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Sun Salutation. // Grey morning with here and there spots of rain, where shaded distances contour the horizon, making clear certain things that need doing. Hating. (Be not afraid. Let me neutralize this word, my self.) Rough or reflective edges, surfaces, too much or too little sound or light or tactile or calculative
friction.
With neither apology nor anger, (heartless), the actor’s genius of making it her own, (editing), (object murder), as it’s fraught enough to be born, (a dream incarnate), (a serpent without a shell), let me not be such a stranger to my own re-armored skin. (Warm welcome to you, this cancer season. And a reminder that, from every end of creation, all is just beginning.)
Star-crushed velvet of night song. A dog barking, distant concern. Chilly, under blanket, eardrums dilated. Everything slows. And an airplane, holding space open like a dream. (.)
Moving house starts today, according to the island gods. Ceremony this morning, awake before dawn to comb through the details, mentally then materially preparing everything. Not least, (my body), sarung, kebaya, symbolic trimmings. Painted on face, twisted up hair. Becoming a symbol, in person and gesture. Ceding control to complex performances, letting it be whatever it is. Stretching outward the various senses, as one does when (humbly, although today, quite publicly) summoning cosmic significance.
Thoughts fallen into all the wrong places, as if settled into gutters, now stuck there glaring back with soapy sachets of synthetic perfume, no solutions, and a lot of bitter complaints. Taking shelter in small wrongs, lost perspective, petty despair. Needing reasons to laugh, get turned on one’s head, reset. (Monkeys? Maybe. And just literally standing on my head. Being literally upside-down is being upside-down!)
Battlegrounds at borders, clashing signs, // have me wondering this morning, are we artworks or alive? And the conflicts between us, what they say. That living (bodies) fight as bodies, over territory and resource, and cannot overlap. While artworks are hypothesis, from their inception, and somewhat placeless. So artworks violate embodied borders. Like airborne virus, impossible to contain.
Community of action, community of speech. The latter demands unison, sameness, in what is said. While the former works from difference. Different parts do different things, for the sake of accomplishing some one thing, impossible alone. One cooks, one cleans, one repairs the house, one goes to market. One economizes, one prioritizes. Actions for the sake of all, though each might have something (very) different to say.
Is it person? Or is it hypothesis? Here, behind these signs. Hypothesis is lawless. Bodies have no immunity against it. (Contrary to the myth of liberal arts, this was the function of education. Not “freedom”. But immunity, protection, fortification, against this.) That there could have been a body, a citizen, a living human being, subject to certain laws and customs. But poetry renounced that limit. Escaped sidedness. So poets make (if at all) mediocre (at best) neighbors. And,
A life of beauty is (almost always) a life of crime.
Blustery when I enter the bale today, trees tossed and swaying arhythmically down through their trunks. Some sprung tension in the spoken words, plans for travel changing around plans for ceremonies that changed plans for someone’s birthday. (A different present, is all that means.) Plans suspended and cast around like leaves in the fire of mid-day sun. Taking Sweet Orange to the heat island today, for ceiling fans, to make our own air. As we batten down the nearest future, temper possibility with the need to live in it, with shape and stability of steady wood. BUT how it whips through locks of hair, skims past cloth to know by touch the skin, which raises spirit into chills of fresh sensation, altogether un-imagined, is the wind-kissed exhilaration of promised days beyond ground, beyond even gravity, when we (or whatever we have become) will live in aerial dimensions, as shapes unbodied, unbuilt, and fleeing toward an ungovernable unknown.
Less traffic and an overall hush in the neighborhood today. A thick ceiling of clouds holds the light down and keeps sound muffled. Doves curr-curr as always and a rooster crows from far away. Solid clinking together of dishes, loud thwack to ignite the gas stove, scrape of wire across glass opens the coffee jar. Small sandals slapping concrete, fast passage through the back alley, but no voices. Feeling somewhat bruised and reluctant to move. Not wishing to be carried up the mountain.
Given the Anthropocene, a weather report in its accuracy becomes a poem. Instead of saying “It will rain,” or “It will not rain,” the weatherman, (witnessing subject as substance), says, “We will rain,” or, “We will not rain.” And if he speaks winged words, “It is raining in my heart.”
Indeterminate clear, nice day for a Saturday morning, a modest tower, safe, from which to see. Last night. A past-hyped art piece (ha) that turned familiar in disturbing ways. That a certain world, once inhabited without question, was already perverse, designed by greased-up power-clowns, and world-historical problems, if not made clear, at least had some ugly guts spilled out, glorious tacky, and evil, almost innocent with shamelessness. A devil’s garden (Manhattan, Berlin, Jerusalem?). What things were born that still bear fruit, etc.
Weekend questions, am I fruit? As I breakfast (fried plantains with drizzle of palm sugar) leisurely on the bale with Glagahdowo and Pacitan (husband and G. and A.). Nongkrong. Temperature the same as skin. Sweetness on teeth, obscure (to me) vernaculars bouncing out time, bitter coffee biting down. The joy of being included, with eye-contact, in laughter, at a harmless joke, (about the pisang goreng, and who accidentally picked the over-burned piece). How I covet such rudimentary signs of trust. (Re-making a life on their foundation.) While contemplating a different city, and whether it could ever be, that certain things that happened, never happened.
Woken by earthquake. Between clean sheets, a brief interval of (probably insufficient) alertness. Light rattle of windowpane. Being moved. Doesn’t stop so much as fade into a wobbly hallucination. Pathos, a (mercifully) gentle reminder. That ground is also made of shifting-in-relationship pieces.
Now is the time of the lunar month when I start having (noticing) the darker feelings. (Also. Random waking, trouble sleeping, heightened sensitivity to smell.) I never know how much of that (“the darkness”) I want to put into the blog, or how much choice I have in the matter, or even whether this is any different than my normal (purple and pink) word salad. (It’s a blog about my salad days.) And it makes me feel a universal guilt. So I would like to say I’m sorry to everyone (including those not in my life).
(Every poem is an apology, broken in one way or another.)
Last night, beneath a sky full of stars. Crickets and tongaret and frogs of a hundred voices, night bird from the jungle with a wistful lilt. Full chorus. From within, Pacitan and Glagahdowo chat tentatively as they wire a fixture, poke fun at R., the youngest, for an accident with the motorbike. (He’s ok.) How did so much time pass without seeing stars? (One of rainy season’s more subtle effects, no stars for months.) The sound and the visible meet in expansive absorption. One doesn’t want to leave the moment for anything.
(One must, and so, one does.)
This morning. Wake in the different, the old, the becoming emptier place, where our presence thins. Wijaya kusuma, orchids, instruments, gone. Cats observant, unsure of change. To abandon all of these heavy, unfixable things.
But our footsteps are lightness. We orchestrate movement, flowing now as if downhill. We tell Blih that he absolutely must come visit (arguing against his inner voices). And we prepare, part by part, to disappear.
(To the place where one listens to stars.)
Amber citrine on midnight velvet smiling surprised me above the tree line as we left to see what the house (electric installation) looks like by night. Giving shapes and lines an implied trickery or deception, warmly but also cruelly comedic, elegant. The moon with two horns. Reasons to be happy and reasons to be very very sad, these past few days. Rediscovering the deep well dug down through the bedrock of the soul called grief.
Repetitive, slow single bangs from a place behind, across the small concrete waterway, that delivers rain and runoff down land. As chopping wood? The refrain of roosters seamlessly fused with the pastel light. Memory of a word, perhaps useless here, equiprimordial. I still shape it into a whisper.
Sometimes the scent of a pale peach rose is the cool feeling on your cheek of the breeze blowing from the west through the rice fields in central Bali that might bring more rain tomorrow but has cleared away the rain from yesterday.
Intensification and a crushing-in by sound that triggers claustrophobia. Awake in dark. Loudness outside everywhere pressing in on our small room. An image comes, half-speculation, of rushing rising from below, lifting up this piece of earth. Anxiety of infinitude. How (could it not be empty yet)? Where (is it all coming) from? The sheer scale of element overwhelms the primate calculation. Ocean, immense. A spare fraction of her being is enough to wash us (and drowned dreaming) all away.
(Stop thinking about anything else, stop writing, cover eyes, and become fish.)
Finally, all are home. Precipitation never stopped. Heavy mood of endless rain, (which oddly doesn’t appear on any radar map), shadowless medium fades to thickened black. Cloaked under cloud, enshrouded by water, all but forgotten by the outside world. The relief of becoming profoundly inaccessible.
Morning of puddles, drips, gurgles, the persistent lap and blur of water on glass, glossy leaves nodding under plonks of rain, tucking in noses and toes to keep warm and dry. Homecomings expected, green shadows, grey shining, detached from specifics of time, but waiting. Sunlight without direction.
Sound of rain, to look up, and admit that morning’s reverie is over. The incense of an offering, long since out. The fact of having eaten, (or an empty plate, sitting there), without clear memory of it. A heavy sigh as day changes position, rolling over into evening, and shifting atmosphere blows trees into an ocean, cooling. Jeki appears, we choose an herb responsive to the coming dark. Feed her and strike a flame. Turn it into smoke, inhale a little nighttime air, and go to bed, quite early.
That was a little witchy, wasn’t it.