Dialogue

    ocean the willbending

    if a lyre already stripped
    is down to this (your)self itself
    then dont we gaze upon
    sheer human (im)possibility

    for anyhow, somehow
    he is, you are (what then)
    so grown (as) being already
    pleasures willing dialogue


    //

    what then
    i said
    dont (we) strip this (him)self itself
    and gaze (at it)
    before the form

    for anyhow
    somehow
    (he is)(you are)
    so grown (as) being
    already (pleasures) willing to dialogue

    τί οὖν
    ἔφην
    οὐκ ἀπεδύσαμεν αὐτοῦ αὐτὸ τοῦτο
    καὶ ἐθεασάμεθα
    πρότερον τοῦ εἴδους

    πάντως γάρ που
    τηλικοῦτος ὢν
    ἤδη ἐθέλει διαλέγεσθαι

    154ε

    myth of the selfish midwife

    selfish, ungrateful
    manipulative, greedy
    inconsiderate woman

    the sea is a selfish midwife
    this poem comes to me, as he
    is saying something else

    her puckered source of salt draws out
    like purgatory the glistening thread
    of all my mouthy, breezy sins

    her crashing whites are drawing nearer
    and bringing forth a warmer roaring
    her blues will dominate the world-under

    even the maskmakers handsome face
    with dancing with her distance cant compete
    none other would appear

    (instinctively my husband takes
    out the surfboard and somehow my eyes
    are lost between breakers

    (now the man has set up a beach office
    collecting pieces of coral and driftwood
    for future homes for orchids

    (as he is practicing a bamboo flute
    i notice his wild and silvery hair
    his carving arms, his shoulders framed with care

    (his body, copper-brown in the dappled shade
    it could be mine and not too far away
    in udeng and a black sarung . . . )

    but the point of being at the sea
    is being at the sea, so i give up
    i leave my towel and my things behind

    and i rush into her jade-blue embrace
    its just me, bare and pink under the sun
    and all of me belongs to her

    until he follows me into the waves
    where he receives
    whats his


    //

    and somehow its (conspicuously) fitting
    O Critias
    (for) him(self) to be such
    at least being of yalls house

    but
    he said
    (he) is perfectly beautiful and good
    too (in) these (things)

    πρέπει δέ που
    ὦ Κριτία
    τοιοῦτον αὐτὸν εἶναι
    τῆς γε ὑμετέρας ὄντα οἰκίας

    ἀλλ᾽
    ἔφη
    πάνυ καλὸς καὶ ἀγαθός ἐστιν καὶ ταῦτα

    154εf

    anima lover

    be

    be still
    if still to me
    still to my body

    one (releasing and binding
    and needful and releasing) alone
    (you) happen(s) to be drawing near

    you feel my heart(beat)
    its some small tempest
    our little sea in a bigger sea

    where there is no shallow
    the light never goes out
    only my color changes

    you make it easy
    when you open me
    your iamb oyster

    the sky is full of pearls
    and one small cry to let
    you know youre really in

    if (she)(they were)(it was)i
    was(saying) (you)happen(s)
    well (having)brought forth

    life-breath


    //

    if still to him(self)

    one
    releasing and binding
    needful and releasing
    alone

    happens (to be) drawing near
    some small (what)

    what said (he) Critias

    if (she)
    (they were)(it was)i was(saying)
    (you)happen(s) well (having)brought forth
    life-breath

    εἰ ἔτι αὐτῷ
    ἓν δὴ μόνον
    τυγχάνει προσὸν
    σμικρόν τι

    τί; ἔφη ὁ Κριτίας

    εἰ τὴν ψυχήν
    ἦν δ᾽ ἐγώ
    τυγχάνει εὖ πεφυκώς

    154δ

    //

    psuche

    american shade (lost verse)

    where i wait a stranger shape
    every wave is washing dry and clear
    a seashell is a hollow place
    an island is an ariel escape
    hibiscus flowers are growing near
    i put one behind my ear
    taste the battle, taste the fear
    and when the wind blows straight through here
    salt in the chorus


    //

    and the others were really same-saying
    same as these with Chaerephon

    i, Heracles, was saying

    as (one) battle-less
    (unconquerable)
    yall speak of the man

    συνέφασαν οὖν καὶ οἱ ἄλλοι
    ταὐτὰ ταῦτα τῷ Χαιρεφῶντι

    κἀγώ Ἡράκλεις ἔφην

    ὡς ἄμαχον
    λέγετε
    τὸν ἄνδρα

    154δ

    //

    at the beach
    for Cancer season

    🌗

    american shade

    well that was a beautiful city
    i think he had a beautiful tan
    i heard he tried to make peace
    in the tropical asian southeast
    left footprints on bigfoot and a beach
    made marilyn milkmaid the moon
    runaway chevy fifty-seven bridegroom
    the flag that got left on her face
    and then he lost interest

    when he lost faith in my body
    i assumed it was me, in washington d.c.
    my mother my father implicitly
    somersaulting the scene
    there were sprinklers and sparklers
    and lipgloss from a rich invitee
    at my eleventh birthday party
    so it must have been me
    was i jackie or sara

    should i have offered my face
    like courtney then lana and everyone else
    become a magazine fiction
    lolita fillers, no filters, no friction
    trade a dick in for my diction
    go down for an icy-hot la embrace
    but i assumed it was me
    i bought in, i got out, i was clean
    now im your summer ambition

    if you cut me down to your size
    you can grab me by the waist
    be the one to take me back
    if you put me in my place
    will you teach me willing words
    will you rearrange my face
    i strip naked for a tune
    if you touch me like i touch me
    reach for my dangerously thin body

    when i put makeup on my eyes
    i can still look twenty-one
    its when i start to cry for him
    its clear im done and dying again
    but now that ai fills the sky
    we could really write a hit
    throw pinecones from behind a tree
    and when you dont show up for it
    ill cry for a squirrel

    he got famous with a book
    from a girl it took the look
    but it will never be okay
    for me to hook an iamb
    i tried to be a flesh machine
    i fucked the literary scene
    all the women there were mean
    and the fathers gave me hpv
    i thought it was a dog disease

    that was the shape of me then
    when he lost faith in my body
    and i assumed it was my face
    i took ballet classes in houston
    practiced lightning earns his grace
    i was too stubborn, it was me
    everyday a tempest fought a system
    i parted so many ways i parted
    the ocean

    even so, most days i dont know
    if i can make promises again
    even for roses, violets for you
    eve or the planet or my ghost best friend
    for who made me, who left me, i left him
    cherry-black abortion vasectomy
    and he was a baby then too
    and i know what it looks like now
    babies having babies

    he was the last american man
    it was a dream and he was dead
    before my life even began
    face of an unsolved mystery
    slid right through when previously
    sleeping through history
    i assumed that bob did it
    but it was just he, most easily
    who delivered the unfortunate news


    //

    nevertheless, this
    he was saying
    if he would be willing to strip

    he would seem to you to be faceless
    so all-beautiful is the form

    οὗτος μέντοι
    ἔφη
    εἰ ἐθέλοι ἀποδῦναι

    δόξει σοι ἀπρόσωπος εἶναι
    οὕτως τὸ εἶδος πάγκαλός ἐστιν

    154δ

    with your fingers at my lips

    photo is in a landscape orientation, mostly in warm tones of green and brown, of orchid roots and a big orchid vine growing out over, and some into, water, over what appears to be a pond, bordered by a concrete wall running diagonally across the upper-right portion of the image, with pale grey reflected sky running diagonally across the left of the image, including a reflection of growing vegetation. there is a leafy branch of jasmine entering the water from the lower left of the image and some pieces of mossy wood partially submerged in murky water on the right. to the upper-left of center, in a shaded section of water, is dimly visible an orange-red fish with black spots.

    we are brushed
    almost too close
    by beauty

    like flame, you know
    how arrows pierce
    a breast

    where you touch
    i grow me out even over
    emptiness

    overgrowingly
    (they were)(it was)i
    was(saying) ——— godyes


    //

    ὑπερφυῶς
    ἦν δ᾽ ἐγώ

    154δ

    //

    &

    as the tombstone of a dead president

    oh sally, oh sally
    its always been you
    youve always been my one

    let me sign that draft
    with autopen, in-de-pen-
    dence dec-la-ray-shun

    did even tender roses
    launder their senses
    inside the wicker fences

    at monticello


    //

    and (he) Chaerephon(you
    summoned)ing me
    what to you
    appears t(he) young man
    (he) was saying
    O Socrates
    (is he) not handsome (?)

    154ξ

    καὶ ὁ Χαιρεφῶν
    καλέσας με
    τί σοι
    φαίνεταινεανίσκος
    ἔφη
    ὦ Σώκρατες
    οὐκ εὐπρόσωπος

    my beauty and her body (nightdiving)

    i.

    my beauty, a green-haired, green-
    breasted mermaid, goes diving
    at night, for him

    the younger i become
    the more my body needs him
    the more of me belongs to him

    as a girl, i carried a memory
    of breathing (in

    and out
    and dying, for him
    and out

    and down) into the fear, i carry
    my memory of you

    cool cells makeout warm blackness
    your fish glistens for the light
    my listeners listen for

    i float around your parts, so delicate
    my cinammon-green lips
    dont trust the stars


    ii.

    my beauty is a woman of middle-age
    her body is a school of fish

    and the (part), our (part)
    the (part) yielding to (his) man

    (was yielding to) the wondrous
    (they were)(i was saying)

    but i also for (all) the children
    i(they) offer mind(fulness)

    how not one at another of them
    (selves)(it) is looking

    nor even whoever is the smallest
    (they were)(i was saying)

    but all as at an idol (our parts)
    are gazing at (him)self


    //

    καὶ τὸ μὲν ἡμέτερον
    τὸ τῶν ἀνδρῶν ἧττον

    θαυμαστὸν
    ἦν

    ἀλλ᾽ ἐγὼ καὶ τοῖς παισὶ
    προσέσχον τὸν νοῦν

    ὡς οὐδεὶς ἄλλοσ᾽
    ἔβλεπεν αὐτῶν

    οὐδ᾽ ὅστις σμικρότατος
    ἦν

    ἀλλὰ πάντες ὥσπερ ἄγαλμα
    ἐθεῶντο αὐτόν

    154ξ

    🌒

    personal update-down pineapple bao

    to all my soft and sparkling followers, id like
    to let you know. our beloved balinese brother is home
    for now, in time for galungan, from intensive care,
    where he was treated for the justin bieber disease.

    yes, its when a childhood wildness comes back
    as a virus inside your ear. presently, hes some
    recovery to do. american girlhood, dont miss-
    understand. these capes wear existential lapses.

    sometimes your favorite puppet cant just play
    your pretty name. a golden raincoat needs privacy.
    sometimes a badboys moves are therapy. dont let
    his face diminish the sweetness of his jam.

    involuntary sat at so-called ceremony, of tea or
    pure-grade ubudiana bullshit,
    it was with these words she introduced herself
    to the zenned-out russian maha influencers.

    and as i accepted a dainty cup of jade
    from an old-country double, i was struck silly
    by the vanillic ozone and petrichor
    of oligarchic hospitality.

    the tea master, in peasant-dress, pretended not
    to know who justin bieber was. so i
    pretended not to notice i had spilled a sin,
    some dribbled period across the spotless decor.

    i dig your strychnine vibe, i said, having failed
    to contain the strata of my napoleon. before
    the maskmaker paid for our takeout vegan bao
    and whisked me out, on our way back to kasih ibu.


    //

    but many other lovers

    (it was binding
    it was needful)

    and into those
    were following in the rear

    πολλοὶ δὲ δὴ ἄλλοι ἐρασταὶ
    καὶ ἐν τοῖς ὄπισθεν εἵποντο

    // 154ξ

    Selamat hari raya
    Galungan dan Kuningan 🌾

    tendrils in a warm pumpkin patch

    photo of an orchid plant growing out of wood shaped kind of like a body, with curves and a dark hollow, with roots growing into the wood and leaves and flowers growing away toward the light.
    dancing is bondage in freedom
    my feet belong (to you, to you)
    my eyes belong (also to you)

    so that they and i were (glutting ourselves)
    having been struck out (of ourselves)
    having been thrown into bewilderment

    my feet belong (to you, to you)
    my eyes belong (only to you)
    my ears are the shape of secrets

    when he was entering


    //

    οὕτως ἐκπεπληγμένοι τε καὶ τεθορυβημένοι ἦσαν

    ἡνίκ᾽ εἰσῄει

    //

    changed “seemed” to
    “appeared” for ephane

    but (the shining of)

    all the other (words)
    by me at least

    (it doesnt care)
    it was binding

    were (one-)seeming in love

    it was needful
    (the quiet hurt)

    of (your)self
    all the other (words)

    //

    οἱ δὲ δὴ ἄλλοι πάντες
    ἐρᾶν ἔμοιγε ἐδόκουν αὐτοῦ

    154ξ

    (nothing measured)

    nevertheless

    it was binding
    it was needful
    even then

    that (one)

    appeared to me      wondrous

    the great and the beautiful

    (you)


    //

    ἀτὰρ οὖν δὴ καὶ τότε
    ἐκεῖνος ἐμοὶ θαυμαστὸς ἐφάνη
    τό τε μέγεθος καὶ τὸ κάλλος

    154β

    //

    🌑

    little paradise inferno & the catastrophe of bees

    little paradise inferno

    by me then, oh
    sister, let there
    be nothing measured

    for so artlessly
    a white thread, i am
    toward beautiful ones

    many light threads
    of wool and cotton
    woven to warm you

    many silk threads
    of black lace and linen
    an animal in pearls

    a wood-burning stove
    a globe of amber liquid
    my body hums near yours

    a whisper in your ear
    asking permission
    to do many things

    i share a secret
    at the brilliant seam
    for the burning temper

    i listen at the temple
    i lose my inhibition
    words all through you


    //

    ἐμοὶ μὲν οὖν
    ὦ ἑταῖρε
    οὐδὲν σταθμητόν

    ἀτεχνῶς γὰρ
    λευκὴ στάθμη εἰμὶ
    πρὸς τοὺς καλούς

    σχεδὸν γάρ τί μοι πάντες
    οἱ ἐν τῇ ἡλικίᾳ
    καλοὶ φαίνονται

    // 154β

    & the catastrophe of bees

    your honey means
    my golden bowl
    unguarded

    for to me almost all
    those in their growth
    appear beautiful

    myth of a mans man

    in a moment,
    he was saying
    (like a poem

    like a planet
    like a god)
    he would appear —

    and you will go —
    you would go into —
    he would send into —
    you will —
    you will have seen —
    how you will know —

    how great and gathering and grown
    and of what sort
    he has become.

    and at the same time
    (leaving a residue of salt)
    by this speaking (these) itself,

    he
    Charmides
    enters.


    //

    αὐτίκα
    ἔφη

    εἴσῃ

    καὶ ἡλίκος
    καὶ οἷος γέγονεν

    καὶ ἅμα
    ταῦτ᾽ αὐτοῦ λέγοντος

    ὁ Χαρμίδης εἰσέρχεται

    the meirax of moist

    photo of a sunlit large pinkish-yellow lady slipper orchid in front of a stone walkway with a sign with an arrow pointing that says entry

    for nothing shabby even
    then, green and golden
    (they were)(i was)(i was saying)
    still being (whole)child

    and now i guess somehow very
    well, flown and flowing
    if (they) would already
    (let)be of a youth(maiden)

    — the meirax is (moist)fluid as a slipper
    river maiden golden child
    the meirax (is) slippery and loud
    river maiden wild


    //

    for nothing shabby
    even then
    (they were)(i was)(i was saying)
    still being (whole)child

    and now i guess somehow
    very well
    if (they) would already
    (let)be of a youth(maiden)

    οὐ γάρ τι φαῦλος
    οὐδὲ τότε
    ἦν
    ἔτι παῖς ὤν

    νῦν δ᾽ οἶμαί που
    εὖ μάλα
    ἂν ἤδη
    μειράκιον εἴη

    154β

    //

    δαιμονίως

    when god comes through (the family)

    whats aorist is prologue proves
    whats epilogue too poor
    my past-progressive cousin turns
    world future-perfect war

    my uncle means the tyranny
    what notes a slippery noose
    what wills the wise unwilling wipes
    my riverrunny nose a name of Zeus


    //

    Charmides
    the son
    of Glaucon
    our uncle(godproblem)
    and my cousin

    Χαρμίδην
    τὸν τοῦ Γλαύκωνος
    τοῦ ἡμετέρου θείου ὑόν
    ἐμὸν δὲ ἀνεψιόν

    (i)(have seen and) know (him) of course
    (flow)by Zeus
    (i am)(they are) i say

    οἶδα μέντοι
    νὴ Δία
    ἦν δ᾽ ἐγώ

    //

    family tree

    one
    the wise only
    (to be) called un-wills
    and wills Zeus
    name

    🌘

    double-bound helix

    returning from battle
    (i am) (they are) i say
    (he) is who and of what

    somehow you know

    (it) says but (the other)
    was not yet grown
    before your going away


    //

    somehow you (have seen and) know (him)
    (he) was saying
    but (he) was not yet grown
    before your going away

    οἶσθά που σύ γε
    ἔφη
    ἀλλ᾽ οὔπω ἐν ἡλικίᾳ ἦν
    πρίν σε ἀπιέναι

    154α

    cakewalk wyrm

    fully here, Scorpio on fire, desire
    that leash, your name, the tether-flame to tie
    me to it, body to my well, the tight-
    rope pulling is a verdant death-rape game

    of a gemstone-encrusted whether force
    recoiling howl inside a leather word
    inside the naked thing, and the wing will
    be tipped, he will enter the gymnasium

    a gnawing question, hour, what is a who
    without the hollow, willing, who is the what
    without a whip, feather, let my lip
    suck it out, daddy, let my nerve drip

    and swerving slip the girl awake, winner
    enough to make her winter-tender bowl
    sing, never his song enough, ever
    the pelvis for a manifest parade

    to lead a pussy through the willow, dance
    me round the mountain, wind-out of a plum
    prison, iamb virgin, i am vision
    iamb-submission of a cakewalk wyrm


    //

    but (he) is
    (i am) (they are) i say
    who and of whom (or what)

    ἔστιν δέ
    ἦν δ᾽ ἐγώ
    τίς τε καὶ τοῦ

    154α

    witch piece cake

    in skin prick, i fly across oceans
    arrive on the lotus-letters island
    of the long-lost highland kingdom
    stir and spell a terrible journey
    through holy wood by central castling.

    to announce my flawless fingers
    persuade his drawbridges lowered
    which were guarded by a giantess
    and cross over the lava moat.
    with clean hair only do we enter

    the dragon reception, a masque
    of marbles clouds and berries.
    here is where i will eat out
    the remainder of my salad days
    sweetly, sing the saffron rage of birds.

    with which natural-born prince
    whisper in the quartz crystal ball
    an uncomplicated lover, yes —
    of inexhaustible grief and faith
    in these wettest, wildest dreams.

    but it appears to me
    indeed he
    (himself) nearly
    already (pleasures)
    perhaps

    to be
    approaching —


    //

    φαίνεται δέ μοι
    καὶ αὐτὸς ἐγγὺς
    ἤδη που εἶναι προσιών

    why she (of all those now)

    photo is of a tangle of different orchid plants, which look like grasses and vines, in a desaturated palette, with two thin and wispy orchid blooms suspended in the center of the image.

    because she is a world
    as meditation —
    are you noticing each bare blade
    of grass, cut green as a fiery warmth.

    because immanence, though shy,
    is penetration —
    are the rays of the sun shining
    into the cells of a golden meadow.

    because these happening, all in a rush —
    are the (ones) running headlong and entering
    in advance, are the lovers and the beloveds
    of the (one) seeming to be most beautiful

    of all those now.


    //

    οὗτοι γὰρ τυγχάνουσιν
    οἱ εἰσιόντες πρόδρομοί
    τε καὶ ἐρασταὶ ὄντες
    τοῦ δοκοῦντος καλλίστου εἶναι
    τά γε δὴ νῦν

    154α

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