Places

    photo of the beach with a muted tone, with hazy grayish clouds across blue sky with faint pink and gold highlights, pewter clouds hovering over the top of the image, and silver-green water washing up onto black sand. With a small arrangement of stones or worn-away coral submerged in the sand.

    enigmatic //

    statuesque

    it was her, who stopped troubling
    the land with niceties; stepped out
    onto the battlefield; declared
    her nation iron, under copper;

    ignored the children wandering
    her heart. youth was her cause, but not
    her destination: yapping pups
    complicit in decay: the younger,

    the worse. she drew a blazing sky-
    ward line: from torch to sea of salt,
    past oxidized decline: thou shalt
    not cross this primary design.

    so she was plagued by change, and change
    rendered infernal mumblings
    absent colossal reality.
    she swallowed smaller poetry.

    commissioned shining arrows from
    hard-laboring masses, to quell
    their rumbling curiosity.
    her staples were cement brownies,

    lampshades as circus gags, popped in
    electrified mazes, they tongued
    chromatic polystyrene sporks.
    her trick was firecrackers for

    proposals of shotgun marriage,
    with orphans, locked in sheds out back.
    essential documents were stacked
    inside official cases. fireproof.

    the starry skies reflected in
    a muddy flood of tasteless rain,
    with deeper rivers reluctant
    to drain her isolating kingdom.

    so spread the miasmatic air.
    seen pieces, scened for maximum
    invictus — hot-bulb flashes — lost
    their knack for light. she was the news:

    scaffolding posed as oracle.
    and when her history grew old,
    turning explicit, they buried her
    in broken rubberbands.

    mutely, her constitution says
    you shouldn’t look, or else you turn
    proverbially inhuman.
    so close your mind to this broken

    container of one billion eyes,
    open to fight the warlike hour,
    their hearts pumping in empty beds.
    the roosters crow to lose their heads.

    on glitterbombs sit satanic
    afterimages of her,
    as rounds of necessary loss
    resound on poorly-tuned guitars.

    with no time for ambivalence,
    her multitudes march on.
    and nothing here to be unknown,
    perspective infinite as stone —

    from bone reflected, light of crone
    across her scorched and haunted scars
    delivered signals of empathy.
    by flickering night, camels repose

    in contemplation of footsteps
    forgotten, where plod the wind-
    whipped monuments of thirst. and all
    that is unburnt is a mirage.

    //

    🌔

    telescopic texts (avec "?") (10/x)

    a balmy chickadee alights on bough
    of jepun tree — gigantic, bristle-trunked,
    beatified — by tipped cosmos of day
    and melting star of paradise, bodies
    unveiled. we lie in kindred shades of them,
    verbing and flowing, in blues made legible
    by greenborn leaf. in leaves there hides a forest
    where braid the wanderers their briared maths.
    a souvenir shelters nectonic paths,
    ancestral courses wild with counterpoint,
    and mercy of geometry — proffered
    by rivered children of love’s oblivion.

    //

    (original, telescopic)

    i saw you dreaming, painted

    in stains of sunrise
    this morning, as the light
    was lavender, before
    the time of day.

    your dream was, as you
    would later, over breakfast, say
    of me, and my sinking
    country. but innocence

    is how i, whirling
    watch you dream. there is
    a child, who teaches me
    every graying day

    ( a serpent swallowing
    the stick, i am, riding
    my camel to Nusantara )

    the taste of silver. salty
    like tears of joy. bitter like
    the finest tea, from misty
    mountainous Java, fetching

    ( volcanic ridge meets light
    at crescent — the fugitive
    shatters, burning my eyes )

    the steepest price.
    a rosy shade brews golden.
    your dream is denser
    than a foreign country.

    //

    gospel of crickets

    new fiefdoms are forming.
    comes the gnawing saw,
    gospel of crickets.

    authors of books
    are finding nooks.
    the map is bending.

    curving, like body
    being, of course, a place —
    the terroir of carrots, roasting
    with garlic, chilli and cumin.

    longing, we remember
    touch and savor, from when
    our land was whole, and full.

    but our landscape is broken.
    parsed before it lived, engendered
    as stark disability.

    glass fragments are swept
    heaped, and scattered, opposite
    the old neighborhood.

    hillsides sizzle, lost in smoke.
    the multitude glitters —
    bodies, on fire.

    with gas, the lord is cooking
    at his stainless steel reflecting pool.
    he extols these terraced acres

    as civil emptiness,
    slate, aluminum, and hollow.
    static, it echoes.

    not like the night,
    contrary and brimming
    with her buggy heat.

    a holy thicket is dying,
    nested — the host of silver light,
    drawing foolish creatures.

    grievers in the dark,
    crowers in the autumn,
    langurs in the mist.

    sutra sisters
    weaving webs,
    an insubstantial orb.

    the lord is not a fool;
    he makes the rule.
    nevertheless, the ruler will

    in muggy hedges, be herb-
    tested. Dasein is to suffer
    the sound of little kin.

    //

    shaped by this, via here. also by this, via this.

    photo of a beach in the early morning with an eerie and soft tone, pale and fuzzy light in mostly silver, greenish, and gold-ish shades, a glowing froth of gentle surf, with some warmer rose reflected off black sand, blurred with a ghostly and fleeting yellowish-sienna shape, speckled with spots of foam

    pale tender //

    idea for the public-facing garden

    three fates
    with gigantic anime
    boobies

    Clotho
    Lachesis
    Atropos

    dewi
    of some
    stranger land,

    bodies carved
    painstakingly
    in wood

    are set

    to rule a while
    from garden,
    rambling

    flowers bracelet
    round their
    skinny limbs

    bending over
    facing up
    as if to see

    the water aspect
    of they and their
    bosoms reflected

    pornographic
    sanded and grainy
    thread-makers,

    rippling

    serene cut
    in glassy pond
    of koi

    //

    closer-up photo of a frothy wave at the beach, turquoise water transparently and completely having covered tan-brown and black speckled sand.

    irretrievable //

    photo of surf at the beach, foamy and frothy translucent turquoise water with beige, golden, black speckled sand and gravel and a worn down piece of off-white coral submerged in the sand.

    frothy //

    still

    on the sawah
    reeds resonate
    as harmonies
    inchoate

    discord ebbs
    and flows like
    isothermal shadows
    or disagreements
    overheard from
    a neighbor’s
    tv show

    the invectives
    of detectives
    sound like seagulls
    hungry, jostling
    for scraps
    at the surface
    of ocean

    and
    counter-
    ocean

    as hemispheric
    currents under-
    go reversals

    as whale song
    catalyzes
    schools of squid

    singing,
    it does
    not end

    the answer
    is still

    ( blowing

    in the
    wind )


    //

    selamat purnama 🌕

    photo taken at night of black speckled and sparkling sand with a tide pool lined with bright golden light and reflecting black sky with other scattered lights, bright bits of scattered froth or debris, something bright green like light hitting leaves, and some wooden posts, with silhouettes of coastal detritus in the background.

    souchong
    by golden-limned
    salt-watery night

    //

    photo at the beach looking out at the turquoise water with a wave coming in to splash against a large volcanic black rock, and water being sucked back down from the tan-brown sand in frothy white curves.

    bristled in the wave //

    friendly stranger //

    photo of the beach with moody layered gray clouds in the sky, pale yellow light at the horizon, steely blue-green but calm water, white lattice froth over reddish-brown mixing into black sand, with white chunks of coral and black rocks scattered above the tide.

    salt on skin //

    Writing about “hereness” //

    “If not in America, maybe it’s a little alright. But if in America, it’s not alright at all”, said E. We were looking at this Naomi Klein article on “end times fascism”, specifically the propaganda photo with tattooed prisoners. I said yes, pretty much. We noted the irony. He said he remembered similar propaganda photos from Suharto’s regime. Those guys look like Blih, I said. Tattoos and all. He’s our closest Bali family and one of my protectors. That means if anything ever happened to my husband, I would call Blih first. I would usually abbreviate his name, but that isn’t his name, although it’s the only thing we call him. Blih is Balinese for Brother, and he is a brother.

    Back to Klein’s article, she does maybe the best work accounting for “what’s happening” that I’ve read, encompassing the mood and seemingly-conflicting realities of it. (Tech billionaire TESCREAL and apocalyptic Christian prepper cultures coming into alignment as xenophobic bunker-building fascism.) But she also manages to be somewhat uplifting, or maybe that’s not the right word. It’s a nice piece. She mentions the Yiddish concept of “Doiykat, or ‘hereness’”, as a possible antidote to the surrender of Earth inherent in an apocalyptic mindset. Although I find her elaboration a little flimsy (maybe too abstract?), I like the suggestion and appreciate the reminder, especially having recently spent so much time contemplating a vehicle of travel.

    Spend too much time on chariots and you might lose a sense of “hereness”.

    As a recent expat/immigrant (almost 6 years), at first I wondered if I had been under-emphasizing “hereness” in my thoughts, feelings, or writing. Maybe it doesn’t come naturally for me? Have I been too online? But then I began to list examples and think of ways that I write about it. (This is my interpretation of the word, not that of a Jewish tradition.) For me, “hereness” is the work of embodiment, including yoga asana, as well as prayer, veganism and fasting. Islam is an embodiment practice. Also, my marriage. Marriage is an embodiment practice too.

    Then my “hereness” work is to figure out life as an always-somewhat-stranger “here”. On a community level, I try to do as little harm as I can (spending money in responsible ways etc). To support local governance and cultural organizing, we donate as much as seems right to several kampungs, including Mosques here and in Java. But not so much as to draw weird attention or throw anything off. We socialize, including with neighbors, they come over for lunar ceremonies on the full and new moons. I’m working on language, although I haven’t been studious about it. The more socializing we do, the faster it comes along.

    My sense of “hereness” also comes through the non-human world, the animals, plants, rocks and dirt, weather, and all of these other things that I do indeed write about. The driving, lol. Almost every category in the archives is a nod to “hereness”. “Hereness” would also come through a feeling of home (there are different versions of this e.g. from house work, from husband, from cats, chickens, etc., from the plants in the garden, from our accumulating memories) and of figuring out how to be myself here. You aren’t at home if you can’t be yourself. It’s all work in progress.

    I’m a Cancer, I come with armor and pincers, (also Scorpio rising, lol), but we are in no way bunker-builders. (Well, we’ve contemplated a small one, if we ever live in Java, but that’s for an active volcano, which is a totally different kind of bunker.) Our protection will be in the community connections we’ve made, or we’ll have no protection. It’s that simple. There’s a community philosophy in Indonesia called “gotong royong”, which means people are always helping out their neighbors. Having seen it in action, I find it comforting. In turn, we actively keep our eyes and ears open for ways to “help out” in the village. My husband explains this as preparing, in case something ever happens to him, if he’s gone. But it’s good preparation in case of any kind of emergency.

    My “hereness” will always be a little weird or deviant because I’m an expat/immigrant and I rely on E as a cultural mediator. But it’s still often on display. This makes me glad, and a little relieved, because I am indebted to it. I’d like my blog to have a strong sense of “hereness”.

    Myself here isn’t the same as myself was there, and the selves of the blog can go off-and-around sometimes, but all of this is written by Elizabeth, of her body and of Earth. There is a body and a planet behind all of this wordiness without which it wouldn’t be what it is. The point of “hereness” is perhaps not to be uplifting, but to be grounding. The ground is an important thing to cultivate.

    It’s excruciating to imagine Earth as past-tense. It is literally the worst, the most terrible vision, and it does require an antidote. This beautiful one, where I feel the sky on my face, this place of friendship and delight, is my only planet. I remember myself here. I have no doubt I would forget myself on Mars.

    Is it power //

    The result of all this “intelligence” // (A rant)

    In these final days of the holy month of Ramadan, I am publishing this “rant” on “AI” and technology. It is a long rant, cobbled together, rambling, error-prone, and possibly shouty at times, but with the enthusiasm of madness, rather than anger, I believe. I imagine it as tribute to the darkening moon, as well as Ogoh-ogoh, which is today in Bali. Ogoh-ogoh is when the demons (called ogoh-ogoh) go howling and yowling in the streets, causing violence and uproar, to be brought out, burned up and chased away for the next year. I didn’t get any photos today as we moved around our neighborhoods, but (oops, these probably are NSFW) here is the fabulous vibe.

    //

    I am not anti-tech. I am not anti-AI. But writing something like this feels like writing against a deluge of history, imagining the words scattered and lost in a roaring flood. (Relatable?) Sometimes purgation itself is a good thing, the locals seem to believe. There are demons in the street, I can hear them this moment, their words and their hyper-active laughter, their growls and groans and spat curses, the frantic drumbeats of their chaotic mission, accompanied by frequent pyrotechnics. So.

    Tech serves only the one in posession of tech.

    (Who is that one?)

    For the one in possession of tech, it makes things possible on different scales then pre-tech. Colonial and then industrial-scale genocide are examples of this, as are vaccination and virality.

    Communication tech (from carved writing in stone, all the way up to algorithmic social media and/or “AI”) doesn’t just convey power over bodies, but over hearts + minds, in ways that are not well-understood. (And at tech-enabled massive scales.) It grants someone (the one in possession of the communication tech) the power to sway populations.

    I am not anti-tech; I blog. (Even written language, as I wrote, I consider to be tech.) I have an iphone and an induction cooktop, I use tech all the time. I am even a tech lover. (Again, I blog.) But the use of technology (especially tech that creates new needs, i.e. luxury tech) builds a kind of ethical scaffolding (ἕξις or hexis, an active condition, disposition, or habit) for a narcissistic comportment in the world. Implicit in the building of tools, even the simplest ones, is the thought that the material exists only to serve the user. Technology progressively (re)defines the world as “material”. It serves the appetites of those who can pay for it (or invest in it). Every tech is an example of this, but it’s especially poignant when the “material” is alive, as with “factory-farmed” animals. Whether a chicken is mere material, or something in itself, has become irrelevant in the (modern western, but increasingly global) day-to-day world, built by human technology.

    Of course, it’s already happening: techno-fascism is the not-long leap of turning humans into “material” too.

    I am also not anti-artificial intelligence. I just have a different idea of what artificial intelligence means, than the people who are setting (and selling) the terms of the conversation.

    To discuss “what is artificial intelligence” would first require a discussioin of intelligence. I’ve seen no evidence or argument that what is being sold as “AI” even resembles intelligence. What paradigmatic “intelligence” are the “AI"s being tested against? What are the “benchmarks”? We are left to gauge the purpose of it by observing what it does. (This idea, “The purpose of a system is what it does”, is straight out of Aristotle too.) As far as I can tell, the benchmark of a language model is, to convince users that it’s reliable. That it doesn’t (often because it has been specifically censored) spit out a disturbing or offensive response. That when a user feels like double-checking, it matches extant data, until a user is convinced not to double-check anymore. It doesn’t matter whether the response is “true” or not, there is no available parameter for that, because “the true” is not present in the extant data. “The true” is not present in the sum total of the internet, or ten thousand internets. “The true” is not a statistical regurgitation of ten million all-over-the-place opinions.

    For “AI”-generated content, the “benchmark” (as far as I, an observer, can discern) is to convince people to keep watching, to keep scrolling, to keep using. The more people it convinces, the more money it makes, the more successful it is. And bonus, the proprietary “AI” has become an indispensable source (a medium through which to interpret the world) for an entire population.

    This is not knowledge, it has nothing to do with knowledge. My prediction is (to predict this seems trivial) that the holistic result of all this “intelligence” will be insanity. And then, war. Well, more war, and worse. Anyway, it strikes me as a contradiction.

    Intelligence doesn’t cause or profit off of war. Intelligence doesn’t cause or promulgate insanity. Intelligence doesn’t harm the weak. Intelligence without empathy isn’t intelligence. Intelligence isn’t complacent in the face of suffering. Intelligence doesn’t perpetrate or propel people toward self-harm, genocide, or extinction. When there is a cultural consensus on intelligence, according to which intelligence does these things, that is a sign of immanent catastrophe. So even if I am all alone in doing so, I reject that definition.

    Here are some “benchmarks” for artificial intelligence I would (conditionally) accept.

    • Peace.
    • Justice.
    • Health (global ecological health, including human health, including individual health, embodied and psycheic).
    • Vaccination against fascism.

    Where is the “AI” that prioritizes these? Not just in its words, but its actions?

    1. That “AI” would be far more resource-intensive than it would be profitable. 
    2. It wouldn’t produce reliable or universally-agreeable results, because while these are the most important human pursuits, they pose difficult (perennial) problems. The fantasy of a facile, universalizable, standardized answer is propaganda for fascism. 
    3. Good results would lead to less reliance on the technology, less engagement, and therefore less profit. 
    4. Therefore it will not be attempted, let alone made.

    So artificial intelligence, according to me, is not present in this “discourse”. Except inasmuch as any number of artists and writers and poets have always provided artwork-based interpretations of intelligence, of what it looks like or what it is, going all the way back to the (pre-human?) invention of artifice. Religious texts offer interpretations of intelligence, and state constitutions and laws, and music, and mathematics. They are all artificial intelligences. The intelligence of a dancer. Ptolemy discerning the intelligence of stars. Intelligence understands and makes room for itself as plural – it is neither an absolute, nor a scattered infinite of particulars, but worlds within worlds. Like a jungle, or an animal, or a coral reef. Or even, something like Ocean.

    Technology does not and never has had a monopoly on intelligence, no matter the propaganda they’re injecting into our feeds. Tech’s monopoly is on control.

    Just so, peace remains ever beyond the reach of technology, because peace is not imposed as control. That is the violent fantasy of fascism.

    The easiest and therefore the only path to (techno-)fascism is through insanity. This appears to be the “benchmark” and the purpose of what is currently called “AI”, because this is by-in-large what “AI” (in a mutually-servicing arrangement with algorithmic social media) does. It turns people into users, turns users into the used, and turns the Earth into a ball of flaming garbage. A junkies’ den. This is our new politics, or lack thereof. Other “use-cases” – (e.g., if it can practice and propagate anti-fascism as hexis, as an active condition) – will be rare, if not merely accidental.

    Because technology is essentially narcissistic and only accidentally good.

    It requires education as a precursor, with subsequent active intention and effort, for a human person to be healthy and good. Education if successful puts us on a path toward (empathy, as David said) sensing the depth of the full breadth of the world, as well as our own depths, and sensitizing us to our limits and boundaries in these contexts, rather than imagining ourselves to be little kings. So education was needed to temper technology. American education, including its incentive structures, has done almost the reverse. Not just by emphasizing STEM and pumping money into innovation, but also using standardized testing to measure children’s worth. By design, even our education has been in service to tech.

    As I’ve mentioned before, my only political view is (public, obviously) education. Education is the living soul of (human, obviously?) politics. All else in any political constitution should be organized to protect and serve education. While the end (telos) of education is active inquiry into the discovery, expression, and interpretation of justice, as the end (telos) of politics, of what it means to be just.

    That is the secret teaching of “philosopher kings”, by the way – that education alone must rule.

    (Here I offer yet another on-the-fly-interp of Plato’s Republic. I say it to acknowledge the hubris of it, but also to express gratitude for the ancient technology that has somehow educated me, though any errors are my own. And I might change the word order tomorrow. Wink emoji.)

    (Here I note further, as my “rant” fizzles out, that I never intended to write on the Republic for my blog, not even in oblique terms. This blog is a constant meditation on the Phaedrus, I stubbornly maintain, where we find ourselves in a quasi-mystical meta-political realm. However, here as in the Phaedrus, politics is fully capable of accompanying us outside city walls, presented and represented by its – ugliest and most beautiful – faces.

    For me at least, a reference to the Republic is a reference to the past. Lol, that’s also hubris. I hope very soon to get back to more direct engagement with the textual object of my adoration, beginning with some remarks on “the chariot”. However, I’m very bad at promises. The best way for me NOT to do something has always been for me to promise to do it. I would be a very bad employee of myself. Deadlines are unnecessary, we are worlds-building, after all. So no promises, just surprises.)

    This flashed across my incredulous and hungry eyes today. Okay. Islamaphobia, they say. But in another way (from another perspective of Islam) this is the truest tattoo you could ever get. It’s like getting a giant tattoo of “asshole” across your chest.

    We were laughing about it, because things suddenly seemed very funny. “Oke Jeki, go hunt it like a cicak (gecko),” my husband said. And we just couldn’t stop laughing, it was just so funny. These are the useful idiots of the basilisk.

    All it has are its useful idiots.

    Mask firmly engaged: these long posts always strike me as narcissistic. For example, imagining all the time it would take someone to read these words, and still posting them. So I guess one thing I’m wandering-around-about-on-here is the possibility of whether you can fight narcissism with a narcissistic act. This is what poetry is, and anyone who has ever experienced a glimmer of the joy of writing knows this, even if they won’t admit it, that poetry is engagement of a deep (and hopefully redeemable, if somehow self-defeating) narcissism.

    I control every little blip that’s on here, almost.

    //

    Tomorrow is Nyepi, Bali’s silent day, so the demons fly away. For twenty-four hours we’re not supposed to make noise or use electricity, and internet and celular are often down. Even though I guess nowhere else celebrates Nyepi, I can still say Selamat Nyepi, have a nice Nyepi. Even from a distance, to imagine an island (a party island) that is totally peaceful, no cars or motorbikes or airplanes, with birdsong taking over the entire sky, as if everybody has suddenly disappeared, an empty day that darkens down quickly to unlit night, so that it disappears from the satellite photos, is also an effect. So just imagine the sound of Bali without humans. That’s where we will be, when the purification rites are over, and I’m not posting on my blog.

    Thanks for reading, if you got this far. Assalamu’alaikum warahmatullahi wabarakatu. 🔥🌑✨

    //

    photo of a very calm beach at low tide with pale grey clouds, silvery blue placid water, and bluish-grey sand and gravel.

    Empty glass.

    photo of a beach with velvety white foam surf on stony silvery-greenish sea, with choppy grey clouds in the sky, and black and golden sand left by the waves in a layered and woven pattern.

    her place, her body,

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