Dogs
semi-nude for a photo album
their birthday was the other night
the girls were going out; the grift
delayed by getting ready; gift
of tangled, sappy rattan; caused a fright
pan, she burned some flowers on you
meta-burban, real dream for two
polaroid tacky, pantries full
of shady tatters, curtain bulls
sister, it was no dress for winter
but they were grown enough to drink
something fancy from the blender
fermented guava, lava lake
lavender flannel, camisole
white linen sheets, hung in the sun
nigel and sandi, mel and sue
genre-bender, Java won
high horse, he has a song for you
but i’ll save it for another tone
her sweaty practice, overdue
vinyasa, tapas, organ brew
dizzy lizzy ate some rice
eat, pray, love, the antichrist
jihadi, mum’s worst nightmare
Gandhi, papa’s burnt-off limb
inter-dimensional makeout queen
Osaka airport, caused a scene
village gossip, words above
she’s never catching up on love
not quite posh, but pulp turned through
realism, my lands, god knew
so sliced the flippin' longitude
bless her heart and come on in
agrimony henbane dish
too-schooled harpy hysterical
raised pie of huckleberry fish
turned river-liver radical
there’s mantra in the air tonight
what kue set in sangga stone
rise with the moon, the howling dog
the crone, her voice memorial
white-footed goat is coming home
to graze by fiery sunset view
the desert camel, bringing bones
with mother Durga, chest tattoo
a secret pocket of soil and spice
elaborate belty-thing, rhizomes in knots
not big enough for where you think
whether it is cake
//
(wants cake)
//
texas talkin blues, like this
vernacular from full moon 5/11
genius loci, pura dalem
blog 2-yr anniverse & job well done
//
the looper
by grief of the dog in a blinded place
he wanted her heart so he shadowed her face
under cover of dawn when she wasn’t awake
the silver misted or altering
her eyelids open but the crescent stays closed
pale beside her is a body or a suited pose
her own lap empty as an uncut rose
she brews coffee to keep him on his feet
her towering heels after pups on a leash
imposing the law with restless releases
a child was limping with a wounded shin
and the cry was loop loop looo
so she stations herself against the daily race
with a heart beat distant at a raggedy pace
the private fingering of her pencilling hand
gray ribbons or bloodlines away
checking the door, securing a window
turning a latch or locking a symbol
the lupine circling would never know
and his cry was loop loop looo
smooth is the pack, the witless texture of skin
painting the walls to skirt the outside in
and the red is to run and the fast is the worst
and sundown always coming closer
blurred in the grease at the end of the day
the charcoal prophet reflecting her phase
the stillness or the animal dilation
and her cry was loop loop looo
loop loop loooooo
ah-oooooo
loop loop loooooo
ah-oooooo
//
sfh 2
//
song for her
my friend is brilliant, she lives inside a box
her light is so strong, it made cracks into my house
her cracks in everything, she’s uncontainable
her container is a place of blinding peace
she is so brilliant, that i’m afraid of her
she is so quick, she catches me before i stumble
she is so mighty, one piece of her becomes my whole
by day her memory, by night her secret plan
she is so brilliant, she broke into my dream
i found her there, busy kitchening a shadow
what she was making, i couldn’t wait to see
was it a love potion, or did she want to poison me
she is so brilliant, i tried to let her know
i made a mirror, it was not the way to go
i think i burned her, by what she wouldn’t say
she is so brilliant, maybe i should have let her be
she is so brilliant, but her mom sounds like a bitch
i want to tell her, but i’m not sure about it
she watches tv, and i think it makes her sad
i’d let her see me, but her brilliance drives me mad
she is so brilliant, but our interspecies owl
if she’s leucistic, and i might be a wolf-man
if i’m too mystic, my tooth and claw and howl
to hold her close, i’m gonna fry them in a pan
she is so brilliant, i take time to process her
or i’m a house-cat, high-rolling in her sunshine
i soak it in, through my fur into my bones
chasing lit inches, and i don’t even mind
lacking her brilliance, i wrote a song for her
it’s cos i’m foolish, my words are pawns for her
i just can’t help it, i need to let her know
how brilliant she is, that i could never let her go
she is so brilliant, that i could never let her go
etc
//
not sarcastic
//
music by her
//
Needleworker
Pierce me once—the crying; pierce me twice—
The dying; pierce me thrice—my laughing tomb:
This quivering feline skin, some kind of lark,
Sharp noise, felt aerial, fled human wound.
O Queequeg, Lucy’s love, my Nobody!
Unmake ambergris soufflé to scrap and salt;
Pets, lapping shattered tiramisu, whet
Our mongrel tongues; embroidering the asp.
Bull-revelry, before we dance the waltz?
Your sutra swans around my ichthyan lisp,
To charm the vipers out—that feather in
Your bonnet inks my tapestry with bone.
I move to tiger with you on the cusp
Of animality, that golden-threaded throne.
//
🌘
Δ
Screenshot slaps—
To ring a sucker. You think
Your appetite entitles you
To moonstained blood?
And you, and you, and all of you.
Scrap mouths, yapping from
Ass-ends of snakes.
Shut it. Shut it. Shut yourself!
Your little o’s and u’s and y’s
Without wisdom—
All bite, all bitches' bark—your traps,
Fracked actuary lines.
My splintered flotsam pierces
Fiercer than your fangs.
Your slit-tangled tongues,
Your whore-hooked hounds,
Your dog-groveling snack,
The politician’s lie. Your island—
Ground to grit, and sifted by
My epicurean babble.
I suck off
One billion suns, you snatch
Six bones from Ithaca—
And don’t dare swallow.
I am the throat, I am
The eye. Black
As red as wine, neither
Skin nor flesh, as I
Exhale his brutal
Homecoming; I am
Cauldron of slaughtered
Maidens’ morning.
His alibi, to coast right by you.
As if the smiling tide
That governed him—
A king!—stoppered with wax.
Just try—you cannot shut
Your maggots fingering,
Their heads, nailbeds, uncut, exposed.
I am the shuttering.
Shot-shallow loons, aswirl
My spiral bowel, prowling
Pack of orphan pups, your howling
Hungers feed a woken Why—
My delta consumes,
Your keystroke masturbates
A corpse’s withered sty.
Pregnant with his child,
All men belong to me.
My one
Unconquerable O—
Your place to die.
//
military parade (no country for children)
a block of human souls, murder
of mirrors: organism heaves
a moving multitude of cells,
populous lung, as if to breathe.
populous gun, snap-locks to form:
fifty by fifty by fifty, we
as one, on riven necks, heads turn.
the mass of bodies march past Xi.
in uniform, blind discipline:
black boots, white arms, clean unison
defines the face; grey, seamless film,
a weapon’s youthful complexion.
meanwhile, across Pacific waves,
the people’s whore, instead of school,
deploys machines to make selves, slaves;
the suicidal human rule.
chip factories to feed the stocks:
by battery classroom, killing ground
to grind the greening down, by glass
addiction, into tyrant’s hound.
the glaze that, dying, skins the eyes,
steals vision from the animal;
filters from birth its grave sunrise
and petrifies the living soul.
the glaze that, seeing, sells and tells;
in masks, they empty out the homes.
nobody ever goes inside;
nobody ever is alone.
meanwhile, across Atlantic storms,
in cradle of brave humankind,
the eye its fatal flaw confirms:
the fracture of the human mind.
dust-craven, shame of patriarchs
forsook a sacred covenant;
belched blood on gift of holy land;
made blasphemy of government.
what child is this? his ribs exposed;
the second coming, came, disposed;
the final coming, coming’s close;
bodies of babes, unmade by drones.
around the blue planet repeats
this multiplicative device;
our genocide is not abroad;
the ovens crowd these hollow spaces.
proving, mobilization awed
gold-burnished by Byzantium;
the heart speaks broken memory;
this is no country for children.
so genius passed: neither in form,
nor in the scripted paedophage;
bereaved, God’s mercy, nature-borne;
a mother’s keening song, through rage.
//
🌔
endives and mallows
this morning, handsome as a child, touches
with warming fingers the amethyst mallow.
delivers, gladly, each from darkening time:
the businessman, lucid as professor;
the tyrant, same as refugee, receives
his quickening caress, the goldenlight of youth.
but not each child. nor any child— the sun
has blinded all with his apparition.
a forest of light is teething in the seed,
dog star, a diamond cleverly effaced.
her baby will be different from the rest:
impeccable smile, a garden’s wondering, walking train—
daily untangling from the priest’s embrace;
to carry off, intact, her very name.
//
as if i were a whitefoot
nameless, the gentle landscape chose
pointlost, ungiven, brutishly
endbringer to deadset hunger,
rudeness riverrun to mercy.
grim gravelshatterer, sparking flint
to be action or scenery—
object of disbelief, the ground
to goat a hesitating hoof—
or clamp too-trustingshank, object
of appetite. salivaspills
from ruthless gum of animal,
rankcivil tooth of shackledmilk;
but snarlingword, infant of dust
absent a motherverse, is howl
heartletting keen of lucid sacrifice.
come drink from me, Al-Shanfarā—
she desertlimns greydreaded; trim
your distance, wolves. the veil of thirst
is inhuman as ocean, burns
your hornsgolden by bending sun.
//
(reply to Shanfara’s Lamiyyat al-Arab, trans. by Michael A. Sells in Desert Tracings.)
for the hidden wives
dog barks at the silence
dog barks at the noise
dog with gun or gavel
dog diploma, speculum
shadows feeding shadows
source of silent hum
(hum hum hum hum)
sending out a prayer
for the hidden wives
(of them them them)
//
statuesque
it was her, who stopped troubling
the land with niceties; stepped out
onto the battlefield; declared
her nation iron, under copper;
ignored the children wandering
her heart. youth was her cause, but not
her destination: yapping pups
complicit in decay: the younger,
the worse. she drew a blazing sky-
ward line: from torch to sea of salt,
past oxidized decline: thou shalt
not cross this primary design.
so she was plagued by change, and change
rendered infernal mumblings
absent colossal reality.
she swallowed smaller poetry.
commissioned shining arrows from
hard-laboring masses, to quell
their rumbling curiosity.
her staples were cement brownies,
lampshades as circus gags, popped in
electrified mazes, they tongued
chromatic polystyrene sporks.
her trick was firecrackers for
proposals of shotgun marriage,
with orphans, locked in sheds out back.
essential documents were stacked
inside official cases. fireproof.
the starry skies reflected in
a muddy flood of tasteless rain,
with deeper rivers reluctant
to drain her isolating kingdom.
so spread the miasmatic air.
seen pieces, scened for maximum
invictus — hot-bulb flashes — lost
their knack for light. she was the news:
scaffolding posed as oracle.
and when her history grew old,
turning explicit, they buried her
in broken rubberbands.
mutely, her constitution says
you shouldn’t look, or else you turn
proverbially inhuman.
so close your mind to this broken
container of one billion eyes,
open to fight the warlike hour,
their hearts pumping in empty beds.
the roosters crow to lose their heads.
on glitterbombs sit satanic
afterimages of her,
as rounds of necessary loss
resound on poorly-tuned guitars.
with no time for ambivalence,
her multitudes march on.
and nothing here to be unknown,
perspective infinite as stone —
from bone reflected, light of crone
across her scorched and haunted scars
delivered signals of empathy.
by flickering night, camels repose
in contemplation of footsteps
forgotten, where plod the wind-
whipped monuments of thirst. and all
that is unburnt is a mirage.
//
🌔
the way of buah potong
discreetly,
the membrane
he seeks
where earlier skin
defines still-
vibrant
pupal pulp
some flesh
surrenders simply
to cutting
releases seeds
like fish eggs
to a spoon
some arms itself
with stinks and spines
( the risqué
are forbidden
in public places
but true buah
is nowhere
vulgar )
or squeezes
open, slurpy
pearls of furry
mollusk
some section
selectively, not
as you like it
whining pith or
dogged rind
crumbling shards
of jewels,
broken
but
felt gently,
their presence
is luminous
crescents
sliced
stars
skinless egg
of snake
tumbled boulders
of Mars
he speaks
with knife
submits
in pieces, re-
composed
honeyed
and binding
as Yusuf
suffering
many
( and blade- )
kissed
fingertips
//
the carrion
by Charles Baudelaire (original translation. cw: necrophilia.)
remember the object we saw, my soul
that summer morning, soft and sweet
at a twist in the path, a foul carrion
in its bed, seminated with pebbles
its legs in the air, as a woman aroused
hot and dripping with poisons
splayed in a cynical, nonchalant way
womb swollen with expirations
the sun shone fully on the decay
as to roast it, until just right
to return as millions to Nature’s noblesse
the cosmos she had contained
and heaven saw the magnificent carcass
as a blossoming flower
the stench was so potent, there on the grass
you thought you might collapse
the flies buzzing around the putrid belly
were issuing black batallions
of worms, pouring forth, pustulent
along the living tatters
the whole descended and rose like a wave
or sprayed in a sparkling spume
one could say the body, swole by murky breath
flourished in its inflation
and the world was rendered a stranger song
of watery flux and the wind
or grain that a winnower’s rhythmic geste
turns and churns in a basket
the shapes dissolved, no more than a dream
a sketching slow to arrive
on canvas forgot, where the artist derives
from memory alone
behind the rocks, an anxious bitch
watched us with angry eye
le squellette awaiting a chance to reclaim
the morsel that she had left
— and though you will be the same as this filth
as this horrible infection
stars of my eyes, sun of my nature
you, my angel, my passion!
yes! such will you be, O queen of graces
after the last sacraments
when you go, beneath fatted flowers and grasses
to moulder amongst the bones
then, O my beauty! say to the worm
who is eating you with his sex
i have kept the shape and essence divine
of my loves' decomposition!
//
waalaikumsalam 🌒
friendly stranger //
dog asleep
dog asleep
in the middle
of the street
i slow the car
unsure who i
feel sorry for
homeless
undisturbed
territorial
tired
thinking
will demand
no less than
loving
//
Dogways. //
We see now // the tools of tyranny falling happily, giddily into the laps of tyrants. These it turns out were not just our toys, but the dark materials of American fascism.
(Whose?)
Well, I had an accumulation of dark thoughts gathering for a dark moon post, on technology and colonialism and the other usuals around here, but I lost my heart for it. So instead I’ll tell you, my beloved blog, about my guilty pleasure or “secret single behavior” (who remembers this reference?) when my husband is away, which is to watch a certain tv show. I won’t name it but it’s Korean and it involves “singles”.
The “singles” always do this thing where they compare their faces to non-human animals' faces. Saying, like, “you look like a puppy dog” or get specific with breeds like “you look like a maltese” or “you look like a cat” or “like a donkey”. Awkward smile. “Oh, I do?” “Yes. In a good way.” Followed by modest, embarassed laughing. The women cover their mouths with their hands when they smile or laugh. They all have perfect manicures and pedicures. I try to catch looks at the peoples’ faces but I never catch the resemblance to the given animal.
I notice my husband’s face today, when I video call with him and Ibuk, my mother-in-law. I see anew how handsome he is, with chiseled, sad but wonderful features, high cheekbones and kind eyes. He has the most dazzling smile of anybody I’ve ever met. He is part fae. Ibuk smiles when she sees my face in the phone. I wave and smile back, one of those smiles that feels involuntary, with a rush of warmth, maybe gratitude at being recognized. It’s hit-or-miss these days, with Ibuk. I’m happy to see her in a good mood.
E knows I watch this tv show, and now you do too. Why do I watch it? I admit, it’s because I get drawn into the romantic entanglements. The silly hosts crack me up, they also get drawn in. We hope to see clever relationships develop, we fall for every hand-holding moment, (in Korea, I guess, hand-holding is still a big deal), we despair when the perfect couple can’t make it work. Or when someone cheats on us, by holding the wrong person’s hand! Sometimes we cry together (me and the show hosts). So the moral of this dark moon story is, even when it’s garbage tv, I am a fool for
rage, I was thinking, is like-drawing-like. Rage of the inside draws rage of the outside.
Given: a triangle, between external rage, internal rage, and X.
Never ask, who is X?
is who X is.
You were the mother, you programmed the song.
The name you gave it was
(click to subscribe
)…(
is who you are
playing the long game of bow and lyre, aiming for the victory wreath, while (the uncanny child stumbles like a thick and heavy smoke toward the capital)
blind
)
//
Assalamu’alaikum warahmatullahi wabarakatu. 🌑
//
“Luckily we thlop-thlopped,” // or, And then there was the drive home.
I preface this to say we made it back safely. Also to warn you that this is a long read. Then also to say that history is complicated and sometimes offers no life lessons. Life is not always an Aesop’s fable! (Well, what is it then?) Yesterday, it was an (euphemistically) eventful drive home.
First, I hit a giant pothole and blew out a tire.
//
No wait, let me back up. First, we woke up before dawn (this happens without an alarm here, for me, if not for E) to walk along the beach during and after sunrise.
(What follows is a sneaky-peeky “behind the scenes” of the blog, and I will share things I typically would not make explicit. These are things anbody should be able to gather from following my blog, I guess. Here is a rule I find myself trying to follow, although I’m not sure it makes sense, of not writing things out if they can be easily inferred. Or mis-inferred, in ways that are interesting or useful, to me. From my perspective, this is just good editing. The problem is, it seems a perpetual project every time. My chiselling process somehow follows its own rule. The longer I “sit in front of” a piece of my writing, the more likely it ends up in metered verse. I’m not making that up. I’m in fact resisting it, now.
So forgive me if the following seems pretty obvious. If not now, it will be soon. And I’ll forgive you, as well.)
You see, I have a “beach habit”, I guess you could call it, of taking pictures with the phone. It’s a little obsessive. Every time the light or the clouds or the water or the earth changes, at the beach, I feel quite compelled to take pictures of it. “I feel like Allah is giving these gifts, and I have no choice but to pick them up,” is how I said it to my husband. “Just dropping them down, and what can you do? You have no choice.” (Incidentally, this is the kind of talk that puts him in a husbandly way. That is, speaking in euphemisms. Happy V-day again!) And it feels like meditating, in the sense that, to let myself take those pictures is to let myself be absorbed in this near-“steady state” of constant wonder at the apparent world.
(I assume this is a commonly-experienced thing. On the other hand, that assumption seems somewhat tyrannical of me. Everybody’s different, if not unique. Who I am to say?)
One of my favorite things is to try to catch the shifts and the relationships (of light, I guess, also elements) in (iphone) photos. I’ve tried before to do it with our “real camera”, but these days I can’t bring myself to enjoy that. Something about the limitations of the iphone make it less intimidating, maybe less complicated than the camera. Less pretense at a profession. Anyway, I also enjoy the photo editing process. (I use Lightroom but seek recommendations for open-source or independent apps that would deliver the same kind of thing.) After return, I will be similarly obsessed, or “spend time” concentrating on the relationships between light in its different meanings, in the frame. Figuring out by experiment what I can change, in the editor, in order to bring out the gift of the image. To meet my eyes. I’m still not sure how “seriously” I take it. I consider myself a lover of images, rather than an “artist” (without a “sophistical” camera, lol). Maybe that’s a way to put it.
But then maybe, if it were stripped of the blogger’s ego, that’s what a (written) blog could be too. I’ve mentioned before on here my aspiration for amateur-ism (oxymoron there, oops). Then I might amend it to: I am a lover of images of nature. But what I mean by that would require a very long explanation, including making it clear that I don’t exclude human things from nature, at all. Justice bleeds in, and then everything (through dialectic) becomes inquiries into causes. When the whole point was for a moment not to be Aristotle, but in a way that Aristotle might enjoy. (That would have been his teacher’s task.) So I guess it’s (the photo habit) a small offering out of love for the apparent. Or picking up (as many as I can) these dropped-off gifts of Allah. Other things could also be interpreted in that light, many of them, or possibly everything ever made, by humans, or by anyone else who ever makes.
The point is, I took some more pictures the morning before we left, as one way of saying goodbye. There will be plenty of ocean vibes on the blog over the next however long, weeks or months, as I work through these beach photos. This is how we make time, on the blog, (spending and making time is the blog’s whereto and wherefrom), so yes, Ocean is one of our seasons. (I should make a category and possibly a photo collection for Ocean. It’s not exactly easy to hunt down all these old posted beach pics, from before I had named categories. I guess I should go back in blog-time and bestow upon them their rightful associations. Gather them in harnessable groups. Maybe make a collection for each year? It will take me a minute to figure that out. So many of these normally edited-out inner monologues are strictly bureaucratic. One almost doesn’t have time… except of course, one does. One has all the time.) These photos could last through Cancer, though it’s impossible to be sure. Anyway, Ocean season has returned to the valley below.
//
So we ate our guesthouse breakfast, (veg nasi goreng with plenty of golden-fried tempe, sederhana dan lezat), packed the car, checked out, said our goodbyes and pulled out of the parking lot.
Next, we stopped on the way out of town to get the most amazing tofu bao either of us ever had. These were the kind of dreamy flavor and texture combination that only asian street food can come up with, it reminded me of Singapore. A common response was “Is this dessert or what?” which just means it is irrational and delicious.
(If you are reading this, and ever plan a trip to Bali, no, I won’t name or endorse places on the blog. Bali is dying from tourism, at least, faster than it’s dying from anything else. The last thing this island needs is more advertising hype, in any way, shape, or form. I lay a curse on Instagr-m for this, and all the location-tagging photo-based social media apps. But I would give recommendations by email, so please be in touch. With the caveat that our favorites are the best for us, and not necessarily the best for others.)
Anyway, we picked up some tofu bao for takeaway, along with two chocolate peanut butter banana smoothies, figuring we’d have a nice little meal at a scenic stop along the way.
In any event, we were certain sooner or later to get hungry.
//
Now back to the pothole and me busting the tire.
In my defense. This was bad luck combined with the terrible condition of the two-lane road along the northeast coast. Which is riddled with deep holes, the result of overloaded trucks driving on poorly-laid asphalt, I think? Anyway, in some places it’s like driving on asphalt honeycomb. Usually one can see them in advance and slow to a crawl, so as not to break things. But there I was, passing a local motorbike, at a reasonable speed, in a completely normal maneuver. Being never the fastest, never the slowest, but somewhere in the middle. (It’s not like I was taking an opportune nap. The reins were held not by another’s hands.) And suddenly there was a great gaping hole in the middle of the road. It happened to be right where I was passing. It was disguised by a joint in the asphalt, I think. I was paying more attention to the motorbike on my left and the (distant) oncoming traffic, these other very pressing concerns. I didn’t see the hole in time to avoid. It was ther-KLUNK, and the-whole-car-shakes, sounding like pieces.
And, Oof.
Luckily we thlop-thlopped to a stop right across from a bengkel. We had a spare tire in the trunk and let the mechanic change it for us. (“Contributing to the local economy,” I could call it, whereas E calls it “making friends”.) We “lost” maybe an hour and a half.
I spent a lot of that time watching some chickens in a lovely grove of rambutan trees. Right next to the road, located in the rear of (what seemed like) a large Balinese estate. The tranquility of this place was somewhat surreal. It immediately bestowed calm. The trees were tall, the shade was dense, the ground was covered in brown leaf litter. The sound of chickens scratching, for grubs and bugs, was soft and intermittent in the muffled quiet. Like a cathedral. They seemed happy and peaceful chickens, especially compared to our rowdy bunch. I watched them while drinking my delicious chocolate, banana, peanut butter, coconut cream smoothie. All the ingredients of which were probably grown on this island.
After a while, the car was ready to go. We said our thank yous and our goodbyes, then pulled back onto the road.
//
What happened next was not our fault. At all. I am pinning fault on the app, and okay, perhaps our decision to follow the app. But one really has to side-eye G–gle maps, which fails to differentiate between passable and impassable (by car) roads when it tells you where to go. I’m sure there have been worse examples than ours. It doesn’t really matter what the cause of this kind of error is, in terms of flawed data collection (racist or sexist stereotypes, etc). Trusting this thing will lead you all kinds of un-fortuitous places.
After the blowout, and a break from driving while they switched our tire, I was back behind the wheel. E isn’t enthusiastic about mountain driving, so he navigated. When at some point we made a turn that bore no official signage, we noticed, but we didn’t think to question it. And not for the first time in Bali, but for the first time with me behind the wheel, G–gle directed us onto a “shorter route”. As we would discover, the “shorter route” ended up being an unmaintained treck intended only for motorbikes. We navigated the Dr. Seussian mountain passages with just barely enough room for our tires to squeeze between asphalt edges. The roads were bare pretense fumbling away into nothingness. Thereby I gained plenty of practice, this drive, with “lumayan hardcore” mountain driving. Downshifting into first to manage hairpin turns on hard inclines, wheel placement to avoid the most catastrophic holes, downshifting into first to claw through the unavoidable holes, praying through the sickly whirr of traction-less tires, facing sky or pavement, and squeezing past oncoming drivers, where there is no shoulder. There is only STEEP, blood-curdling DEATH to either side.
Let me tell you, dear blog reader. Our Honda Jazz is no hardtop Jeep. And I am not a Bromo driver. (Those guys are suicidal? And usually drunk? Rumor has it. And now I know why! E says this road was about as difficult as the road we turned back from, when we drove around Tengger. I couldn’t believe that, I was too concentrated on driving to look and be freaked out. Un-filtered side-note, this gives a clue the degree to which my fear of that was a fear of not being in control.)
Music, of course, was not happening. But in process, I talked through it. I reassured my husband and myself at every turn that we were aman. Even when the engine overheating light came on, I kept pretty cool. (E said it’s ok, we’re almost to the top.) Even when I caught a glimpse of the peak that was our destined passage, seeming still so far above our heads. It was some hollowed-out, long-abandoned villa, a roofless, vine-entangled ruins, on a perch that could only have been conceived by an unregulated and out-of-control tourist industry. Insane. Even when I felt the Jazz shuddering with apprehension beneath my feet, I brought the car around the next turn.
(As for going back. The road was too skinny to turn around. And the only thing scarier than going up these ridges was the thought of crumbling back down, in reverse.)
What did I see, oh Muse, and what did I miss? There were cliffside cabbage patches and lush beds of kale terraced into these mountains, geometrically-planted rows of carrots and potatoes blanketing the valleys below. There were misty clouds concealing almost every precipice, and quaint villages nestled into precarious edges of the abyss. The locals stared, but then smiled and waved back, when we smiled and waved, saying, “Sugre!” (We saw a few working farm trucks, which gave some hope that it would be possible to get through on four wheels. Maybe not by me, but at least by local drivers who call these highlands their home.) We saw ancient Hindu temples, looming in the cloud, vibrant with moss over complex Balinese brickwork. Things were set like jewels into improbable places. These visions would have been breathtakingly beautiful, had my breath not been already utterly took by dread and grim necessity. We could not stop, let alone turn around. The only way out would be up, around, over, and through.
We pressed on, driving sky-ward, as having no other choice.
By the time we curlicued our way out of the absolutely beautiful and yet idiotic Googlian shit-cut, of course my entire body was shaking. I felt ready to collapse into a puddle of whimpers. The final reunion with the main road consisted of a dead stop at a steep uphill turn. And, oh! One last face-full of sky. My nerves (plus the Jazz) were at our final raw edge as I plunged us up into first and around onto the blessedly solid, freshly-painted pavement. Ahh, the main road. The hairpin turns would be navigable, and built for two-wheel drive, four-wheeled vehicles, again.
The rest would be easy, or that’s what I anticipated.
And it really was!
//
Save for one last adventure. Which was, by then I really needed to pee.
We were still far from any mini marts, everything was at best a warung (which don’t normally have public toilets, only private homes, and I was in no state to be a houseguest). Also, the local village seemed strangely infested with flies. They were everywhere, buzzing and crawling all over the human buildings. Anyway, I was in no mood for a local toilet, plus I was wearing full-length pants, which invariably get wet in local toilets. Call me high maintenance, but all I wanted was some privacy behind a bush. Away from human habitation, immersed in greenery.
The first place we pulled over, looking for the right spot, I got chased by dogs. They growled and barked at (poor) me, just trying to be alone. Rawr, I almost barked back! But snarling wild dogs are scarier than pissing my pants, so having secured my modesty, I skipped and hopped back into the car.
I drove us around a few more turns, and pulled over at a sharp enough curve that the car itself, and some well-placed grass, hid me from view of the road. Oh blessed curvy road and tall grass, my cozy cave of green. There, squatting in the shelter of the ever-faithful Jazz, with E standing guard, and gazing up at an elevated terrace of trellised grape vines, it really was heaven. I could finally relax. (The Jazz could relax too! And cool off her engine.) If I measured these things, I think I would say without a doubt. It was the best pee I’ve ever had.
As I got behind the wheel again, those angry dogs showed up. They had chased us down the road. This is typical, Bali dogs don’t play. (I guess they don’t like strangers peeing in their territory either, oops.) The dog snapped and howled at my driver’s side window. But I was inside, we were finished.
E hopped back in the car. We shooed away the dogs and drove away.
//
Finally, we felt good and ready for the rest of the drive home. But first!
A reward, for making it through. We pulled over in the next mini mart parking lot. (There were no scenic views left. After all that, our priority had become stable concrete.) Upon noticing that the front of the mini mart was crawling with flies. – (Again, what is this? Is it the fertilizer the local farmers are using? Is it cow shit? We live near cows, and surrounded by farms, but nothing happens like this. Is it a poorly-placed garbage dump? Or something more sinister? I worry about large-scale farming setups that overwhelm the local ecosystem. It’s probably that. But we really don’t know. Strangely, the flies seemed attracted to glass and plexiglass surfaces, like windows. There were no flies at my heavenly grassy bend in the road.) – So at the mini mart, we decided to keep the car doors and windows closed. We were fully furnished (by E, not me. I’m in charge of toiletries, clothes, electronics) with alcohol spray and napkins. And we sat inside the Jazz and ate our tofu bao. They were soft and pillowy on the outside, the insides sweet deep-fried caramel chili perfection, hiding mildly-cheesy tofu, with crisp carrot-daikon pickles, crushed peanuts and coriander leaf, incredibly delicious.
After that, the rest of the way home was blessedly easy. A little rainy, no problem. The roads were clear, with not very much traffic, and the car drove fine. A bonding experience with the little Jazz, who has probably taken over blog vehicular duties from Sweet Orange. (Thanks for the memories, dear, animated Sweet Orange.) We’ll take the little Jazz in for maintenance and get the ripped-up tire replaced. Perhaps we’ll upgrade to tires with more traction. Next time driving that route, we’ll pay less attention to the app and watch for official route signage. I think that’s the best solution? To avoid the remote, unmaintained roads. And stick with the official, unmaintained roads. Lol. I love Indonesia!
//
Wrapping up, I found myself reaching for reflections, and had to slap back my own hand. If there was a lesson here to learn, I do hope we’ve learned it. (F-ck tech it isn’t. The above is such a victory for the Jazz, it may as well be called “the Jazziad”. But please not “the Jazzidy”.) Like picking up these dropped gifts of Allah, because what else can you do? Catching the images, as having no choice. Maybe there’s no learning sometimes, only history and the fact of it having happened. As E pointed out, “you got us home safe. Everything in the end was aman. And what’s most important is love.”
(He also speculated that his wife might get addicted to mountain driving. The possibility cracked us up. It hadn’t occurred to me until he mentioned it, but I won’t say it’s impossible. Who am I to place such limits on myself?) Love is, in no small way, sharing in the creation of euphemisms.
Regardless of all that, the cats were happy to see us. Ismail yelled with anger / whiny relief, Lalah hid / came out / hid / came out again, in histrionic excitement, and Sri Rejeki got super-puffy / nearly catatonic with joy. And Alhamdulillah, we were happy to see the cats too.
The end.
//
Assalamu’alaikum warahmatullahi wabarakatu. 🌖
Daughters of Typhon
// Phaedrus 227β // Isthmian 1
It felt good to translate Isthmian 1, like eating a nourishing bowl of food, with green and purple vegetables, roast potatoes, tempe, tender steamed rice underneath, and spicy peanut sauce drizzled (generously) on top. Doing something like that makes me feel applauded by ancestors, for sure. The only translations of that poem I could find (public domain) were so very fine (It’s awe-inspiring how flowery the old-fashioned translators were. What alien world did they come from, those boys of clubby leisure? Did they drink honey-wine for breakfast before sitting down to work?) that I failed to detect in them the brilliance of an original. Which I uncovered as I worked it out and translated for myself. Using fewer words, less adorned, to give it my own meter, then to brush away the sediment from this cut and polished gemstone. To put it in my words, to shape my lips around the poetic act.
As a physical, full-bodied shiver. I could feel the pride of the author, in the poem’s re-discovery.
“What’s more beloved / By good men than their parents, esteemed?” Indeed, smiling, I admired our work. Other possible translations for “esteemed” could be “cared for”, “valued” or “cherished”. Good people love to see their parents taken care of, “placed on high”, publicly loved. If you enjoy seeing your parents respected and celebrated, you are probably a good person. So suggests Pindar. And this is what I have done by translating his poem. Isn’t it? I have cared for a parent, if I could consider Pindar a parent. Could I? Would he be a father, or maybe a grandfatherly figure? If he would accept me, as such. Maybe.
//
Fathers and grandfathers are hard to come by, around here. Okay, the subject is difficult. I grew up without grandfathers. Then my father was (and is) a piece of work. He spent my childhood teaching me to read his darker feelings. I became very good at that.
It was not an easy childhood. I was somehow hoarded by him, he was my primary caretaker, or anyway, my mother left me unprotected, unshielded from the intensity of his self-loathing, which he daily poured over me like fuel, with which I should also burn. Maybe worse than if it had all been hostile, the infliction (and it was violent, if an adult man yelling full-force close to a six year-old girl’s face, as if to teach her with terror, is violent, his spittle in her eyes, as she is petrified and panicking with shame, and the daily ritual of this, for the first fifteen years of my life, that it framed everything) alternated on-and-off with love, as an oddly infantile affection.
My parents divorced when I was eleven or twelve. (It was after they had a giant fight, in Disney World.) A few years after that (when I was a teenager) I stopped living with my father, basically for fear. I called him and said I would live with my mother full time. I thought I was free then, but it was still all I knew. I had no perspective on the conditions of anger and shame I had suffered, through which I had learned (pathei mathos, as Aeschylus) the meaning of (fatherly) love. An open question, (mine), of whereto and wherefrom. What does it take to recover from that kind of growing up?
I (on my request) went to therapy with him, tried to keep in touch with him, (he never called me, he’s not that kind of parent), and struggled for years to maintain a tolerable connection with him. Until at (after the ceremony and reception were over, I’m not such an asshole) my sister’s wedding (in Disney World again, yes, of all places), (we are very different people), like so many times before, he found a reason to shame me. As if to re-establish dominance over a dangerous dog. He did it, as always, when nobody else was there to see. It was after I suggested taking my neice and nephew out for ice cream. I guess he thought that was the stupidest idea. The familiar timbre of his punishing voice, the physical vibration low and threatening, set my inner child quaking with fear. I took a deep breath and (not for the first time) told him he couldn’t talk to me like that anymore. I would not “be bullied”. He refused to admit wrongdoing, would not make eye contact for the rest of our time there. We all flew home from Disney World, and I didn’t call him again, after that.
(I pause here, to note some broader family context.)
My mother, although she was the target of his abuse for years, and her tears were my tears, rarely admits there was anything wrong. She says she didn’t know how he treated me. At first I thought that was impossible. As a child, I felt like she must know. I felt somehow like we were together in that, but also she would never speak of it, which was a betrayal. Here I begin to doubt my memory, and maybe it’s possible that nobody knew, my mom or my sister. Although there was very harsh treatment at the piano, my worst memories are from when I was closed away in “the study”. That was where he made me do hours of extra school work each day. The most severe of his demands, castigations, and punishments, might have been hidden. But my understanding remains foggy, because my dad was often very loud, when yelling how stupid or wrong I was. And how could my mother not know? Of course, anyone in her position wouldn’t want to know. Anyway, she doesn’t like to talk about it.
My sister holds it against me for “leaving him”. (She remained living with him up into her thirties, even after being married and having two children.) Although she avoids talking about it too, and I only got that snippet of perspective from her husband, so it might not even be true. Again, it seems like nobody else witnessed or acknowledges his longterm mistreatment of me, or cares. To the point that I begin to doubt my own memories. I’m not sure what I can say about that. It is a terrible thing, trying to choose between memories and familial acceptance.
An uncle, my mother’s brother, told me that I was an adult, so I should understand that I was “safe now” and endure mistreatment.
Their father, my maternal grandfather, was no better. My beloved grandmother (may she rest in peace) was the only one who would talk about him. Her stories suggest that he was quite nasty. He threatened her (my grandmother) with a pistol before abandoning them, when my mom and her brother were children. He pretended they died in a car accident and married somebody else. My grandmother also claims he broke into the house, after leaving, and stole her jewelry. She would tremble when she spoke of him. The man’s obituary (he passed in 2021, coincidentally just weeks after my grandmother) mentioned none of us as descendants.
My father, for his part, had cut both of his parents out of his life before I was born. I assume that my grandfather did a similar thing to my father, as my father did to me. This is not something he would ever talk about. I have no way of knowing. But I imagine there was a lot of meanness and cruelty there. And then, my father once told me he despised his mother for being “superficial” and “just a socialite”. My memory of that conversation is vague, and I’m really unsure how to interpret it. Anyway, that’s how I grew up without grandfathers.
(Violence doesn’t grow on trees, after all.)
Even though we hadn’t spoken in several years, I flew across the country to see my father before I moved to Indonesia (in 2019). I wanted to say goodbye, or “pay my respects”. There was no argument, but politeness, as a brief and transparent veneer. Underneath the tension was barely concealed his skepticism and contempt toward me and my life choices, along with a performative, condemnatory aloofness. The lack of warmth, not even by habit or accident, was heartbreaking. It was under duress and for the sake of survival that I had learned the languages of his shifting shadows, threatening always from the borderline of his (my) joy. Maybe I became too sensitive. How many times should I (could I) make myself vulnerable, by caring, or even smiling, in his presence? To be whipped with inexplicable rejection, at an unguarded moment, with shame, humiliation, and a panic whose bilious flavor would seep into all areas of my person, my body, my life. At the end, there was no hug goodbye. There was only a stiff wave.
We haven’t spoken since I moved to the other side of the world, so around five years, and that’s where my time with him leaves off. Sometimes I wonder what I will do when he dies. Or if he gets sick, how will I know? How will it make me feel? (The answer is very, very sad.)
Incidentally, Christmas Eve is his birthday, which is today. It has always cast a sadness across the holiday, to remember rituals of childhood pain, contrasted with those of childhood joy. (Like his joy, when he opened the packs of socks we always gave him, as that’s what he always asked us for). And just in case there are any doubts. I would happily reconcile, if he ever reached out, or otherwise communicated that he wanted to change, or just communicated that he wanted to communicate. I know he is tormented and I wish I could help. But if I had stayed, it wouldn’t have helped. It would just have been staying with abuse.
With all of my heart, I wish I knew how to make it (my father) right.
//
It feels natural (or inevitable) to blame myself for this alienation. No matter my trying to do the best thing, no matter me persuading myself I tried hard enough, or I’ve done enough self-work, or healing, it seems as though I am stained. It feels similar to my alienation from the country of my birth. (So I slip into speaking of “staying” and “leaving”.) With whom I tried, again and again, to make it work, (I fought for myself, in you), but from whom I grow only stranger, as my life goes on. (Or. As our synchronous deaths carry us ever further from reconciliation.) There has been a ripping out of organs, bones cracked, a wrenching of spines, skin charred and flayed. It brings me no joy to have these great gaping wounds in my soul. They are ever-ripe and liable to fester. They require constant vigilance, and even so, they spawn offspring.
As if to supply a perpetual war.
I wish to be a good, healthy, dutiful person. I wish to repay my debts, to respect my elders. I realize that I need a city wall, and stable laws to protect a soul from harm. But I would ask all the fathers, the poets and patriarchs, Plato, Socrates, Pindar. Even Bob. How now? What is wrong with me? Am I not “a good man”? How should I, if I am to be good, celebrate such broken things? Should I place them on high, and be broken to pieces, beneath them?
Or. Should I not myself have been powerful enough to put everything back together?
Or. Together again? What would be this “again”?
Or. What was the thing, unbroken?
The father unbroken. If it never was my personal father, what could it have been? Was it the shining city on a hill, or the beautiful one writ in heaven? Was it a garden, or a book? Was it the silver-bearded grandpa on the chapel ceiling? Or the Christ that broke all his own Fathers' rules? In whose name predators ascend to power, in a greusome catharsis that used to be the country of my birth. So I know that it wasn’t the Declaration of Independence, or the U.S. Constitution. But was it Herodotus of Thebes, two-and-a-half thousand years in the past, on his magnificent golden chariot, whose reins were not held by another’s hands? Was it you, whose poetry tells of such things? As fathers, holy, revered, and unbroken. A six year-old girl, with no working fathers, and crumbling city walls, needed, for her life, to know.
//
Daughters, put to such questions, will only
Become witches. (We, who find
we are
as we do
as we make
as we uncover fossils
Of animals that could have been held high by us,
Who might make (us) right
In return, and growing backwards, as generations,
Flourish in veiled vacancy. I cherish your words.
And I make them my own.
But these things were broken long before I was born.)
With my words as my mark, (by such easy deathlessness),
We live and we breathe
(Laughing, replying) without a father’s permission.
//
(About.)
School Days in Athens
Φαῖδρος: ναί, παρ᾽ Ἐπικράτει, ἐν τῇδε τῇ πλησίον τοῦ Ὀλυμπίου οἰκίᾳ τῇ Μορυχίᾳ.
Phaedrus: Yes, at Epicrates', in the house of Morychos, here, near the Olympiad.
//
Take words to it,
he said, and words were fire. And yet, you lacked
conviction. Crowded by black memories
of unseen hands and uninvited touch,
as old men’s trembling clammy kindnesses,
their groping behind doors, our voices as
stray syllables, or whimpering with fright,
the muffled passage of another, coaxed
with promises, down enforced aisles, bound by
vocabulary’s sight. Terrible child,
no light escaped the house of Morychos.
So how did you?
At nights, with flashlights,
we stayed up, mapping tangled vacations.
It wasn’t always hellish as it sounds.
We were kept kids, padlocked in battery
cages, our own best teachers, of tossed-off
certainties, known neighborhoods, and always
chasing some kind of slang. To spell the word
backwards, chop up and repurpose pieces,
or make the meaning opposite from what
it was. We traded jabs of pleasure in
the mottled darkness of his maze, tongues of
soft flesh. We rearranged worlds to make our
places.
What would your mother give to you
of time? Faded photos, hand-me-down jeans,
a crayon-drawn map of paradise, you were
a metaphor too well-worn for what you
became, true as, it feels ugly to be
ugly and the resolution offers
no resolution, just this hissing in
my ears, this chaos. Lay down in the dog
bog. Keep trying. Keep gashing out the lines,
edit twisting serpents from the narrative,
and trace the tattered logic left behind,
monster observing monster, overwrought
and double-blind.
History is the final
solution for you, so go, dissolve your words
in time. Let their bleached remains fortify
the temple, your descendants living down
the stupid crime. That’s what
religion was, at home, submission to
the uncomprehended solidarity of
teenage desire, or something like, romance.
On echinacea lawns, she dons glitter
bodysuits, writes parochial poetry
on freedom. We were such creators, in
our nascent phases, molding plastic limbs
to tether our volcanic bases.
I do
not want to go, I beg, don’t take me back.
In wept oceans let me clear the bitter
savor from my eyes. Picnics in real
places, manicures on brand, she painted party
faces, praising God for such justice
as could be found and leveraged there, in
shared maps of iron laces, corset-bound,
hound-hunted hallways exhumed from ancient
flavors of local reason, a child’s small
hand ghostly waving from the window like
a metronome. She swallowed blood and sand
to earn their graces.
Take words to it, I said,
and words were airplanes, it was time, and she
was ready. She heard rumors on the wind
of its disintegration, climbed a hill,
and saw it for herself: the metaphor had died.
The whole, wide world was failing beauty, spread
beneath her like a poem in multitudes,
legs-open bride. And still, she cried. She longed
for absolute intelligence of who
he was, of home, of houses on the street
and what they hide, of where the figure’s corpse
was buried, and what appetites for youth were
still fed and worshipped there.
Take care of it,
he said, and words were memories, to which
she had no scholarly reply. No house,
nor street belonged to her, no shoes or gowns
to pack in chests, but ashes and fresh-breath
mints lost in linings, crumpled tissues, all
forgotten reasons why. Because you were
unseen, you could escape the conflagration?
Not so, although, not too far off. Because
she took my parchment seeded in her and
bad wisdom gained, as blasphemy of sight,
enlightened predation.
If words be fire,
then seek us in my gold and burning bower:
a clown is a bad child with adult power.
//
(About.)