Pharmakon

    Socrates: (cont.) then i would wisely (sophein) declare that it was the wind itself of Boreas that thrust her down from the nearby rocks as she was playing with Pharmakeia

    // 229ξ

    εἶτα σοφιζόμενος φαίην αὐτὴν πνεῦμα Βορέου κατὰ τῶν πλησίον πετρῶν σὺν Φαρμακείᾳ παίζουσαν ὦσαι

    //

    Pharmakeia is not associated with a known mythological figure; her name means drug, remedy, poison, or witchcraft.

    //

    re invited / over hung

    well Lady Dionysia, re invited
    in his season of sacrificial eyes dilated
    regal and settle on spilled contents of purse
    the messy desmudging scene in the mirror
    shrugs

    re selfie up reckening too sour & sweet, ordinary
    melted candies mixed crispy noodles, common
    self wrecked reflux re bilious, re typical
    up curdled and scarlet venereal, my old
    porcelain friend

    encore, shredded mini still twists in the corner
    her demon skin shimmying, re woken wasted
    and wrestling names in the kayfabe reflection
    skin sizzle, sexy sorry, acid re self surrection
    and not Jesus
    or Mary

    over hung
    and rollover
    the cat scratches, blinks, laps pink paper sand
    paws curious and fickle underwire boy toy
    hooks prophesy like prey, her next skimpier suit
    barely feathered and nude in the pitiless bush

    says you will not die, but you ever mistrust
    it’s not poison, flushed affect of purpling fruit
    some feral double is trying on her rings
    Pharmakeia re titrating musical things

    as ripening earth is animal
    angel yet

    //

    🌖

    //

    (for disclosure
    i quit alcohol like
    back in the teens)

    **edited to capitalize the “L” in “Lady Dionysia”

    the horse’s mouth

    teloscopically, my dear, are we botany
    born reading leaves, the pricking fear of bees
    are talking, my lisp, or rearing wobbly nature
    what place, organs and bodies, this disease

    the shying seasons blowing through us, here
    parts animal in starts, quivering vibrations
    made artifacts suspect by cities, near
    or far, the accidents survived, the prisons

    that ended us; the motes and moths in teas
    our flicks or running rivers; wicked courses
    of understanding; what catastrophes
    what phase our faces, without the faith of horses

    you have to have a horse whose feet you trust
    to warn you when a snake is in the grass
    the serpentine who wants to be unseen
    repenting for her gemstone like an asp

    for forking tongues, a talisman is key
    but wear a hat, they’re speaking from the trees
    odd shrubberies are bristling with false friends
    a firecat bristling back can help with jinn

    mosquitoes here are vectors for torpedoes, so
    herbal experiment and/or gorilla war
    sometimes there’s one snake, sometimes there are more
    at least, no kind of viral is a pearl

    a tender canter, daemonic carousel
    remembered ribbons bite in ancient ways
    we play the venom clockwise in our veins
    we shed the dead redundancy of days

    my jungle is a dreadful-clever dreaming
    with shade-grown coffee, waterfalling views
    what godly voices animate my evening
    there’s none i’d rather jungle with than yous

    let’s nicker maps, reverb the mythic blues
    i spell, where y’all are going, where you been
    switch witches laughter with the beating rain
    the crickets will out-round the macet, friend

    to live outside the law, you must be honest
    Bismillahirrohmanirrohim
    by river dark, inside a wounded dawn
    we rhyme it, we just flow to make it rheme

    //

    (Dylan, my Prophetﷺ, Cohen, Cardi B, etc)

    //

    diet

    never too much
    garlic, carrot, oat
    sleep, cake

    but gingerly
    the fungi

    //

    “Then,” he said, “O Simmias, those rightly loving wisdom practice (meleta-o) death, and dying is least fearful for those, among humans."

    // Phaedo 67ε

    If Phaedrus sits between Phaedo, whose act is the death of philosophy, and Timaeus, whose act is full creative flight—then Phaedrus is the birth and fledging of the poet. It accomplishes the transformation from interior to exterior by way of externalized interiority. It demonstrates the containment of love in a poem; its success rests on Socrates’ closing prayer.

    Practicing death (as previously mentioned) is reborn as studying and writing poetry. In this, the pharmakon becomes a necessary tool—like a eucharist, hence the prayer. The pharmakon both kills and resurrects.

    O beloved Phaedrus, whereto and wherefrom?

    hypothesis : the second sailing :: pharmakon : Platonic poetics . . . :: demiurge : cosmos.

    fungi in the filesystem

    event: it needs
    new categories.

    local zoology lately
    portends mycelial memes:
    “camels” vs. “dissertations”.

    monkeys on the roadside,
    — laughing. un-officially, i
    am giddy to be their fool.

    follow-up: mushrooms
    of animal entertainment,
    best medicine?

    antidote of day-
    glow (glitch)!

    //

    I missed the obvious, it could (will) be a pharmakon.

    …It’s heavy mushroom season here, these days.