Element
Paranormal. // Beady black ants, small and matte and anonymous-looking, crowd around some coconut water spilled on the kitchen counter, dropped crumbs on the floor, bits of sugar in a saucer, anything oily, and a small river of them courses around the perimeter of the kitchen, spilling out as a black swarm on the catfood dish. Flowing. It rained for a minute, night releasing a sigh. Now the air cools from evaporation off leaves wet and shiny in the dark. Walking outside to refill a glass, I see movement in the corner of my eye. A shadow that defies looking. Might be a ghost.
Different ants have different signals to make them go away. “Earthquake”, we tap or shake a plate, they file away, we can wash the dish. Or “typhoon”, we blow on the plate, they scatter and go, we can wash the dish. Beady black ants don’t have a signal. We tap the dish, blow on it, they spread, but they don’t leave or even disperse very much. They run around in panic circles. E. blows tobacco smoke, “forest fire”, as last resort. They don’t clear away. Can’t wash a dish or clean the counter without wiping multitudes up or putting them down the drain. They stick to dishes, even under running water. And they crawl onto anything, when upset, hands, tissues, bare feet, cats. Not aggressive, but fast, and when you accidentally squish one, the bite is a pink welt that itches and hurts for three or four days. We find them crawling on us, biting us, in our clothes, in our bed at night, in our food dishes. Pinch it off, toss on the ground. A moving blur on a glasses lense. Ant.
(The rain these past days isn’t normal, for this time of year. The ants, displaced by the rain, are not normal. A ghost that I saw in the kitchen is… more normal than the ants.)
Wijaya kusuma (4).
Through it all, he promises to wait.
The storm has passed. He opens,
and she puts her face against the
fragile thing. Knowledge is there,
of the falling (apart), and the
passing away of something loved.
Skin palm sugar brown, limb narrow,
face is wonder-young, the scars
and creases deepening into
pools of brave obsidian,
and nothing else is worth a thought.
Hair, like mermaid horses riding,
silver-black and torn by wind
and wild waves, is soft. She cannot
breathe for hiding in it, wishing
most of all to go with it,
dissolving, holding, as to life,
to leaving. Every wanting cell
rehearses promise breaking.
Every metaphor about the moon
(is)
also a metaphor about the sun.
And a metaphor about a star.
(And about ocean, and about
)…(
the crab who lives there.)
Night in cloud. With sounds of water surrounding, an evolution from gerimis (drizzle) to soft patter to steady downfall, with drips following waterworks around the house, (in which, fish respirate) small splashing pours, shifting flows through ducts, now slowing into more percussive plonks and plinks and poinks, tinkles and trickles, like this jungle is designed by frogs. A nestled-in rainforest of fractal-shaped puddles arrayed through heartleafs and stems reverberating. This is a very rich ambient sound, and I wonder about sleep, or disturbed dreams, lost connectivity, (unexpected, of course), and mental compulsions related to that. How this was probably written late last night relative to when it will be sent. Just so, a blog inelegantly measures motion. As trial and failure at learning nothing. So imagine this, but yesterday, and we found ourselves watching old videos of Mikhail Baryshnikov dancing the Nutcracker. My mother used to speak somewhat breathlessly of him, his body, (in translucent stocking), and its parts, so visibly distinct. Me, then, in tight-pulled bun, (tears), and pale pink tutu. Today, a grainy image of a man leaping (if we could be parts of that, composed) into a momentary stillness.
Sun Salutation. // Grey morning with here and there spots of rain, where shaded distances contour the horizon, making clear certain things that need doing. Hating. (Be not afraid. Let me neutralize this word, my self.) Rough or reflective edges, surfaces, too much or too little sound or light or tactile or calculative
friction.
With neither apology nor anger, (heartless), the actor’s genius of making it her own, (editing), (object murder), as it’s fraught enough to be born, (a dream incarnate), (a serpent without a shell), let me not be such a stranger to my own re-armored skin. (Warm welcome to you, this cancer season. And a reminder that, from every end of creation, all is just beginning.)
Sky from home (4).
Coconut tree near concrete.
Blustery when I enter the bale today, trees tossed and swaying arhythmically down through their trunks. Some sprung tension in the spoken words, plans for travel changing around plans for ceremonies that changed plans for someone’s birthday. (A different present, is all that means.) Plans suspended and cast around like leaves in the fire of mid-day sun. Taking Sweet Orange to the heat island today, for ceiling fans, to make our own air. As we batten down the nearest future, temper possibility with the need to live in it, with shape and stability of steady wood. BUT how it whips through locks of hair, skims past cloth to know by touch the skin, which raises spirit into chills of fresh sensation, altogether un-imagined, is the wind-kissed exhilaration of promised days beyond ground, beyond even gravity, when we (or whatever we have become) will live in aerial dimensions, as shapes unbodied, unbuilt, and fleeing toward an ungovernable unknown.
Blood on the Tracks is the sun of my Bob Dylan universe. Desire is the moon. (Welcome to Bob Dylan astrology, by me.) I consider myself to be Earth. “Tangled Up in Blue” is where I am, right now, (and sometimes “Idiot Wind” album version, other times Bootleg Series version, you should listen to them one after the other for best effect. Obviously,) “One More Cup of Coffee” is right previous to where my blog is. (Listening to crickets tonight. Softly, like a crystalline froth of sound, from all around the rice paddies, in which there is no time, no history, only countless grains and some one infinite self, dissolving.)
Given the Anthropocene, a weather report in its accuracy becomes a poem. Instead of saying “It will rain,” or “It will not rain,” the weatherman, (witnessing subject as substance), says, “We will rain,” or, “We will not rain.” And if he speaks winged words, “It is raining in my heart.”
Woken by earthquake. Between clean sheets, a brief interval of (probably insufficient) alertness. Light rattle of windowpane. Being moved. Doesn’t stop so much as fade into a wobbly hallucination. Pathos, a (mercifully) gentle reminder. That ground is also made of shifting-in-relationship pieces.
Sky from home (3).
Wijaya kusuma (3).
Sometimes the scent of a pale peach rose is the cool feeling on your cheek of the breeze blowing from the west through the rice fields in central Bali that might bring more rain tomorrow but has cleared away the rain from yesterday.
Offering for fish.
Intensification and a crushing-in by sound that triggers claustrophobia. Awake in dark. Loudness outside everywhere pressing in on our small room. An image comes, half-speculation, of rushing rising from below, lifting up this piece of earth. Anxiety of infinitude. How (could it not be empty yet)? Where (is it all coming) from? The sheer scale of element overwhelms the primate calculation. Ocean, immense. A spare fraction of her being is enough to wash us (and drowned dreaming) all away.
(Stop thinking about anything else, stop writing, cover eyes, and become fish.)
Finally, all are home. Precipitation never stopped. Heavy mood of endless rain, (which oddly doesn’t appear on any radar map), shadowless medium fades to thickened black. Cloaked under cloud, enshrouded by water, all but forgotten by the outside world. The relief of becoming profoundly inaccessible.
Morning of puddles, drips, gurgles, the persistent lap and blur of water on glass, glossy leaves nodding under plonks of rain, tucking in noses and toes to keep warm and dry. Homecomings expected, green shadows, grey shining, detached from specifics of time, but waiting. Sunlight without direction.
Bat at sunset.