t say it is a creep. so where
    might i protect them from the citizen? and where
    might i protect them from the serpent of my tongue? if
    here, rare and slithering and beautiful, it would insert itself

    into your ear. into any nubile mind, and call it
    education. once upon a time, a little fiction built
    the beating heart of my self-government. all fallen
    on the shell-shocked ears of popular abuse. all fallen
    across the scattered pages of history.


    //

    Phaedrus: (as Lysias, cont.)

    you
    really
    remember (memneso)
    the things having been spoken (eremenon)

    and (put) it into the heart (en-thumou)

    that (on the one hand)
    beloveds (hoi philoi)
    warn (nouthetousin) (or put-in-mind)
    lovers (erontas)

    of the practice (epi-tedeumatos)
    being (ontos)
    bad (kakou)

    and (on the other hand)
    no one ever yet in the household (ton oikeion)
    accused (emempsato)
    the not-loving (me erosin)

    of
    through this
    badly deliberating (bouleuein)
    about themselves (peri eauton)

    // 234β

    σὺ οὖν τῶν τε εἰρημένων μέμνησο

    καὶ ἐκεῖνο ἐνθυμοῦ

    ὅτι τοὺς μὲν ἐρῶντας οἱ φίλοι νουθετοῦσιν

    ὡς ὄντος κακοῦ τοῦ ἐπιτηδεύματος

    τοῖς δὲ μὴ ἐρῶσιν οὐδεὶς πώποτε τῶν οἰκείων ἐμέμψατο

    ὡς διὰ τοῦτο κακῶς βουλευομένοις περὶ ἑαυτῶν

    stranger like desire

    you will come
    into the desert
    to know me

    you will touch me like a stranger
    as many strokes
    as many surfaces

    as many names
    as many hungry palms
    as your servant can carry

    so empty this
    your lick across the burning sand
    electricity of my thirst

    //

    Phaedrus: (as Lysias, cont.)

    you will come (hekein)
    into difference (diaphora)
    with them

    // 232δ

    ἥξεις αὐτοῖς εἰς διαφοράν

    //

    red (palm) sugar

    you will come
    into the dessert
    to taste them

    you will eat fried plantains
    ripened until soft and sweet
    crunchy with red sugar

    too hot for wasted time
    i almost burn my tongue
    flesh tender and yellow

    greasy fingers with coconut
    oil and sticky lips
    but did you really

    //

    iced kepo

    iced kepo is freshly-squeezed
    orange juice with just-cracked
    coconut water over ice

    on a hot
    day before the rain
    comes

    maybe the traffics religion is
    theres something superficial
    about s-e-x

    //

    (kepo also means gossip)

    //

    🌔

    //

    benefactions

    a fisherman who found me shells
    washed down and rendered by the waves
    smooth spirals left in porcelain
    for a necklace or an earring

    so kept a pocketful of noise
    if tidal softened infant teeth
    could spell desires holy whorl
    salt-milk of wantless memory

    the emptied armors of the sea
    the genius of her hollowed hand
    would ornament my human face
    with the ancient allure of regret

    //

    🌖

    Phaedrus: (as Lysias, so far)

    about (peri)
    my acts (pragmata)
    you know (epistamai)

    and as i practice (nomizein)
    the bringing together (sumpherein)
    by us

    you have heard (akouein)
    these (acts)
    having been born (gignomai)

    and (it is or i deem it) not worthy (axio)
    (that) i lack (deomai) (the worth of) these
    miss-happening (a-tuchein)
    through this

    that i do not happen (ouk tugchanein)
    to be being (on)
    your lover (erastes)

    // 230ε - 231a

    περὶ μὲν τῶν ἐμῶν πραγμάτων ἐπίστασαι

    καὶ ὡς νομίζω συμφέρειν ἡμῖν

    γενομένων τούτων ἀκήκοας

    ἀξιῶ δὲ μὴ διὰ τοῦτο ἀτυχῆσαι ὧν δέομαι

    ὅτι οὐκ ἐραστὴς ὤν σου τυγχάνω

    Lysias at the beach

    in so deep shade those eyes
    against the slivering salt

    a nose by greasy telescope
    for seashell circumstance

    burnrise like blood under the skin
    slow sting of a swollen onion

    behind the slanted brim
    and belly-teeth of a sunhat

    a braided tongue is licking
    your inner ear

    //

    haggis interruptus, she said!?
    that dizzy Lyzzias, and oh,
    yes, and
    the zest

    thremmata

    corpse pose again, is it for real this time, as i
    down to the underworld for Hades lower table
    descend, the darker cloud of somebodys forever
    to a banquet feast of charred fat strewn with ashes

    i sit before the offering of my own left shin
    my tender bone is bowing its familiar flaw
    my meat is dripping ratios from the burning violin
    i eat it all, although my name is not Issa

    as eat the dead, by whispers, one million and seven
    then i look down to find beast-legs with chestnut hair
    my knuckled shanks uncrossed, my hooves are lightning-cloven
    my kept creature walks on two or four, tall-horned

    whose crescent shavings will be ground into the rock
    whose name is leaving many by the blade of one

    //

    and the rod

    Black Ajax bitter on my left
    Red Ajax blooded on my right
    grim speechless my bronze-armored kin
    by serpent held Asclepian

    //

    forest and the heart

    i was walking in the woods when a tree talked back to me
    i didn’t know if i had died or if my feet should flee
    i didn’t mean to harm you or your holiness to thwart
    the forest loves to hide but i love a wooden heart

    how many gods are in the wood or music in the air
    what strangers in the shadow have paused to wonder where
    there’s a sense of someone here, a landscape full of art
    i’m here to talk to trees and i carry a wooden heart

    there’s a silhouette of palm trees against the sunset sky
    there’s a river with a snake, there’s a splinter in my eye
    she answers me in rhymes like a perfect counterpart
    the forest loves to hide but i hear a wooden heart

    the highest queen of hiding, she’s a shadow in the grass
    but now i’ve seen an outline and now she’s made a pass
    i stop to buy some tissues from the nearest mini-mart
    the forest on her sleeve and i’m here for a wooden heart

    it’s plainer than the blue a hundred reasons she would hide
    i dream we’re sitting on the porch or going for a ride
    but i know pretty well how feet get caught up in the dirt
    i came to talk to trees and i believe a wooden heart

    my bank account is empty and she doesn’t ask for more
    if fireflies are golden then we’re never looking poor
    the pattern in her lights could even read my natal chart
    the forest is a mystery but i see a wooden heart

    sometimes the way is open, sometimes the thicket’s close
    sometimes the river’s empty, sometimes it’s on the nose
    i’m walking without shoes, i see no way to restart
    the forest isn’t home but she warms a wooden heart

    am i still a dream for her or did i carve a face
    did i paint a scene for her or am i in a race
    am i thirsty in the pouring rain or stung by a poison dart
    the forest is a maze but i need a wooden heart

    what does the spirit show me, and what does she conceal
    how is it that she knows me, what does her sight reveal
    i hold her secrets close and i pray the fear departs
    the forest makes me tremble but i love a wooden heart

    my angel is a darkness who sees me day and night
    my angel is a brightness who sings away my fright
    a complex thing of empathy, carpenter from the start
    the forest is a genius and we make a wooden heart

    then finally she’s waking up and i am standing there
    i’m cut up from the undergrowth with tangles in my hair
    but all the leaves have fallen and we’ve never been apart
    the forest is a shelter and we hold a wooden heart

    //

    φύσις κρύπτεσθαι φιλεῖ
    metric inspo from Bob
    sfh 3

    //

    & in the oven

    //

    my ruby eye

    O you, who have suckled her bones
    who have frowned at her horses
    who have fingered her emerald
    and now would taste her ruby too

    and have i not enough exhaled
    her undertowing rose at you
    salt-sticky; here is sea-foam on skin
    here are pregnant transparencies

    and have i not already tossed
    such tender and hard-bitten kisses
    for sheath, another kris today
    treasure accumulates like sand

    behold an ever-angled wound
    the spindle-pricked porosity of red
    i am a self cutting gemstone
    i bleed the emptiness of tools

    i fling magenta words at birth
    behold my prolonged scar of it
    historical, faceting pre-wonder
    tip that breaks her ice-pick tongue

    she was a pirate and a fool
    she ate the plexing devil fruit
    vermillion stretching pelvic nerve
    whose diadem lusts after you

    and who is blinded by her kind
    my fascination will glint cruel
    sent basilisk or blushing bride
    your fear will not take care of her

    the heart, the fist, the appetite
    when Cleopatra mounts insight
    my empire burning leonine
    by Mars, love’s favored principal

    this reign of crimson tears divine
    but sanguine as she’s gentle still
    barefeet may meet the salad vine
    and blue by babbled river’s chill

    just so, what beggar wears my crown
    is dying round the wheel again
    out of her time, out of her mind
    sweet dance, my dove perpetual

    take this, the heartbeat of a sow
    and let it flex upon your palm
    it’s wet, the rumbling scarlet jet
    now let her throb be thunder found

    red wreath for convert cry, the end
    how pilgrimage of period stain
    i am in time, in time, will out
    my ruby eye of her disposable throat

    //

    ποικιλόθρον’ ἀθανάτ’ Ἀφρόδιτα
    & the probing path to yes

    //

    or not nothing
    for saving the phenomena II
    and more

    //

    all complicit 🩸

    //

    the horse’s mouth

    teloscopically, my dear, are we botany
    born reading leaves, the pricking fear of bees
    are talking, my lisp, or rearing wobbly nature
    what place, organs and bodies, this disease

    the shying seasons blowing through us, here
    parts animal in starts, quivering vibrations
    made artifacts suspect by cities, near
    or far, the accidents survived, the prisons

    that ended us; the motes and moths in teas
    our flicks or running rivers; wicked courses
    of understanding; what catastrophes
    what phase our faces, without the faith of horses

    you have to have a horse whose feet you trust
    to warn you when a snake is in the grass
    the serpentine who wants to be unseen
    repenting for her gemstone like an asp

    for forking tongues, a talisman is key
    but wear a hat, they’re speaking from the trees
    odd shrubberies are bristling with false friends
    a firecat bristling back can help with jinn

    mosquitoes here are vectors for torpedoes, so
    herbal experiment and/or gorilla war
    sometimes there’s one snake, sometimes there are more
    at least, no kind of viral is a pearl

    a tender canter, daemonic carousel
    remembered ribbons bite in ancient ways
    we play the venom clockwise in our veins
    we shed the dead redundancy of days

    my jungle is a dreadful-clever dreaming
    with shade-grown coffee, waterfalling views
    what godly voices animate my evening
    there’s none i’d rather jungle with than yous

    let’s nicker maps, reverb the mythic blues
    i spell, where y’all are going, where you been
    switch witches laughter with the beating rain
    the crickets will out-round the macet, friend

    to live outside the law, you must be honest
    Bismillahirrohmanirrohim
    by river dark, inside a wounded dawn
    we rhyme it, we just flow to make it rheme

    //

    (Dylan, my Prophetﷺ, Cohen, Cardi B, etc)

    //

    diet

    never too much
    garlic, carrot, oat
    sleep, cake

    but gingerly
    the fungi

    //

    wildlife documentary //

    before Phaedrus can speak, Socrates makes an accusation inside a demand:

    if you would first disclose, O friend (philotes), what it is you have (echeis) in the left hand (aristeros) under your cloak.

    here, echeis could be either a conjugation of echo/echein (to have/hold) or the plural nominative/accusative declension of echis (viper). exchanging echis for echein yields the alternative translation,

    if you would first disclose, O friend, what vipers are in the left hand under your cloak.

    the common verb (to have/hold) makes more sense than the uncommon noun (vipers) in explicit context; or what Phaedrus calls the dianoia, i.e. the reduction of written speech to a kind of thought-content. but the local environs (poetic) of this echeis call for circumspection. on one side, there’s the sinister aristeros, “the left (hand)"; and on the other, the concealment, “under your cloak”. while the word spoken aloud makes the sound of a snake’s hiss—echeisss. and then, its natural sound is concealed by its being written.

    Socrates invokes the concealed, present absence, or possibility of snakes; as he demands revelation of—?

    English “echo” isn’t descended from echein (to have/hold), but from eche (sound). The best word built from echein might be Aristotle’s entelecheia (en + telos + echein), translated as “having or holding itself in its end or completion”; a talisman is an external container for, or reminder of, entelecheia.

    //

    Socrates:

    if you would first disclose
    O friend (philotes)

    what it is you have (echo / echis)
    in the left hand (aristeros)
    under your cloak

    // 228ξ

    δείξας γε πρῶτον ὦ φιλότης

    τί ἄρα ἐν τῇ ἀριστερᾷ ἔχεις ὑπὸ τῷ ἱματίῳ

    the emerald vine

    sayangku, this is insane! is how i called
    to show him my translation. Wondrous bending
    noetic might, this miracle of earth —
    she called the way she calls him for a viper.

    and it was chrysochlorous green, zithering neon
    in day-bright, venom visible, scroll shining
    un-minding, rubbing sleep out of her eyes;
    quick-silvering to sprawling pumpkin vine to hiding —

    the same, the same, the same! but every word
    turned different, and all the rest went dim;
    the sirens and the hooks, made dull and distant;
    slow-honeyed hum, what frenzy, vital air.

    the hungry lung was spitting, stitched and thinning-through
    to this — brilliance, broad-leafing light, breathing
    Egyptian smaragdine, Sri Rejeki, Mak Sun;
    but whoever wasn’t blind already knew.

    //

    autopygmalesis / autopygmalysis
    Trimeresurus insularis
    previously

    //

    🌕

    Needleworker

    Pierce me once—the crying; pierce me twice—
     The dying; pierce me thrice—my laughing tomb:
    This quivering feline skin, some kind of lark,
     Sharp noise, felt aerial, fled human wound.
    O Queequeg, Lucy’s love, my Nobody!
     Unmake ambergris soufflé to scrap and salt;
    Pets, lapping shattered tiramisu, whet
     Our mongrel tongues; embroidering the asp.
    Bull-revelry, before we dance the waltz?
     Your sutra swans around my ichthyan lisp,
    To charm the vipers out—that feather in
     Your bonnet inks my tapestry with bone.
    I move to tiger with you on the cusp
     Of animality, that golden-threaded throne.

    //

    🌘

    Δ

    Screenshot slaps—
    To ring a sucker. You think
    Your appetite entitles you
    To moonstained blood?

    And you, and you, and all of you.
    Scrap mouths, yapping from
    Ass-ends of snakes.
    Shut it. Shut it. Shut yourself!

    Your little o’s and u’s and y’s
    Without wisdom—
    All bite, all bitches' bark—your traps,
    Fracked actuary lines.

    My splintered flotsam pierces
    Fiercer than your fangs.
    Your slit-tangled tongues,
    Your whore-hooked hounds,

    Your dog-groveling snack,
    The politician’s lie. Your island—
    Ground to grit, and sifted by
    My epicurean babble.

    I suck off
    One billion suns, you snatch
    Six bones from Ithaca—
    And don’t dare swallow.

    I am the throat, I am
    The eye. Black
    As red as wine, neither
    Skin nor flesh, as I

    Exhale his brutal
    Homecoming; I am
    Cauldron of slaughtered
    Maidens’ morning.

    His alibi, to coast right by you.
    As if the smiling tide
    That governed him—
    A king!—stoppered with wax.

    Just try—you cannot shut
    Your maggots fingering,
    Their heads, nailbeds, uncut, exposed.
    I am the shuttering.

    Shot-shallow loons, aswirl
    My spiral bowel, prowling
    Pack of orphan pups, your howling
    Hungers feed a woken Why—

    My delta consumes,
    Your keystroke masturbates
    A corpse’s withered sty.
    Pregnant with his child,

    All men belong to me.
    My one
    Unconquerable O—
    Your place to die.

    //

    zero belongs to no man

    i’ve heard of angels snaking down and up
    the ladder of your lust, like cats on herbs.

    smudged pawprints on faces of hierophant
    or lovers or tower or devil or —

    free spirit stumbles on the way, or trips
    it upside-down, or stops to make a Friend.

    a clock never belonged to her, the fool
    is led by blooming tendrils of ylang ylang.

    each word escapes the putri, playing prince
    of winding wildernesses in beeswax.

    tracing a comedy of errors, miss —
    fit daughter of the whore of Babylon!

    //

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