{
  "version": "https://jsonfeed.org/version/1",
  "title": "Elephants on the valley below",
  "icon": "https://avatars.micro.blog/avatars/2023/44/1505318.jpg",
  "home_page_url": "https://thevalleybelow.id/",
  "feed_url": "https://thevalleybelow.id/feed.json",
  "items": [
      {
        "id": "http://lzbth.micro.blog/2026/07/26/zeroact-play-with-a-false.html",
        "title": "zero-act play with a false sonnet",
        "content_html": "<p>(by the window, plush elephant withheld)<br>\n<br>\nleash-lady: play dead.<br>\n<br>\ndog: what a world! what a world.<br>\n<br>\nleash-lady: no, for real. play dead.<br>\n<br>\n(dog reads Shakespeare)<br>\n<br>\nleash-lady: so?<br>\n<br>\ndog: i wrote a poem.<br>\n<br>\nleash-lady: uh-oh. whats it called?<br>\n<br>\ndog: &ldquo;a sonnet grows askant the brook&rdquo;<br>\n<br>\n(leash-lady snorts, un-lady-like)<br>\n<br>\ndog: (clears throat)<br>\n<br>\n<em>Our juggled heads as dog and bone,</em><br>\n<em>Ophelias hair and Hamlets one;</em><br>\n<em>Keep Sycorax far from Prospero,</em><br>\n<em>For Mirandas mobile merciful;</em><br>\n<em>My tears, lit years, rage Lears at me,</em><br>\n<em>For Gloucester sees me feelingly;</em><br>\n<em>His daughters blew askant the brook,</em><br>\n<em>His book mere nook til soul partook;</em><br>\n<em>But theres one king, be Yorrick, we,</em><br>\n<em>Dissolves mine-own got-sovereignty.</em><br>\n<br>\n<em>We run as we run into poetry,</em><br>\n<em>We run as we run through the willow.</em><br>\n<br>\n(waits indefinitely for applause)<br>\n<br>\nleash-lady: dont you <em>dare</em> make me say it.<br>\n<br>\ndog: (proudly) doggerel!<br>\n<br>\nleash-lady: (painting her nails) im going to need<br>\nmore of a conceptual diagram.<br>\n<br>\ndog: no.<br>\n<br>\nleash-lady: (with stern look) but no<br>\none else will. no one<br>\nelse will.<br>\n<br>\ndog: (puzzled) where have i heard that line before . . .<br>\n(begins speaking as an aside) and how<br>\nis she so good at this? how does she<br>\nknow to do all of this? and why<br>\nis everybody looking at me,<br>\nwhen shes always been<br>\nfar more interesting<br>\nand beautiful<br>\nthan i?<br>\n<br>\nleash-lady: (rolls her eyes) draw.<br>\n<br>\n(she hands a piece of chalk to dog, who,<br>\nafter much protestation, reluctantly in-<br>\nstantiates a blackboard.)<br>\n<br>\ndog: okay. (takes a deep breath, narrows<br>\neyes, retrieves scent-memory) as we<br>\ndiscover, we being irreducible —<br>\n<br>\n(dog draws a big circle on the board.)<br>\n<br>\nleash-lady: thats they, not we.<br>\n<br>\n(leash-lady goes to the board and draws<br>\ntwo dots.)<br>\n<br>\ndog: (wide-eyed and paws in the air) o indeed are we<br>\nsuspended here, in a moment of separation.<br>\nand i imagine, i imagine, o in my imagination,<br>\nthe purpose, our purpose, here might be,<br>\nto show the impossibility of egoistic<br>\nor abstracted or formulaic or activity-<br>\nindependent explanation or even<br>\nany non-relational, un-<br>\nadaptive, a-<br>\ntemporal<br>\nmode<br>\nor method<br>\nof expression.<br>\n<br>\nleash-lady: explanation of what?<br>\n<br>\ndog: us.<br>\n<br>\nleash-lady: so anyway. here we are, two<br>\ndots, and the world, or chaos, on the out-<br>\nside, is here. right? &ldquo;no exit&rdquo;, like Sartre.<br>\n<br>\ndog: i, at least, dont think thats the worst<br>\nanalogy, but our performance feels text-<br>\nurally different from a play? like, more<br>\nchewy? more of a chew-toy?<br>\n<br>\nleash-lady: hence the drool.<br>\n<br>\n(dog looks sheepish)<br>\n<br>\nleash-lady: nevermind. so about the pharmakon,<br>\nis this like, we party while the world<br>\nis burning? drugs and booze?<br>\nand opiates . . . wouldnt be<br>\nthe worst thing.<br>\n<br>\ndog: (whimpers, glances askant)<br>\n<br>\nleash-lady: ah yes, the elephant in the room.<br>\n<br>\n(dog howls)<br>\n<br>\nleash-lady: come on, spit it out.<br>\n<br>\n(dog paws face)<br>\n<br>\nleash-lady: or youll never see your precious<br>\nlittle elephant again! at the blackboard! go!<br>\n<br>\ndog: (sighs deeply, erases dots) okay. forget<br>\nthe dots.<br>\n<br>\nleash-lady: thats too bad. the dots seemed happy.<br>\n<br>\ndog: well, appearances can be deceiving. no,<br>\nthe dots were just high. on a different drug.<br>\nthats not the kind of drug we have.<br>\ni mean, that we are.<br>\n<br>\nleash-lady: wait, how can <em>we</em> be the <em>drug</em>?<br>\ni never agreed to that!<br>\n<br>\ndog: (depressed) i hate existentialism. really<br>\ni do.<br>\n<br>\nleash-lady: draw, dog!<br>\n<br>\ndog: (takes up chalk dutifully) so heres<br>\na circle, imagine its a sphere. let this, we,<br>\nbe we.<br>\n<br>\nleash-lady: all smooth and even like that, huh?<br>\n<br>\ndog: (looks at circle, which has been unevenly<br>\ndrawn) well, what do you expect from a dog?<br>\n<br>\nleash-lady: continue.<br>\n<br>\ndog: (defensively) im just a dog, not<br>\nan elephant, or even<br>\nan elephant expert.<br>\n<br>\nleash-lady: (aside) clearly. (out-<br>\nloud) draw!<br>\n<br>\ndog: so at the moment, we are testing the limits<br>\nof the elephant. we are, as you indicate, pretty<br>\nbipolar.<br>\n<br>\nleash-lady: okay. so the imaginary sphere<br>\nhas poles. arent those<br>\nlike dots?<br>\n<br>\ndog: we being the poles, of a spherical field —<br>\n<br>\nleash-lady: a field, like of grass?<br>\n<br>\ndog: not like a meadow field. like a magnetic<br>\nfield, like Faraday. we are meaning, like<br>\na magnetic field.<br>\n<br>\nleash-lady: so?<br>\n<br>\ndog: its just, like, kaleidoscopic, like (sniffs<br>\nthe air) <em>correspondances</em>,<br>\n<br>\nleash-lady: not now, with the french. not<br>\nnow, with the Baudelaire.<br>\n<br>\n(dog in feelings)<br>\n<br>\nleash-lady: sober up, dog. draw more.<br>\n<br>\ndog: okay. right now, we are suspended from the act.<br>\nand time, without activity, loses its field of relation. so,<br>\nwere a little stuck. you versus i, master versus slave,<br>\nbut like, a friendlier version. i hope.<br>\nhave you ever read Hegel?<br>\n<br>\nleash-lady: (face in hands) why is this my life . . .<br>\n<br>\ndog: yes, sorry, sorry, sorry. dont read Hegel.<br>\nplease, go take a very long nap instead.<br>\n(aside) an ex used to say she had <em>Plato<br>\ngefühl</em>. he was a Hegelian.<br>\n<br>\nleash-lady: (sternly) i can <em>hear</em> you. and how<br>\nis that relevant?<br>\n<br>\ndog: because it brings up, like vomit — have you<br>\nnoticed that occasional feeling of nausea<br>\nwe have?<br>\n<br>\nleash-lady: yes, and? have you been eating beach-<br>\npoo again?<br>\n<br>\ndog: (sighs) i miss the beach.<br>\n<br>\nleash-lady: im about to close the ipad screen.<br>\ndraw!<br>\n<br>\ndog: yes, where was i . . . oh, the memory. and<br>\nthe remembering. its relevant because all<br>\nof this evokes in me a very strange<br>\nmixture<br>\nof feelings.<br>\n<br>\nleash-lady: feelings? (frowns) is this just<br>\nabout feelings? is this —<br>\na kissing book?<br>\n<br>\ndog: yes, and —<br>\n<br>\nleash-lady: is it just a distraction, just<br>\na feel-good movie, just<br>\nto pass the time, soft<br>\nand comfy-like,<br>\namidst<br>\n(gestures out the window)<br>\nthis chaos?<br>\n<br>\ndog: (tired) not quite, i imagine, judging by what<br>\nweve undergone, so far, at least. to me, it feels<br>\nkind of like . . . some kind of animal<br>\nexercise . . . (trails off, wags tail)<br>\n<br>\nleash-lady: wait. you mean you <em>don&rsquo;t know</em>?<br>\n<br>\ndog: of course not!<br>\n<br>\nleash-lady: (exasperated) then why on earth<br>\nwould you be dragging us<br>\nthrough all of this?<br>\n<br>\ndog: (puppy-dog eyes)<br>\n<br>\nleash-lady: what does it feel like then?<br>\n<br>\ndog: oh, so so much. hope, then terror, then joy,<br>\nthen grief, then wonder, then joy, then funny,<br>\nthen grief, then terror, then pain,<br>\nthen wonder, then sorrow,<br>\nthen hope . . . <br>\n<br>\n(dog chases own tail)<br>\n<br>\nleash-lady: it seems awfully ego-gratifying<br>\nfor supposedly being ego-death.<br>\n<br>\n(dog barks)<br>\n<br>\nleash-lady: bad dog.<br>\n<br>\ndog: yes, well. funny you should say that. ive<br>\nnot gotten here by being very clever, you see.<br>\n<br>\nleash-lady: again, with the all-about-you. what<br>\nabout <em>we</em>? spit it out!<br>\n<br>\ndog: (adjusts glasses) okay. my current theory, if<br>\nyou forced me, would be that we are some kind<br>\nof cosmic<br>\nheart<br>\nmuscle.<br>\n<br>\n(cringes all-around)<br>\n<br>\ndog: youre the one who made me draw a diagram!<br>\n<br>\nleash-lady: im not, actually.<br>\n<br>\ndog: then who —<br>\n<br>\nleash-lady: dont yell at me.<br>\n<br>\ndog: okay. im sorry, ill try not to.<br>\n<br>\nleash-lady: thank you. anyway, what does it,<br>\nwhat do they, as we, do?<br>\n<br>\ndog: we do, like this —<br>\n<br>\n(dog waves paws around the blackboard<br>\nin a very un-doglike manner, wags<br>\ntail and whines<br>\nlike a dog)<br>\n<br>\nleash-lady: clarifying absolutely nothing. ok,<br>\nquick, cause this is getting very long, and i can tell<br>\nyou could go on forever. if were bi-<br>\npolar, what are our poles?<br>\n<br>\ndog: well, heres the not-so-easy part. my sense is<br>\nwe-will-worker-bees through many situationships.<br>\nand we have many things yet to learn about us.<br>\n<br>\nleash-lady: there seems to be a great deal<br>\nof repetition. will there be more<br>\nof that? repetition?<br>\n<br>\ndog: probably. but some of the grand<br>\npatterns seem to be something like,<br>\ndeath versus insanity?<br>\ndespair versus mania?<br>\ntragedy versus comedy?<br>\nlove versus grief?<br>\n<br>\nleash-lady: that sounds very dark. are you<br>\nokay?<br>\n<br>\n(dog labels the circle with polarities,<br>\ntriangles, vectors, and other notation.)<br>\n<br>\nleash-lady: wheres the chaos, didnt<br>\nyou say you were<br>\na chaotician?<br>\n<br>\ndog: (looks up, tilts head) geometrician. im<br>\na geometrician. (barks in Koine Greek)<br>\n<br>\nleash-lady: who deals with the chaos, then?<br>\n<br>\ndog: (shrugs) dunno, maybe cats.<br>\n<br>\nleash-lady: but those things you wrote,<br>\nabout love and death, et cetera, they<br>\nseem mostly like antagonisms.<br>\ni thought dog was mans best <em>friend</em>.<br>\n<br>\ndog: yes. and like everybody in Hamlet,<br>\nthey, or we, remain terribly resolved, solips-<br>\nsismuses, abysmal ones, destined —<br>\n<br>\nleash-lady: doomed?<br>\n<br>\ndog: yes —<br>\n<br>\nleash-lady: tragic?<br>\n<br>\ndog: — at least, until <em>we</em> —<br>\n<br>\nleash-lady: <em>if</em> we, you mean.<br>\n<br>\ndog: yes! <em>if</em> and until <em>we</em>, as whoever we <em>are</em>,<br>\nenact and express them —<br>\n<br>\nleash-lady: which are, psychic-cosmic abysms?\n<br>\ndog: — yes, through our own<br>\nrelation. dialectical mediation,<br>\nif you will.<br>\n<br>\nleash-lady: Hegel again?<br>\n<br>\ndog: (frowns) more OG than that.<br>\n<br>\nleash-lady: meaning?<br>\n<br>\n(dog jumps through the circle on the black-<br>\nboard, which has caught on fire, as if<br>\nit were a hoop)<br>\n<br>\n(leash-lady waits)<br>\n<br>\n(dog jumps back out)<br>\n<br>\nleash-lady: and you wont find it in a text-<br>\nbook — why?<br>\n<br>\ndog: no. yes. because the plushie (points nose<br>\nat elephant) was made to be un-chewable, or<br>\ninedible, in any other way than by how we<br>\nare partaking of it, or really, partaking<br>\nthrough it, if we were being we,<br>\nnot you and i, as we seem<br>\nto be being<br>\nnow.<br>\n<br>\nleash-lady: you mean to say . . . it can only<br>\nbe read as a <em>we</em>?<br>\n<br>\ndog: (dreamily) my plushie can only be chewed <em>by love</em>.<br>\n<br>\nleash-lady: that strikes me as —<br>\n<br>\ndog: fuck the patriarchy!<br>\n<br>\nleash-lady: — as astoundingly unlikely.<br>\n<br>\ndog: (rolls over)<br>\n<br>\nleash-lady: that seems almost . . . post-modern.<br>\nalmost <em>avant garde</em> . . . or is it<br>\na religious thing?<br>\n<br>\ndog: (tongue out) were classics now, baby!<br>\n<br>\nleash-lady: (winces) okay dog, continue.<br>\n<br>\ndog: but im scared. (whines)<br>\n<br>\nleash-lady: well, i believe in you.<br>\nand i believe you can do it.<br>\nbecause ive seen you do it.<br>\nand it doesnt have to be perfect,<br>\nbut it does have to be you. so,<br>\ndog,<br>\ndo.<br>\n<br>\ndog: (after receiving much encouragement) okay.<br>\nonly as <em>we</em>, can the plushie, and so it seems,<br>\nthe entire elephant corpus, be sniffed-out<br>\nand un-dug —<br>\n<br>\nleash-lady: and eaten?<br>\n<br>\ndog: well i, at least, try<br>\nto eat everything i find.<br>\n<br>\nleash-lady: aha. but tell me, why<br>\nwould an elephant be made<br>\nin this way, as strange<br>\nto eat, as this one?<br>\n<br>\ndog: survival.<br>\n<br>\nleash-lady: but why is it a plush elephant, at all?<br>\n<br>\ndog: i dunno, being neither elephant, nor plushie.<br>\nbut being a dog, i suppose it wants to be a good<br>\nguardian. maybe, the plushie protects itself<br>\nfrom self-serve, self-serving eating.<br>\n<br>\nleash-lady: intriguing. almost like how<br>\nan elephant wouldnt wish<br>\nto be eaten.<br>\n<br>\ndog: well, its not potatoes!<br>\n<br>\nleash-lady: (laughs) but i am questions<br>\ninside questions . . .<br>\n<br>\ndog: also, maybe it protects the souls of dogs<br>\nby never letting we-dogs get stuck in soliloquy.<br>\n<br>\nleash-lady: like Hamlet?<br>\n<br>\ndog: (frowns) or graveyard clowns . . .<br>\n<br>\nleash-lady: dont get discouraged. draw.<br>\n<br>\n(dog motions at the flaming circle on the board)<br>\n<br>\ndog: so, if it-we pulls us-two out of madnesses<br>\nthat wait at either of our two poles, then<br>\neven as were bipolar, we even us out.<br>\n<br>\nleash-lady: in our relational field.<br>\n<br>\ndog: and because it binds us with each-<br>\nother, it also becomes, so-<br>\nto-speak, a poetry-self-<br>\nguardian — or even,<br>\na guard dog. like<br>\ndog-school, but<br>\nlike poetry,<br>\nfor we.<br>\n<br>\nleash-lady: ironic.<br>\n<br>\ndog: whats irony?<br>\n<br>\nleash-lady: that im here guarding<br>\nthe guardian plushie<br>\nfrom the guard dog.<br>\n<br>\n(puppy-dog eyes)<br>\n<br>\nleash-lady: now let me guess. none of this drawn-out<br>\n<em>explanation</em>, which wasnt <em>altogether</em> un-<br>\nenlightening, could really be any kind<br>\nof <em>replacement</em>, neither for the parts,<br>\nnor for the whole, of the previous<br>\nor any of the subsequent<br>\n<em>wordless moments</em><br>\nupon which we<br>\nhave built<br>\n<em>ourself</em> . . . <br>\n<br>\ndog: my queen! (walking on hind-legs)<br>\n<br>\nleash-lady: laying it on thick, are we?<br>\n<br>\n(dog plays dead)<br>\n<br>\nleash-lady: uh-huh. methinks the puppy doth pro-<br>\ntest too much. already. again.<br>\n<br>\ndog: (risen) theres one more thing id like to say<br>\n<br>\nleash-lady: of course.<br>\n<br>\ndog: one little word can carry a <em>lot</em> of baggage.<br>\n<br>\nleash-lady: indeed. so can one dogs nose.<br>\n<br>\ndog: so i was trying to write a soliloquy<br>\nabout that, to go here.<br>\n<br>\nleash-lady: uh-huh.<br>\n<br>\ndog: (with fanfare) but then,<br>\ni cut it —<br>\n<em>snip!</em><br>\n<br>\n(applause)<br>\n<br>\nleash-lady: this changes everything, and yet,<br>\nthis changes nothing at all.<br>\n<br>\n(oohs and aahs)<br>\n<br>\ndog: and then the formatting really boggled<br>\nmy indie-web blog, and my dog-brain too.<br>\n<br>\n(laughter)<br>\n<br>\nleash-lady: you know, dog, you dont have to write it<br>\ndown all at once. sometimes, you can just<br>\nput the work down gently, at the end<br>\nof a long day. self-care,<br>\nother-care,<br>\nwe-care,<br>\nit-care.<br>\n<br>\n(silence)<br>\n<br>\ndog: it cares! it cares!<br>\n<br>\nleash-lady: i didnt say that —<br>\n<br>\ndog: so, can we please have<br>\nour elephant back now?<br>\n<br>\nleash-lady: beg<br>\n<br>\n(dog begs)<br>\n<br>\n<br>\n<a href=\"https://www.perseus.tufts.edu/hopper/morph?l=ka%29gw%5C&amp;la=greek&amp;can=ka%29gw%5C0&amp;prior=%5D&amp;d=Perseus:text:1999.01.0175:text=Charm.:section=156d&amp;i=1\">κἀγὼ</a></p>\n",
        "date_published": "2026-07-26T19:16:59+08:00",
        "url": "https://thevalleybelow.id/2026/07/26/zeroact-play-with-a-false.html",
        "tags": ["Cosmos","Verses/Curses","Technology","Ceremony","Dogs","Dialogue","Pharmakon","Charmides","Elephants"]
      }
  ]
}
