Birds
fast flight
in the smudged aftermath of a hijacked plane
a bird sits in wonder
at the swift
heart
after so fast years
her beat so hard believing in
so locked in by the loaded spring
like a poem punched out through the windowpane
//
the inward prospect of a delta
once upon the oceans day an open secret rode forth
enrobed in sheer sunsets and sunrises to say
it is always and regardless of the weather okay
to not be okay on a winged word
she said in my opinion like roses aflame
poetry is never okay
poetry is the doing deed
poetry is a metaphor for the mishap
and it might have worked but that beachgoers assumed
she plied postcards for the impossible
well she spoke quietly to her own heart
ive seen worse ways to circumnavigate this black earth
//
🌔
//
Halcyon cyanoventris
seems nesting nearby
very loud
and yet so blue
omg the genealogy of OK
cries out
via improbable speech
babel bobber bauble bubble
//
inhuman allusion (where)
in shredded shadow hums her corners beastly nerve
end-hounding at the anklets of my wandering
by prowling tigers milk and heat evisceral
cuts lip to tongue amnesiacs re-hysteried word
stalks fear in what like a magician i have bound
blush turns like a trick pony shes ground me into
and if there was a choice that voice has been erased
thigh-hollows skittering rush from goose-flesh alter-flight
laughterless laugh to pique the predatory mask
high valleys ridges brimming overrun of rage
down slouching bowels round rapt plum of panic like
the sparrow silent as a fork in my ribcage
and somewhere in this feckled wilderness her heart
is pounding proud and naked by the rivers dark
on the doubled drums of gods anarchic metaphor
//
warm to a thremma
//
adaddy (of lies)
she sings full coverage seashells for sirens
on oceans stews of roiling fatted wine
she forks her sunset locks for nobody
her cockled chains abreast the silvered brine
she quacks and its a salty bouillabaisse
a diddys rouille on croutons midnight crime
she lays to bed adaddy of earthquakes
her morning simmering the sky star-peppered
//
lemon & roses
//
🌘
special delivery
smooth now, that rough magic
periscopic tragic midnight lookout
pale arms out arctic like an exiled
penguin into the nameless city
coping, cold, gauze in a sand storm
laron flicker in the mighty dust
a turning ember, hot
spark-caught, gold-litter
in the spider web
spanning a rattan lamp shade
my one fish, two fish
her peacock greenish-black or blue
the switch, dangling
sarcophagus
so dead; quothe the neon miracle
off-gassing meatlight; or Lalah
pink, with only enough instinct
to kill and never eat, my baby, yes;
deveining ribbons in the snow, scrubbed
scrubbing, awash in the darkroom; or
backstage, up rusty rungs, like icicles; blanket
of rags, pocket of candy-wrapped pills; she goes
like gamelan trancing crickets at the cross
by tilem, smoke of incense over the sawah
//
new years 2026
i witness your erosion through the glass
my history disappearing by the hour
and snow consumes to whiteout; i am cold
turned witless by distance and disbelief
and there are no more familiar houses, faces
are spreading, thinning, greying, pale, the young
mere vanishing into the adult flood, like
we didn’t want any of it
the cruiseliner is sinking into sand
nobody made the call, nevertheless
it’s all you ever say; whoever has a camel
hard fast to roll the tents and carry it
how do you chase your longing through the dunes
and did her caravan leave any trace
or do you doubt if she was ever there
or do you see her in the doe, the goat, the raven
do you become her in the cursive carved
by thirst, the desert bridegroom winding through
until you haunt the edges of their encampment
inhuman as the hajj, kin to al-Shanfara
locals popping-off begin at dusk
explosions quickening unevenly
as child-sized rockets into midnight, when at once
fireworks engulf the island, terrifying animals
i turn a light on for the chickens
Black Ajax has fallen out of his black tree
he gibbers darkly as he hobbles toward me
the light, a blacker perch; gibbering, i walk him through it
//
selamat tahun baru🥂
//
our chickens are
most junglefowl
we don’t fight them
as, with cocks, is done
but they are fighters
//
black wing
mirabilis volubilis
in shaded speculation
her open eye
her slanted sine
the wilting one
the violeting
the surface matte
the silver bell
oil drawn
from olive well
her shelter, solid
green muscle
//
not sore anymore
well and
//
those two
today we mampir at the house of Pak Mangku
his mother passed, so we bring beras, gula, kopi
in my black linen blouse, my undulant parang
sarung, my sober face, not quite smiling, leaving room
for her; the orchids have bloomed, a white cow has died
to follow, and a sherbet sky breaks chains at sunset
swallowing a lavender storm; all in a day’s wok
sometimes i fantasize about the afterlife
bad habit; my sister and my desister here
and here; but when i see the bulbuls and the tits
the fine-feathered egrets’ flight for patchwork light to graze
in full breeding plume, their eyes intently red
i return to stanzas that rhyme, like those two
memory washes the sawah; my season softer by it
//
//
corvid solstish
i saw a crow, but not a city crow
a forest crow, gagak hutan, Corvus enca
her smooth and perceptive, violet-black
matte iridescence, flew over me, up to the green
ravine; from there she turned her black eyes on me
barely here, it was the longest day of the year
a rain-soaked day; but the sun came out that morning
to show her shadowing rainbow and the waterfall
later, some kind of animal, taking a hot shower
stars thread the clouds like icy pinpricks of rain
legs still sore, reflection cooling skopein
ornithologoi, a poet’s favorite color; yes, tilting
//
anywhere but poppies
it’s there
her pane of a window
passing passages
the passing offer to carry
ten thousand atomic lighters
black specks on a braid of challah
or liberate sweet nappers proper
a chilli-laced hotpot, shiitakis, bok choy
garlic, in the valley of compost boxes
loose her transportive reliquaries, poultices
dank delicious opacity compressed of air
silkworms for the mundane pocket
warm pillow for docket signifiers
fingertips heavy with tawny heads
inky notations with nowhere there
to fly, but into the measure, slightly high
pitched on a dry stone wall, for her
a pinkish reddish hazy third, with leaves
to breathe, past purple on the milky way
eclipse, her eyelid, her lippy friend
seamless tracing moving core
//
🌗
sharps & feathers //
receipt
lemons limes
Trojan War
hijab silken
breeze woken
slant pigeon
red of wing
golden floor
keepsake for
her lioness
hijab burning
pulses turning
nostos yearning
]
]
]
]
method ender
plete returning
tender deliver
by river liver
taste radiant
of summer
//
other things said:
Hades?
//
for simple
yes, and
or
Achaean horse
& canto II
//
my ruby eye
O you, who have suckled her bones
who have frowned at her horses
who have fingered her emerald
and now would taste her ruby too
and have i not enough exhaled
her undertowing rose at you
salt-sticky; here is sea-foam on skin
here are pregnant transparencies
and have i not already tossed
such tender and hard-bitten kisses
for sheath, another kris today
treasure accumulates like sand
behold an ever-angled wound
the spindle-pricked porosity of red
i am a self cutting gemstone
i bleed the emptiness of tools
i fling magenta words at birth
behold my prolonged scar of it
historical, faceting pre-wonder
tip that breaks her ice-pick tongue
she was a pirate and a fool
she ate the plexing devil fruit
vermillion stretching pelvic nerve
whose diadem lusts after you
and who is blinded by her kind
my fascination will glint cruel
sent basilisk or blushing bride
your fear will not take care of her
the heart, the fist, the appetite
when Cleopatra mounts insight
my empire burning leonine
by Mars, love’s favored principal
this reign of crimson tears divine
but sanguine as she’s gentle still
barefeet may meet the salad vine
and blue by babbled river’s chill
just so, what beggar wears my crown
is dying round the wheel again
out of her time, out of her mind
sweet dance, my dove perpetual
take this, the heartbeat of a sow
and let it flex upon your palm
it’s wet, the rumbling scarlet jet
now let her throb be thunder found
red wreath for convert cry, the end
how pilgrimage of period stain
i am in time, in time, will out
my ruby eye of her disposable throat
//
ποικιλόθρον’ ἀθανάτ’ Ἀφρόδιτα
& the probing path to yes
//
or not nothing
for saving the phenomena II
and more
//
//
this be a verse
to razors and gashes
and stabbings and worse
no harm is intended
and it’s for the best
//
🕊️
//
& pace Larkin
semi-nude for a photo album
their birthday was the other night
the girls were going out; the grift
delayed by getting ready; gift
of tangled, sappy rattan; caused a fright
pan, she burned some flowers on you
meta-burban, real dream for two
polaroid tacky, pantries full
of shady tatters, curtain bulls
sister, it was no dress for winter
but they were grown enough to drink
something fancy from the blender
fermented guava, lava lake
lavender flannel, camisole
white linen sheets, hung in the sun
nigel and sandi, mel and sue
genre-bender, Java won
high horse, he has a song for you
but i’ll save it for another tone
her sweaty practice, overdue
vinyasa, tapas, organ brew
dizzy lizzy ate some rice
eat, pray, love, the antichrist
jihadi, mum’s worst nightmare
Gandhi, papa’s burnt-off limb
inter-dimensional makeout queen
Osaka airport, caused a scene
village gossip, words above
she’s never catching up on love
not quite posh, but pulp turned through
realism, my lands, god knew
so sliced the flippin' longitude
bless her heart and come on in
agrimony henbane dish
too-schooled harpy hysterical
raised pie of huckleberry fish
turned river-liver radical
there’s mantra in the air tonight
what kue set in sangga stone
rise with the moon, the howling dog
the crone, her voice memorial
white-footed goat is coming home
to graze by fiery sunset view
the desert camel, bringing bones
with mother Durga, chest tattoo
a secret pocket of soil and spice
elaborate belty-thing, rhizomes in knots
not big enough for where you think
whether it is cake
//
(wants cake)
//
texas talkin blues, like this
vernacular from full moon 5/11
genius loci, pura dalem
blog 2-yr anniverse & job well done
//
Needleworker
Pierce me once—the crying; pierce me twice—
The dying; pierce me thrice—my laughing tomb:
This quivering feline skin, some kind of lark,
Sharp noise, felt aerial, fled human wound.
O Queequeg, Lucy’s love, my Nobody!
Unmake ambergris soufflé to scrap and salt;
Pets, lapping shattered tiramisu, whet
Our mongrel tongues; embroidering the asp.
Bull-revelry, before we dance the waltz?
Your sutra swans around my ichthyan lisp,
To charm the vipers out—that feather in
Your bonnet inks my tapestry with bone.
I move to tiger with you on the cusp
Of animality, that golden-threaded throne.
//
🌘
Indigo
I found the true, sun-rendered into grass.
Your crest was bruised, and bled darkly as wine,
Unfolded fan of bronze between the green
Blades: cut down, dissociated flame.
Rooster plucked bald, spur-riven by rage;
Fresh amputee of faith; his brothers, turned;
Beloved hen, a prize for violent men;
Disintegrated end of pointless feathers.
If I were strong, like you, I may not
Have chased him down and put him in a cage;
Rewritten him this unreal sanctuary, made
Of wire and wood, wish-woven with vervain.
A mess of mercies is my apocalyptic kitchen.
By my haphazard and incomplete, sincere
Effacement, I perform, historically,
Dueling, death-won, verb-mangled essences.
The crumbling law of walls, a garden crossed
By interventions; roses uprooted by birds,
Cock-sacrificed, or saved—Indigo is
The privilege of my indefinition . . .
As tempered hearts traverse this tear-trembling
Threshold, until the Iris appetite resolves
In fundamental mud of lotus eaters—
I offer kue, leftover from purnama.
//
Kue, small cakes, are often part of Balinese canang (offerings) left around the home on purnama (the full moon).
This is my entry for the September IndieWeb Carnival, hosted by Sophia, on the theme “second person birds”.
A guest reported seeing a jalak Bali, or Bali myna, one morning on our mulberry tree. These are so rare that we wondered whether it was a real sighting. The myna (Leucopsar rothschildi, also called Bali starling) is a critically endangered species. Most of them are located in the northwest corner of the island, in a national park. They are unfortunately heavily poached and sold on the black market as pets.
Then I discovered that a breed and release facility is close, around 1.5 km away from our house. That’s “as the myna bird flies”— it’s on the other side of a deep jungle ravine. For us to visit would take around 4 hours of driving.
But now I really want to visit.
The snow-white, blue-masked myna became the voice for this poem. I’d very much like to see one myself, so I’m often checking the mulberry these days.
//
The Myna // Sang Jalak
The Myna
So here we are, in this
Third World. Palm trees,
Rice paddies, machetes.
Doves couple on concrete walls.
Seasalt breeze, like surface
Fire . . . Sapphire, emerald.
Sanctuary comes, commands
Silence. Our mothers cut tongues
To police. Masked,
The myna bird speaks
On the mulberry tree. Elsewhere,
Ants against an elephant.
//
Sang Jalak
Jadi disinilah kita,
Di Dunia Ketiga ini. Pohon palem,
Sawah, parang.
Merpati bercinta di dinding beton.
Angin laut asin, seperti permukaan
Api . . . Safir, zamrud.
Suaka datang, menuntut
Keheningan. Ibu-ibu kita memotong
Lidah ke polisi. Bertopeng—
Jalak Bali berbicara,
Di pohon murbei. Di tempat lain,
Semut melawan gajah.
//
cocks and doves
is the sun enough for me?
uppity child— little Henri,
a cockadee, chases dovelettes
from the weeds. palest grey
sweetmallow breasts, ruffled
romancing on the pagar. desire
trembles in the precarity of daylight—
wooers, laughing, are tumbled upside-down.
Rainbow tidbits for Henri,
though neither of them is a hen. verily,
unto the sun is born a luminous,
bewilderingly beloved.
//
🌗