Ceremony
the dancer
when kindness is as kindness shows
the son his mother’s body knows
my eyes are from another place
i smile at you to show my face
the lessons of an artist’s life
are gifts you rendered to his wife
he’s gentle as the fallen rain
what tokens we give back again
a sudden street, a stranger island
with traffic from a broken time
he’s holding her, she’s not alone
the dancer is already home
let’s draw again the graceful scene
in blouses pink, you met Christine
if recognition makes you laugh
he shows you with a photograph
a feeling hewing to the bone
her shapes are not unlike my own
she’s holding me, she’s not alone
the dancer is already home
what light there was is in your eyes
her singing voice was village wise
he looks for her before sun sets
and child again her own forgets
and he will press your softened hands
the gestured words, the closing fans
and holding you, you’re not alone
the dancer is already home
//
for Ibuk
//
selamat hari raya Galungan🌾
//
Socrates: turning aside there, let’s go along the Ilissus; and then we’ll sit down wherever it seems (doke-o) to be in a stillness (hesuchia).
// 229a
δεῦρ᾽ ἐκτραπόμενοι κατὰ τὸν Ἰλισὸν ἴωμεν, εἶτα ὅπου ἂν δόξῃ ἐν ἡσυχίᾳ καθιζησόμεθα
//
bone teacher
bone teacher, her equation is the cold
bone teacher, antarctic demon i am told
her negative degrees, your nose will surely freeze
and the leaves are shaking
inflection, her judgment is frozen central
inflection, her cold bottom is biblical
winter is a time, winter makes you rhyme
whether or not you want it
i’m frostbit
and i have blue lips
bone teacher
the thought of parsnips
underground
wanting, gnawing numbers are her worm
wanting, a blizzard coming is her storm
a reckoning of beef, by frost on a leaf
or a vegan from Lesbos
i’m frostbit
and i want to cut her
bone teacher
but i think i love her
cold-bitter
waiting for the silence to come around
waiting for the mountains' thundering sound
but it’s not to do with me, and i can hardly see
the drip of an icicle
i’m frostbit
shivering in the glare
bone teacher
does she even care
she’s not there
icing, when her mercies are too few
icing, when she hides the glass from view
heartbeat in the snow, heartbeat going slow
and almost stopping
i’m frostbit
am i a grizzly bear
bone teacher
the question isn’t there
it’s nothing
stepping, her boots are laced so high
stepping, her pointer blinds the sky
glacial is her height, the emptiness of white
rumors of a pop quiz
i’m frostbit
darkness coming on
bone teacher
never seen the dawn
it’s marching
her bones are so grim, her cold does me in
or a pale horse riding
//
slow shuffling blues;
for my hs math teacher
Ms. Dyas <3
//
Phaedrus: (cont.) but where do you wish us to sit down and read? (anagignosko)
// 228ε
ἀλλὰ ποῦ δὴ βούλει καθιζόμενοι ἀναγνῶμεν;
//
Junonia atlites
to snap a ragged angel clutching stem
the blustering breeze away with solar air
her tissue wings flat flustered here to there
as clinging to the budding cluster to drink
she filled from galaxies of guava’s nectar
so stopped, or tried to stay, a messenger
from Juno sent, or born suffering soldier
of flight and heat, by fiery news arrived
by lunular and radiating “S”
each ocellus arrayed a revised scene
and partial pupils where crescents intervene
to turn a crimsoning into the sky
a pale or sight-depleted, shredded wing
robuster than my lens could burn, ash-worn
and torn edges, floating abandon as form
yet stellar grip, high hunger for her name
//
Phaedrus: (cont.) you’ve beaten me back (ekkrou-o) from my hope, O Socrates, that i would get to exercise (eggymnaz-o) on you
// 228ε
ἐκκέκρουκάς με ἐλπίδος, ὦ Σώκρατες, ἣν εἶχον ἐν σοὶ ὡς ἐγγυμνασόμενος
//
this be a verse
to razors and gashes
and stabbings and worse
no harm is intended
and it’s for the best
//
🕊️
//
& pace Larkin
triptych of the dog
//
a cicak dropped a souvenir on me
yesterday, savasana; it was
all happening, pure rejeki, a speck
for playing dead; the simmering night, the sawah
was fizzing and burping boggy chemistry
the gamelan deliberated depth
of banjar space, a soup of bronze and spittle
//
up i, cocks crowing death to rest, dark mind
the cat was sick again, shit cleaned, cats fed
the breath of rain, half-there, in vomit stepped
scrubbed vinegar again, who made the bed
i squinted past the dawn to wash a dish
the load of towels, it was not a test
the shape of chasing weather for a bone
//
and would the three of them have made a city—
Lysias, Lysias, Lysias; he wasn’t there
he wasn’t here, until bumbu for our sambal
did rain down from the sky, and i said Lord
i still deny that you’re an onion seller
how practice held like density, as though
svanasana could house the dog itself
//
🌒
//
see also Rabia Basri
Socrates: (cont.) that while i love (phile-o) you completely, if Lysias too is present, it hasn’t seemed completely right (doke-o) to supply myself for you to practice on (emmeleta-o).
// 228ε
ὡς ἐγώ σε πάνυ μὲν φιλῶ, παρόντος δὲ καὶ Λυσίου, ἐμαυτόν σοι ἐμμελετᾶν παρέχειν οὐ πάνυ δέδοκται
//
the horse’s mouth
teloscopically, my dear, are we botany
born reading leaves, the pricking fear of bees
are talking, my lisp, or rearing wobbly nature
what place, organs and bodies, this disease
the shying seasons blowing through us, here
parts animal in starts, quivering vibrations
made artifacts suspect by cities, near
or far, the accidents survived, the prisons
that ended us; the motes and moths in teas
our flicks or running rivers; wicked courses
of understanding; what catastrophes
what phase our faces, without the faith of horses
you have to have a horse whose feet you trust
to warn you when a snake is in the grass
the serpentine who wants to be unseen
repenting for her gemstone like an asp
for forking tongues, a talisman is key
but wear a hat, they’re speaking from the trees
odd shrubberies are bristling with false friends
a firecat bristling back can help with jinn
mosquitoes here are vectors for torpedoes, so
herbal experiment and/or gorilla war
sometimes there’s one snake, sometimes there are more
at least, no kind of viral is a pearl
a tender canter, daemonic carousel
remembered ribbons bite in ancient ways
we play the venom clockwise in our veins
we shed the dead redundancy of days
my jungle is a dreadful-clever dreaming
with shade-grown coffee, waterfalling views
what godly voices animate my evening
there’s none i’d rather jungle with than yous
let’s nicker maps, reverb the mythic blues
i spell, where y’all are going, where you been
switch witches laughter with the beating rain
the crickets will out-round the macet, friend
to live outside the law, you must be honest
Bismillahirrohmanirrohim
by river dark, inside a wounded dawn
we rhyme it, we just flow to make it rheme
//
(Dylan, my Prophetﷺ, Cohen, Cardi B, etc)
//
diet
never too much
garlic, carrot, oat
sleep, cake
but gingerly
the fungi
//
Socrates: (cont.) and if this is so, then think (dianoe-o) about me in this way—
// 228δ
εἰ δὲ τοῦτό ἐστιν, οὑτωσὶ διανοοῦ περὶ ἐμοῦ
//
semi-nude for a photo album
their birthday was the other night
the girls were going out; the grift
delayed by getting ready; gift
of tangled, sappy rattan; caused a fright
pan, she burned some flowers on you
meta-burban, real dream for two
polaroid tacky, pantries full
of shady tatters, curtain bulls
sister, it was no dress for winter
but they were grown enough to drink
something fancy from the blender
fermented guava, lava lake
lavender flannel, camisole
white linen sheets, hung in the sun
nigel and sandi, mel and sue
genre-bender, Java won
high horse, he has a song for you
but i’ll save it for another tone
her sweaty practice, overdue
vinyasa, tapas, organ brew
dizzy lizzy ate some rice
eat, pray, love, the antichrist
jihadi, mum’s worst nightmare
Gandhi, papa’s burnt-off limb
inter-dimensional makeout queen
Osaka airport, caused a scene
village gossip, words above
she’s never catching up on love
not quite posh, but pulp turned through
realism, my lands, god knew
so sliced the flippin' longitude
bless her heart and come on in
agrimony henbane dish
too-schooled harpy hysterical
raised pie of huckleberry fish
turned river-liver radical
there’s mantra in the air tonight
what kue set in sangga stone
rise with the moon, the howling dog
the crone, her voice memorial
white-footed goat is coming home
to graze by fiery sunset view
the desert camel, bringing bones
with mother Durga, chest tattoo
a secret pocket of soil and spice
elaborate belty-thing, rhizomes in knots
not big enough for where you think
whether it is cake
//
(wants cake)
//
texas talkin blues, like this
vernacular from full moon 5/11
genius loci, pura dalem
blog 2-yr anniverse & job well done
//
wildlife documentary //
before Phaedrus can speak, Socrates makes an accusation wrapped inside a demand:
if you would first disclose, O friend (philotes), what it is you have (echo / echis) in the left hand (aristeros) under your cloak.
here, echeis could be either a conjugation of echo/echein (to have/hold - and this again) or the plural nominative/accusative declension of echis (viper). exchanging echis for echein yields the alternative translation,
if you would first disclose, O friend, what vipers are in the left hand under your cloak.
the common verb (to have/hold) makes more sense than the uncommon noun (vipers), in explicit context; or what Phaedrus calls the dianoia, i.e. the reduction of written speech to a kind of thought-content. but the local environs (poetic) of this echeis call for circumspection. on one side, there’s the sinister aristeros, “the left (hand)"; and on the other, the concealment, “under your cloak”. while the word spoken aloud makes the sound of a snake’s hiss—echeisss; its natural sound is concealed by its being written (technology).
Socrates invokes the concealed, present absence, or possibility of snakes; as he demands revelation of—?
English “echo” isn’t descended from echein (to have/hold), but from eche (sound). The best word built from echein is Aristotle’s entelecheia (en + telos + echein), translated as “having or holding itself in its end or completion”; neatly, a talisman is an external container for, or reminder of, entelecheia.
//
tea
a perfect orb is held by accident
the lip of cup, the curve of base, the lint
a maker measures leaves but never takes
the horizon, the fertile mountain-slope
a home in hand is seasoning for leaves
the dance, the steeping scene, the taste of rest
as takers, we fish out the wayward ant
to see if it can walk; it often does
the wanderer needs shelter from the rain
the angry, aching poverty of time
i give the moon, i take the moon, she says
who is the moon; composting circumspect
the softest earthquake breaks a mirror still
what tender for the heart of liquid sky
//
🌔
the looper
by grief of the dog in a blinded place
he wanted her heart so he shadowed her face
under cover of dawn when she wasn’t awake
the silver misted or altering
her eyelids open but the crescent stays closed
pale beside her is a body or a suited pose
her own lap empty as an uncut rose
she brews coffee to keep him on his feet
her towering heels after pups on a leash
imposing the law with restless releases
a child was limping with a wounded shin
and the cry was loop loop looo
so she stations herself against the daily race
with a heart beat distant at a raggedy pace
the private fingering of her pencilling hand
gray ribbons or bloodlines away
checking the door, securing a window
turning a latch or locking a symbol
the lupine circling would never know
and his cry was loop loop looo
smooth is the pack, the witless texture of skin
painting the walls to skirt the outside in
and the red is to run and the fast is the worst
and sundown always coming closer
blurred in the grease at the end of the day
the charcoal prophet reflecting her phase
the stillness or the animal dilation
and her cry was loop loop looo
loop loop loooooo
ah-oooooo
loop loop loooooo
ah-oooooo
//
sfh 2
//