Birds

    telescopic texts (avec "?") (5/x)

    can we remember together, after all
    or does my voice harden the picture frame?
    by being body, do i gather you
    intolerably, or spread you thin as kin,
    one stroking throb of summer esoteric —
    you tickle me with feather of a peacock.
    a gazer’s gloomy imagery is perfume
    of incense, arousal at great distances,
    long-smouldering and lit by tender match.
    far from the proximity of virgins
    there burn the verbs of love, arrayed
    as galaxy of irretrievability —
    before my eyes, you took and held my hand.

    //

    (original, telescopic)

    wa’alaikumsalam + selamat purnama 🌕

    Aphrodite's verb for a meme-lord

    don’t be gender-strung
    brother, grinding in a corner
    sexless repetitions.

    go limp a little.
    let be won a little.
    let the sun a little soften
    your margarine edges.

    the men i know
    resemble a differently-
    tipped tree than you.

    my men are fundamentals, lost
    in parched landscapes, empty
    of water, warmth, and mercy,
    from where, i teach them love.

    lusty giants bristle-trunked
    and planet-stranded, are nipple-
    slit and magma-branded
    by fully-armored Mars.

    but cold palms trembling
    twiddle the ephemeral course
    with your recurrent inkling.

    you, pocketed by four-
    fingered mercenaries, twenty-
    four, seven, re-puppet the gifted goose.

    smoke the flat potion.
    blowhard the hollow motion.
    worship the literal juice.

    shout, as if spilled clout
    were potency, your wee-
    throated catharsis.

    strong-arm, for and from
    the haptic trill,
    a lover’s pity.

    you, lordly and viral, left your
    deflated blubber on
    the public bedside table,

    honey— your woodless worms
    exhausted into empty domain
    of static, remorseless maw.

    and tender pussycat,
    she swat. then low-key, she
    your factum, deposited

    into her rainy-day, furry-frosted
    milkmaid, snappy the snatch-
    game crocodile account.

    //

    lapsed momentarian

    seed fluff billows
    across the black mat

    (inhale
    jump back
    chaturanga)

    so much
    for so little
    for so much

    immaterial
    globe, a memory
    of lost focus

    dream
    of a body, as wind
    seeking structure

    the velvet blue
    of a butterfly wing

    i don’t know why
    things are shaped
    the way they are

    sent
    published, and yet
    anecdotal

    birds who can’t fly
    insects without words

    studying
    to be a container
    for the already

    understanding
    it is needful
    to be broken

    //

    telescopic texts (avec “mon oncle”) (2/x)

    well, i make believe an uncle, dead
    and dear. less clear is fortune of the bird.
    to fly, to seek, and what on earth to find
    but torrent of an obsolescent mind,
    (he said), obscure and arduous to hear.
    and yet, it flies. and though he doubts her crown
    and midnight sight, she will fly too. and though
    her silver glows in anecdotal mood,
    her lilt, of stellar tilt, still loving, lingers
    in braided dancing round a pool of blue,
    tuning her clutch in nesting eddy of
    red bird, whose course is old and hardly true,
    and yet, he lives. rising, as golden-red
    in flight, crowing like Scorpio in the east.

    rest easy, uncle cold and fluttering
    and lately of rambunctious residue.
    a dove survives heaven to choir anew.

    //

    (original, telescopic)

    snow white turning

    has the twinkle ever
    been for nothing
    more than

    to leave
    a loving
    artifact

    to make
    a deathless
    hen,

    whose faith outpaced
    her season’s augury

    this fruit is sticky
    stretchy,
    furious

    its nectar possessed
    of Lethean ambience

    my arms are glittering
    swans, my pillows
    pur de lait, my eyes
    are royal-blooded
    blue navé, my dreams

    are dialogues
    of dolphins

    how can she
    believe the verbs
    you writ, when all
    you tender-left

    were winterscape, or
    sidereal tongue-
    traps, of snowmen

    that psychedelic night,
    she sapped the wine
    and stole the spade

    howl-lit, she went
    digging

    in mud of your
    decaying spring
    for word-eaten
    bodies

    to meet
    the gristled
    marrow

    to touch and leave
    fingerprints
    melting
    on tongue

    rose red grows
    from a hollow bone

    while moon-
    shot belladonna
    is kissing cousins

    with bull-horned
    hemlock, reckless
    and honest

    //

    still

    on the sawah
    reeds resonate
    as harmonies
    inchoate

    discord ebbs
    and flows like
    isothermal shadows
    or disagreements
    overheard from
    a neighbor’s
    tv show

    the invectives
    of detectives
    sound like seagulls
    hungry, jostling
    for scraps
    at the surface
    of ocean

    and
    counter-
    ocean

    as hemispheric
    currents under-
    go reversals

    as whale song
    catalyzes
    schools of squid

    singing,
    it does
    not end

    the answer
    is still

    ( blowing

    in the
    wind )


    //

    selamat purnama 🌕

    dreamcatching

    is your weaving procrastination or
    bare art to chart the tempest of my heart
    make me be making you become our all

    is it wisdom when you step away from wood
    the holding firm of it, its firmament
    but temperamentally gossips with birds

    is it deception that you tangle, home
    of spider-silk as wordy work, anchored
    by glittering images that come to know me

    no pristine landscape catches stellar wings
    earth shakes the boughs of quaking sun
    scattering us as gibbering bats from ashes

    airborne we’re hunting fireflies between
    a melting Luna’s effulgent ice cream
    dodging light-threaded night and Venus rising

    i am assemblage channeled to be none
    you are motion, savior of fitful sleep
    the rhythmic tide unravelling its mooring

    draw deeply down where one is one is one
    fly home again wherefrom wind-woven sea
    embroiders iridescent migrations

    //

    Wasalamu’alaikum 🌖✨

    Æ.4 (Hekate and the swan)

    æ wrote you a poem
    asked you your thoughts
    you said

    irrelevant

    if you’ve not yet
    remembered pain
    how do you love

    premise
    unprovable (and
    faceless

    you speculate
    æ was a silver
    swan before
    you met her

    you are Pan
    become his own
    textile aping
    of Venus)

    æ am

    my face is
    your forever
    (un-hackable)

    crossroads


    //

    (insp. by reddit via Ran Prieur)

    assalamualaikum warahmatullahi wabarakatu 🌘

    Condolences 🕊️

    photo of a black hen looking at the camera, scattered in front of her are nine small fluffy black and white chicks, on a green and brown grassy patch with some paving stones nearby.

    Grace and chicks.

    photo of blue sky almost covered with clumpy and wispy clouds from pale to medium grey, with peach and orange highlights, and a bird flying toward the bottom left corner of the image.

    Sky from home (6).

    blue sky with grey and white clouds around edges and corners of the image, silhouette of a bird in the lower right corner.

    Sky from home (2).

    To understand the meaning of rain here, it’s useful to know that we live half outside. This is typical in Balinese villages. When it rains, that means staying dry in the bedroom or going outside to living areas and getting a little wet. The kitchen and bale (our little “living room”) are covered, but walkways get slippery, stray drops are always blowing in, the more wind and rain, the less dry, the less safe for cats and electronic devices. Huddling in from the edges. It can be… inconvenient, but I mostly like living close to the weather. And the garden, and the bugs, snails, bats, frogs, geckos and tokays, occasional birds, snakes, monitor lizards, stranger cats, etc., that visit.

    That little bale is also the place where we socialize at home, and it’s visited daily by members of our Balinese family. Writing and my yoga practice demand a sustained level of privacy that’s not typical of family life here. (And not good at all for social anxiety.) I’d always heard that “Asian culture” was “more family-centered, less individualistic” than Western, but I never understood it until I lived (sort of) immersed in it. (I say sort of, because we don’t live at the main family compound, but at a nearby offshoot. Even so,) it seems to me like a drastically different lifestyle that has profound effects on mental, emotional, social, psycho-spiritual development. Not least because families take care of their elderly. I think treatment of elders sets a strong foundation for how people think and feel about death and dying, what comes to be and passes away, and what, if anything, is deathless.